Drawing from some of the finest of the West Coast and Vancouver scenes, The Now Orchestra present 3 long works in multiple section, with performers including Peggy Lee, Vinny Golia, George Lewis, Dylan van der Schyff, &c. &c.
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Catalog ID: SPL107
Squidco Product Code: 15065
Packaging: Jewel Tray
Recorded live at The Roundhouse, Vancouver, B.C. on November 14th and 15th, 1997 by Andy Bowmer.
Coat Cooke-tenor saxophone, alto saxophone, baritone saxophone, flute
Graham Ord-tenor saxophone, alto saxophone, soprano saxophone, flute, piccolo
Saul Berson-alto saxophone
Mark Nodwell-soprano saxophone
Brad Muirhead-bass trombone, tuba
John Korsrud-trumpet, flugelhorn
Bill Clark-trumpet, flugelhorn
Dylan van der Schyff-drums
Vinny Golia-clarinets, flutes, saxophones
Paul Cram-clarinet, tenor saxophone
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1. Wowow (Coat Cooke) 26:12
2. The Yellow Sound (Ron Samworth) 23:25
3. The Tyranny Of Interest (Paul Cram) 24:04
West Coast/Pacific US Jazz
Unusual Vocal Forms
Vancouver and Western Canada
sample the album:
"Incorporating three very long pieces of multiple sections -- by mainstays Cooke and Samworth, as well as by guest soloist Paul Cram -- this date demonstrates the NOW Orchestra's synergy as well as its knowledge of the large ensemble continuum that stretches from Ellington, Fletcher Henderson, and Basie to Sun Ra, the AACM Experimental Band, and Braxton's Creative Orchestra, all the way to Globe Unity, LJCO, and ICP. Yes, I mean that. Yes, they're that good. Coat Cooke's "Wowow" is one of the best performances I've heard all year ... And perhaps the finest compliment I can muster, this music had me itching to pick up my own instrument and join in. By all means, listen to this."-Jason Bivins, Cadence
• Show Bio for Ron Samworth
"Vancouver-based guitarist/composer Ron Samworth is a high profile presence on the Canadian scene, equally at home playing in the jazz tradition or the extended sound worlds of new and improvised music. Nominated for the 2002 National Jazz Writers Award "Best Jazz Guitarist", he leads the acclaimed quartet Talking Pictures and co-leads the 15-piece NOW Orchestra. He has appeared at all of the major jazz festivals across Canada, the Jazzfest Berlin, Chicago Jazzfest, New York's Knitting Factory, Vienna's Let's Cool One Chamber Jazz Festival, and at prestigious venues in France, Belgium, Holland and Germany. He has performed and recorded with many leading international artists including John Zorn, John Medeski, Han Bennink, Marc Ribot, Wayne Horvitz, Butch Morris, Bobby Previte, Marilyn Crispell, George Lewis, and Canadian jazz legend Claude Ranger. His inter-disciplinary work includes composition, performance and sound design for theatre, spoken word, film, and dance."-Capilano University (https://www.capilanou.ca/jazz-studies/bios/Ron-Samworth/)
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• Show Bio for Bill Clark
"On the Vancouver jazz scene, the Talking Pictures era began in the '90s, not the '30s. Trumpeter Bill Clark has been recording and performing with the ensemble of that name since its initial formation in 1993; his collaborative gait reliably pliable; his long-term dedication a hallmark of his own career as well as the ensemble itself. Clark has been intrinsic to a series of invitations involving musicians from outside Vancouver to work on specific projects with Talking Pictures, a casting call which has brought forth respondents from across the border in the United States as well as across the ocean in Europe -- such as Wayne Horvitz and Jorrit Dijkstra, respectively.
The other original members of Talking Pictures are cellist Peggy Lee, guitarist Ron Samworth, and drummer Dylan van der Schyff. Clark has also performed with another cooperative venture, the Vancouver Ensemble of Jazz Improvisation. He is a freelance composer who is particularly proud of "Pavel and the Puck," a piece originally written to be performed by a theater group on ice. Having contributed to the unusual genre of "ice theater" makes this artist distinct among other performers named Bill Clark, something a trumpet by itself cannot. Thus, this trumpeting Clark should not be confused with the one in the horn section of the Esther Phillips band, nor is he the same William Clark who played drums on many mainstream jazz records."-All Music, Eugene Chadbourne (http://www.allmusic.com/artist/bill-clark-mn0000066134)
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• Show Bio for Peggy Lee
"Cellist, improviser, composer Peggy Lee was born and raised in Toronto, Ontario. She studied classical cello, completing a bachelors degree in performance at the University of Toronto as a student of Vladimir Orloff and Denis Brott. She furthered her studies on the cello with lessons with Martha Gerschefski in Atlanta Georgia. In the fall of 1988 Peggy began a year residency with a string quartet at the Banff Centre in Banff, Alberta. It was here that she first became interested in collaborating with artists from different mediums and in veering away from the classical path. This led to a decision to move away from the known and thus to her relocating to Vancouver, B.C. where she now makes her home.
Peggy's first forays into improvisation in Vancouver happened with dancers at the EDAM (experimental dance and music) studio at the Western Front and eventually led to her meeting and joining guitarists Ron Samworth and Tony Wilson in their respective bands; as well as becoming a member of the New Orchestra Workshop, which went on to have interesting and fruitful collaborations with Butch Morris, Wadada Leo Smith, René Lussier, Barry Guy and George Lewis.
