Wind and reed player Mary Ehrlich's excellent Rites Quartet with Hank Roberts (cello), Michael Sarin (drums) and James Zollar (trumpet) in a set of lyrical compositions that borrows from jazz and downtown NY traditions.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF 242
Squidco Product Code: 15410
Packaging: Cardstock gatefold foldover
Recorded on January 15th, 2011 at Acoustic Recording Studio, Brooklyn, NY by Michael Brorby.
Marty Ehrlich-alto saxophone, soprano saxophone, flute
Highlight an artist name or instrument above
and click here to Search
1. Frog Leg Logic 5:23
2. Ballade 10:54
3. You Can Beat the Slanted Cards 6:20
4. Walk Along the Way 6:55
5. Solace 8:24
6. My Song 6:17
7. The Gravedigger's Respite 6:47
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Squidco's Clean Feed $12.00 Sale
sample the album:
"Julius Hemphill really has a noble heir in Marty Ehrlich, and the fact that this multi-reed player includes a cellist in his quartet makes us remember Hemphill's association with the great Abdul Wadud. Ehrlich's first recording of his Rites Quartet for Clean Feed, "Things Have Got To Change", contrasted his compositions, both rhythmic and reflective, with never- before recorded pieces by Hemphill.
Ehrlich's new recording with his Rites Quartet, "Frog Leg Logic", presents a broad canvas of original compositions that further define his concept for this ensemble. The stylistic range of this new CD goes deep in its approach to the post-bop tradition and the Blues, bringing out the exquisite lyricism in Ehrlich's writing, the timbral associations of the instruments and the improvisational, free-form flights of the soloists.
Once more, Marty Ehrlich has in trumpeter James Zollar a contrasting force, and it's a wonder to hear both in conversation. They push each other further down the road, keeping things alive and moving. Ehrlich reunites with his long-time colleague Hank Roberts on cello, who sounds at times like a third horn, a guitar, a kora, and a voice far off in the wilderness. Roberts combines with drummer Michael Sarin to make a compelling stew of rhythmic energy.
Frog Leg Logic takes on a sound and direction that is old and new at once. Take the leap and listen."-Clean Feed Records
• Show Bio for Marty Ehrlich
"Marty Ehrlich is celebrating thirty-five years in the nexus of creative music centered in New York City. He began his musical career in St. Louis, Missouri, while in high school, performing and recording with the Human Arts Ensemble. He graduated from the New England Conservatory of Music with honors in 1977, where his teachers included George Russell, Jaki Byard, Joseph Allard, and Gunther Schuller.
Since that time, he has made twenty-five recordings of his compositions for ensembles ranging in size from duo to jazz orchestra. These groups include his Emergency Peace Ensemble, Traveler's Tales Group, Rites Quartet, and the Marty Ehrlich Sextet. He has recorded a CD-length work for twenty-two musicians entitled The Long View, and has two acclaimed recordings in Tzadik's Radical Jewish Culture series. In 2013 he released "A Trumpet in the Morning", a large-ensemble recording of 5 long form compositions.
As a multi-instrumentalist passionate about improvisation and interpretation, he has performed with a who's who of contemporary composers including Muhal Richard Abrams, Ray Anderson, Steven Bernstein, Anthony Braxton, John Carter, Andrew Cyrille, Jack DeJohnette, Anthony Davis, Mark Dresser, Peter Erskine, Michael Formanek, Don Grolnick, Chico Hamilton, Julius Hemphill, Andrew Hill, Wayne Horvitz, Robin Holcomb, Leroy Jenkins, Myra Melford, James Newton, Bobby Previte, David Schiff, Wadada Leo Smith, and John Zorn. He appears on more than 100 recordings with these and other composers.
Ehrlich has performed with the Chicago Symphony, the BBC Symphony, the New York City Opera, Chamber Music Society of Lincoln Center, Chamber Music Northwest, and other classical ensembles. He has worked with the Jose Limón and Bill T. Jones dance companies, among others. He is currently presenting a concert program for twelve musicians entitled "Julius Hemphill: A Composer Portrait." His honors include a Guggenheim Fellowship in Composition, the Peter Ivers Visiting Artist Residency at Harvard University, composition grants from Chamber Music America, the NEA, and NYFA, "Clarinetist of the Year" from the Jazz Journalist Association, and a Distinguished Alumni award from NEC. He is currently Associate Professor of Jazz and Contemporary Music at Hampshire College."-Marty Ehrlich Website (http://www.martyehrlich.com/html/about.php)
^ Hide Bio for Marty Ehrlich
• Show Bio for Hank Roberts
"Over his nearly four-decade career, Hank Roberts has forged a compelling original voice as a composer and a cellist, encompassing abstract improvisation, jazz influences, soulful folk melodies, intricate new-music compositions and vigorous rock songs.
