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© 2002-2017, Squidco LLC


Heyn, Volker: Sirenes (Edition Rz)

Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements, &c., with recordings by Pellegrini-Quartett, Ausfuhrende: Kammerensemble Neue Musik Berlin, &c.
 

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product information:


17 page booklet with text in German and English

UPC: B005DI996U

Label: Edition Rz
Catalog ID: ed. RZ 1025
Squidco Product Code: 15333

Format: CD
Condition: New
Released: 2011
Country: Germany
Packaging: Cardstock gatefold foldover
Various recordings ranging between 1989-2009.


Personnel:

Volker Heyn-composer

Highlight an artist name or instrument above
and click here to Search
track listing:


1. K'TEN 4:46

2. Sirenes 14:54

3. Prelude zu Ferro Canto #1 3:23

4. Blues in B-flat 8:49

5. Blah 2 4:49

6. Prelude zu Ferro Canto #2 3:39

7. Resurrection #1 6:33

8. Prelude zu Ferro Canto #3 2:02

9. Les Visages des Enfants 21:47

10. Graffiti 7:47




Related Categories of Interest:


Compositional Forms
Avant-Garde

sample the album:








descriptions, reviews, &c.

"Born in 1938, Volker Heyn is an "outsider", or perhaps an "unloved insider", an avant-gardist when it comes to experimental music, reaching beyond the trends of his generation of New Simplicity, Neo-Romanticism, New Complexity and so forth. In 1960 he left Europe to spend more than ten years in Australia where he joined a travelling theatre company, made ends meet by singing in nightclubs and working the night shift in a metal works.

Heyn's music is the mise en scène of an acoustic condition, whose manifold reflections perpetually interlock and shatter, like a box of mirrors. It investigates a process, which in itself is inaccessible and cannot be reproduced on paper. Volker Heyn is not interested in sound per se - in the positive acoustic gesture - but, and especially, in the negative form, in the responding tone gesture, in the duplicating of friction and in discontinuous movements.

His composition patterns follow the resonance - the overhang - that we are able to perceive only by restricting our sensors almost to zero, in order not to succumb to its violence. And this must be enough, more would be too much. Then these remnants of sound will be drained and exhausted right up to the merest subversive unit. This is the soundscape that we are given: an intricate, though ultimately innocent structure of endless macro and micro sounding reactions."-Martha Agostini


17 page booklet with text in German and English


Read more about this item
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