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© 2002-2017, Squidco LLC


Lindsay / Mendoza / Smith / Walter: Jus (Balance Point Acoustics)

A quiet quartet session intended for loud volume with Jacob Lindsay (reeds), Ava Mendoza (electric guitar), Damon Smith (7-string ergo-bass & lloopp), and Weasel Walter (percussion & bagpipe chanter), unusual tapestries of sound plus a recipe!
 

Price: $13.95


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product information:


UPC: 820637055422

Label: Balance Point Acoustics
Catalog ID: bpa013
Squidco Product Code: 15197

Format: CD
Condition: New
Released: 2008
Country: USA
Packaging: Jewel Tray
Recorded October 21st, 2007 by Scott R. Looney at 1510 8th St. Performance Space, Oakland, CA.


Personnel:

Jacob Lindsay-Ab clarinet, Bb clarinet, bass clarinet, contrabass clarinet

Ava Mendoza-electric guitar

Damon Smith-7-string ergo-bass, lloopp

Weasel Walter-drums, percussion, bagpipe chanter

Highlight an artist name or instrument above
and click here to Search
track listing:


1. American Current 10:26

2. Translucency 7:26

3. Quadrophobia 13:51

4. Blown Out 6:53

5. Discrete Flavor Symmetry 8:26

6. Winter Light 13:02




Related Categories of Interest:


Improvised Music
Jazz
Electro-Acoustic
Electro-Acoustic Improv
lowercase, micro-improv, sound improv
West Coast/Pacific US Jazz
Quartet Recordings

sample the album:








descriptions, reviews, &c.

"[...] while the instrumentation - clarinets, guitar, bass and lloopp and percussion - on Jus may appear more overtly European, the sonic results are as all-American as the microtonal electro-acoustic experiments that have taken place in Northern California since in the early 1960s. Not only that, but Smith, (with guitarist Henry Kaiser) guitarist Ava Mendoza, (with band leader Moe! Staiano) and hyperactive drummer Weasel Walter (with just about everyone) have also been known to play high-velocity rock music as well as more delicate sonic expressions. Additionally, the Ab, Bb, bass and contrabass clarinet improvisations of Lindsay - a long-time Smith-associate - are fully in the tradition of other West Coast reed polymaths such as John Carter, Jimmy Giuffre and Vinny Golia.

More overtly, tapestries of microtonal and adumbrating silences are woven into many of the tracks on Jus. "Quadrophobia" for instance, which unrolls at a pace slower than largo, revels in atonal peeping and chromatic probes from the clarinetist, tick-tock drum pacing and shattering wood-block smacks and blurry electronic looped passages. Eventually as the rasgueado guitar work and intermittent string plucks subside, the tune's ultimate variant contrasts pure air currents with strident clarinet pops and wind-tunnel puffs that could arise from Walter's bagpipe-chanter or Smith's col legno bass strokes. Overcoming a variety of unconnected timbral movements and reed tongue stops, "Winter Lights" is similarly sonically diffuse. As the growling undertow from the contrabass clarinet remains almost static, a sequence of pitch-sliding string movements takes centrestage. Adagio in tempo, Mendoza's finger-styled picks and multi effects link up with Smith's seminal string shaking and Walter's rolls, pops and drags until the interface fades into intermittent silences. [...]"-Ken Waxman


Artist Biographies:

"My name is Ava Mendoza. I play guitars and stompboxes and write music. Currently I'm based out of Brooklyn, NY. I have played guitar for most of my life and been active for the last decade playing my own music and in many different groups. In any context I try to bring expressivity, energy and a wide sonic range to the music I play. I've toured throughout the U.S. and Europe and recorded or performed with a broad spectrum of musicians including singer Carla Bozulich (The Geraldine Fibbers, Evangelista), Fred Frith (Massacre, Henry Cow, Art Bears), Nels Cline, Jamaaladeen Tacuma, Weasel Walter, Tune-Yards, and more. I've played on recordings released by labels Weird Forest, Tzadik, Clean Feed, NotTwo, ugEXPLODE, Resipiscent, New Atlantis, and others.

Friendly critics have called me "Oakland's avant-jazz virtuoso" (Brad Cohan, Village Voice), "a versatile and virtuosic guitarist" (The San Francisco Film Society), "a wizard on a semi-circle of effects pedals, but… equally adept with FX-less technique," (Lars Gotrich, A Blog Supreme/NPR Jazz). I was recently named one of Guitar World‘s “10 Female Guitarists You Should Know”.