Born in Terre Haute, Indiana, Roberts made his name in the 1980s legendary New York Downtown scene. Faced with a dearth of improvisational cellist mentors or peers, he carved his own path through that fertile ground alongside such frequent collaborators as Bill Frisell, Tim Berne, Marc Ribot and John Zorn, finding a second home at the famed Knitting Factory, leading and recording with his own groups, 'Birds of Prey, 'Black Pastels', 'Little Motor People' and co-founding 'Miniature' with Tim Berne and Joey Baron, and the 'Arcado String Trio' with Mark Feldman and Mark Dresser.
The list of names with whom Roberts has shared stages or recording studios with includes Gavin Friday (with the members of U2), Sting, Jeff Buckley, David Sanborn, Mamadou Diabate, Andy Summers, Gary Burton, Marty Ehrlich, Arto Lindsey, Gerry Hemingway, Don Byron, and Julius Hemphill.
He is currently a member of Bill Frisell's 858 Quartet and Big Sur Quintet, and appeared on the guitarist's Grammy-winning 2004 release Unspeakable. He's recorded 10 albums on the 'Winter & Winter' label, along with numerable self-released recordings. His solo performances are singularly compelling and unpredictable, wending from jagged dissonance to intoxicating pop songcraft.
Nürnberger Zeitung: the American cellist, Hank Roberts, dares to present magical musical field tests, which sound as delicate as a moribund musical box or intoxicating emotional like a pop song. ...ingenious."
His 2008 CD Green, with drummer Jim Black and guitarist Marc Ducret, won that year's German Recording Critics' Award in the Jazz category. "There's a wisdom and patience and catholicity in this record ('Green'). 'It's all one song,' goes the hip musician's cliché, but Mr. Roberts walks that walk." Ben Ratliff, NY Times
Based since 1989 in Ithaca, New York, Roberts finds inspiration in the area's thriving music scene. He performs and records locally with a host of uniquely talented musicians and plays annually at the Finger Lakes Grassroots Festival, which spans a range of music from old-timey Americana to African and Cajun music. He's shared that stage with artists such as Ti Ti Chickapea with Richie Stearns and Eric Aceto, Tenzin Chopak and Rockwood Ferry, Kevin Kinsella, Mamadou Diabate, Jeb Puryear, Keith Secola, Nery Arevalo, Martin Simpson, the Sim Redmond Band, John Brown's Body, and Donna the Buffalo.
Roberts contributed musical arrangements and appears in the film Greetings From Tim Buckley, which premiered at the 2012 Toronto International Film Festival."-Hank Roberts Website (http://www.hankrobertsmusic.com/bio/)
^ Hide Bio for Hank Roberts
• Show Bio for Michael Sarin
"Over the last twenty-five years, drummer Michael Sarin has been at the center of New York City's genre-bending jazz and improvisation community. His versatility and musical wit helped forge long associations with forward-looking artists Thomas Chapin, Dave Douglas, Myra Melford, Ben Allison, and David Krakauer.
Born in 1965, Michael was raised on Bainbridge Island, WA-a ferryboat ride from Seattle. His interest in music and the drums came early, nourished by both the record collections of his parents and older sister, and by the AM radio he received at age seven.
His formal music education began during high school with drummer Dave Coleman, Sr. He went on to study drums and percussion with Tom Collier at the University of Washington, and later with master drummer, Jerry Granelli.
Since moving to New York in 1989, Michael's unique style and approach to the drum set has been highly sought after by NYC and European musicians looking to expand the definitions of jazz and improvised music. He has contributed to recordings by the aforementioned artists as well as those of Frank Carlberg, Anthony Coleman, Mark Dresser, Marty Ehrlich, Mark Helias, Denman Maroney, Simon Nabatov, Mario Pavone, and Ned Rothenberg--recordings found on numerous music critics' Top Ten CD year-end lists.
Michael performs all over the world--in major and minor festivals; concert halls famous and infamous, big and small. He can be heard on recent recordings of Frank Carlberg, Mark Dresser, Joe Fiedler, Erik Friedlander, David Krakauer, and Leslie Pintchik."-Michael Sarin Website (http://www.michaelsarin.com/html/about.php)
^ Hide Bio for Michael Sarin
Search for other titles on the Clean Feed label.