Peggy continues to collaborate frequently with Ron and Tony and with her husband, drummer Dylan van der Schyff, as well as with many other longtime musical associates including Dave Douglas, Wayne Horvitz, Robin Holcomb, Veda Hille and Lisa Miller. She also leads or co-leads a number of musical projects: The Peggy Lee Band, Film in Music, Waxwing (with Tony Wilson and Jon Bentley) and Beautiful Tool (with Mary Margaret O'Hara).
She has also collaborated extensively in theatre and dance with companies and artists such as Ruby Slippers, Rumble Theatre, Presentation House, David Hudgins, Peter Bingham and Delia Brett.
In 2005, Peggy received the Freddie Stone Award for integrity and innovation in music and in 2010 she was awarded a Jesse Richardson Theatre Award for outstanding composition."-Peggy Lee Website (http://www.peggylee.net/about-peggy.html)
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• Show Bio for Dylan van der Schyff
"Dylan van der Schyff was born in Johannesburg, South Africa in 1970. He now makes his home in Vancouver, Canada, where he lives with his wife, cellist Peggy Lee, and their two children. Van der Schyff attended the schools of music at the University of Victoria and, briefly, McGill University; and he studied military drumming while with the Band of the Ceremonial Guard in Ottawa. He received his MA from Simon Fraser University and is currently engaged in graduate research in music psychology at the University of Sheffield in the UK.
As a performer and producer, van der Schyff has appeared on close to 100 recordings spanning the genres of jazz, electro-acoustic, improvised, experimental and new music; he has performed in almost every major centre in Europe and North America including international festivals in Berlin, Lisbon, Stockholm, New York, Chicago, Montreal, Trento (Italy) and Molde (Norway); and he has collaborated in numerous interdisciplinary projects involving theatre, dance and film. A partial list of notable performance and recording collaborators includes: George Lewis, Joelle Léandre, Dave Douglas, Mark Helias, Peggy Lee, Eyvind Kang, Nicole Mitchell, Brad Turner, Tony Wilson, Wayne Horvitz, Marilyn Crispell, Torsten Muller, Robin Holcolmb, Michael Moore, Ellery Eskelin, Sylvie Courvoisier, Rob Mazurek, Talking Pictures, Ken Vandermark, Paul Rutherford, John Butcher, Tobias Delius, Louis Sclavis, Evan Parker, Mark Dresser, Fred Frith, and Gary Peacock. Van der Schyff has also performed as a sideman with Roswell Rudd, John Zorn, Butch Morris, Misha Mengelberg, Georg Graewe, Oliver Lake, Wadada Leo Smith and the Kenny Werner Sextet with Randy Brecker.
Van der Schyff has served on the music faculty at Capilano University in Vancouver, Canada, since 2009. He also served on faculty at the Banff International Workshop in Jazz and Creative Music between 2002-2005, and at the Vancouver Institute for Creative Music in 2006. Additionally, he has given seminars and workshops at the University of Indiana and at the National Arts Centre in Ottawa. Van der Schyff has appeared on Austrian television and Swedish radio as well as NPR, the CBC and Radio Canada. Articles about his work as an improviser have appeared in publications such as Downbeat, Jazz Times, The Globe and Mail, The New York Times, The Village Voice, The Chicago Reader, The Wire, Coda, and MUZIK."-Capilano University (https://www.capilanou.ca/jazz-studies/bios/Dylan-van-der-Schyff/)
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• Show Bio for George Lewis
"George E. Lewis is the Edwin H. Case Professor of American Music at Columbia University. A 2015 Fellow of the American Academy of Arts and Sciences and a Corresponding Fellow of the British Academy, Lewis has received a MacArthur Fellowship (2002), a Guggenheim Fellowship (2015), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. In 2015, Lewis received the degree of Doctor of Music (DMus, honoris causa) from the University of Edinburgh.
A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis's work in electronic and computer music, computer-based multimedia installations, and notated and improvisative forms is documented on more than 140 recordings. His work has been presented by the BBC Scottish Symphony Orchestra, London Philharmonia Orchestra, Radio-Sinfonieorchester Stuttgart, Boston Modern Orchestra Project, Talea Ensemble, Dinosaur Annex, Ensemble Pamplemousse, Wet Ink, Ensemble Erik Satie, Eco Ensemble, and others, with commissions from American Composers Orchestra, International Contemporary Ensemble, Harvestworks, Ensemble Either/Or, Orkestra Futura, Turning Point Ensemble, San Francisco Contemporary Music Players, 2010 Vancouver Cultural Olympiad, IRCAM, Glasgow Improvisers Orchestra, and others. Lewis has served as Ernest Bloch Visiting Professor of Music, University of California, Berkeley; Paul Fromm Composer in Residence, American Academy in Rome; Resident Scholar, Center for Disciplinary Innovation, University of Chicago; and CAC Fitt Artist In Residence, Brown University.
Lewis received the 2012 SEAMUS Award from the Society for Electro-Acoustic Music in the United States, and his book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society's Music in American Culture Award. Lewis is co-editor of the two-volume Oxford Handbook of Critical Improvisation Studies (2016), and his opera Afterword, commissioned by the Gray Center for Arts and Inquiry at the University of Chicago, premiered at the Museum of Contemporary Art Chicago in October 2015 and has been performed in the United States, United Kingdom, and the Czech Republic.
Professor Lewis came to Columbia in 2004, having previously taught at the University of California, San Diego, Mills College, the School of the Art Institute of Chicago, the Koninklijke Conservatorium Den Haag, and Simon Fraser University's Contemporary Arts Summer Institute. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey."-Columbia University (http://music.columbia.edu/bios/george-e-lewis)
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