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Broken Record Chamber: Free Improv For Robots (Spool)

Inspired by the work of Otomo Yoshihide, Martin Tetreault, and Ruins, Broken Record Chamber create and deconstruct music using and abusing turtables, guitars, electronics and drum machines.
 

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product information:


Label: Spool
Catalog ID: SPF301
Squidco Product Code: 15058

Format: CD
Condition: New
Released: 1998
Country: Canada
Packaging: Jewel Tray
Tracks 1-6 recorded at Q-Space. Tracks 7-11 recorded live at The Sugar Refinery, Vancouver, Canada in 1998.


Personnel:

Jess Conn-Potegal-turntables, keys, electronics

Jim Black-guitar, electronics

Ben Wilson-drum machine, electronics

Highlight an artist name or instrument above
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track listing:


1. Chopsticks 5:34

2. Modern Beat 4:27

3. Quazimoto 6:23

4. Back To The Blues 3:20

5. Swamp Meat 6:55

6. Sagittarius Project 7:08

7. Story Intro 1:57

8. Jaz-Bitch 3:58

9. Buka' Flute 4:01

10. Videogame Argument 4:24

11. French Reggae Strangulation 18:59
sample the album:








descriptions, reviews, &c.

"Three individuals from different musical backgrounds, each with his own unique vision, meet at an Otomo Yoshihide/Ruins concert and the resultant collision becomes Broken Record Chamber. BRC ploughs a new sound field, through which meanders various sonic life forms, not excluding the patrons of the Epic hole-in-the-wall, The Sugar Refinery, where much of this was recorded. Imagine, if you can, a garage band version of Otomo chucking a used record store down the stairs.

Broken Record Chamber was inaugurated in September 1998, barely moments after the smoke and debris were cleared in the wake of a momentous double bill featuring Otomo Yoshihide, Martin Tetrault and Ruins. Since that time Broken Record Chamber have participated in the Taking Wing Improvised Music Series, and have performed live over the air waves from the studios of Vancouver's cooperative radio station (CFRO). They have also been prominently featured on CBC Radio's 'Brave New Waves.'

Like true grandchildren of McLuhan, BRC are at home in the global village, where instant access to all things electric is the norm. Drawing from acid jazz funk to pop rock, from punk to ambient electronic to improvisation, and from large ensemble jazz to 20th century classical, the diverse and combined talents of Jim Black, Jess Conn-Potegal and Ben Wilson have coalesced into a categorical no-man's land: an urban/environmental, signal-to-noise, DIY improv-ambient adventure kit."-Spool


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