My main project these days is UNNATURAL WAYS .

PERFORMED/RECORDED WITH:

Scott Amendola (Nels Cline Singers, Charlie Hunter Quartet), Liz Allbee, Vijay Anderson, Bran(...)pos, Carla Bozulich (The Geraldine Fibbers, Evangelista), Sheldon Brown, Tony Buck (The Necks), members of Caroliner, Nels Cline (Wilco), George Cremaschi, Tim Dahl (Child Abuse, Lydia Lunch), J.A. Deane, Marco Di Gasbarro (Squartet), John Dikeman (Cactus Truck), Thomas Dimuzio, Shayna Dunkleman, Marco Eneidi, Luc Ex, Ben Goldberg, Fred Frith (Henry Cow, Art Bears, Massacre), Vinny Golia, Phillip Greenlief, Franz Hautzinger, Jacob Felix Heule, Devin Hoff (Good for Cows), Gerri Jager (Knaalpot), Darren Johnston, Henry Kaiser (Crazy Backwards Alphabet), Annette Krebs, Thollem McDonas, Lisa Mezzacappa, Butch Morris, Matt Nelson, Hexlove aka Zac Nelson, Kanoko Nishi, Nick Podgurski (Extra Life), Porest aka Mark Gergis, Gino Robair, Aram Shelton, John Shiurba, SF Sound, Damon Smith, Moe! Staiano, Jamaaladeen Tacuma, Raphael Vanoli (Knaalpot), Weasel Walter (The Flying Luttenbachers), Mike Watt (Minutemen, fIREHOSE), Wobbly (Negativland), Tune-yards, William Winant (Mr. Bungle), Kenny Wollesen (Sex Mob), Theater of Yugen, dancers Leyya Mona Tawil, Yuko Kaseki, and Manuela Tessi."

-Ava Mendoza Website (http://avamendozamusic.com/bio.html)
8/18/2017

"Weasel Walter (real name Walter Wyzowski) is a composer and instrumentalist who founded the band The Flying Luttenbachers in Chicago in 1991 with a current member of Cellular Chaos and Behold...The Arctopus. Over the years, The Flying Luttenbachers included noted Dylan Posa, and Michael Colligan, while creating a body of music drawing equally from no wave, death metal, gamelan, noise music, hardcore punk and modern classical. Walter moved to the San Francisco Bay Area in 2003, where he formed the latest of many Luttenbachers lineups, remaining on percussion with the addition of bassist Mike Green (Burmese), and virtuoso guitarist Ed Rodriguez (ex-Colossamite, Gorge Trio). Singular guitar phenomenon Mick Barr (Krallice, Octis, Orthrelm) joined the group in 2005. The Flying Luttenbachers ceased to operate in late 2007. On November 25, 2009, Weasel Walter announced that he was moving to New York City to join the band Behold... The Arctopus on drums and will be writing "new, more extreme material from scratch." He also formed Cellular Chaos with Marc Edwards (drummer), Admiral Grey and Ceci Moss."

-Wikipedia (https://en.wikipedia.org/wiki/Weasel_Walter)
8/18/2017

Other Releases With These Artists:
Recommended & Related Releases:
Ewen / Smith / Walter
Live in Texas
(Balance Point Acoustics)
Kretzmer, Yoni / Pascal Niggenkemper / Weasel Walter
ProtestMusic
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To Live And Shave In L.A. - The Grief That Shrieked To Multiply [3 CDs + Download]
(Monotype)
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I Never Meta Guitar Too
(Clean Feed)
Scarcity Of Tanks
Fear Is Not Conscience
(Total Life Society Records)
Scarcity Of Tanks
Vulgar Defender
(Total Life Society Records)
Moe! Staiano
Surplus 1980
(Dephine Knormal Musik)
Mute Socialite
More Popular Than Presidents and Generals
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Other Recommended Releases:
CP Unit (Pitsiokos / Seabrook / Dahl / Walter)
Before the Heat Death
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Mendoza, Ava / Maxime Petit / Will Guthrie
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(BeCoq)
Liedwart, Kurt / Phil Raymond
Rim
(Mikroton Recordings)
Kaiser, Henry / Damon Smith / Weasel Walter
Plane Crash Two
(New Atlantis)
Ewen, Sandy / Damon Smith
Background Information
(Balance Point Acoustics)
Gratkowski, Frank / Damon Smith / Jerome Bryerton
The Voice Imitator
(Balance Point Acoustics)



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