The complete performance at the 2010 Freedom of the City festival by the 38-member LIO with guest Wadada Leo Smith and conductions by Alison Blunt, Steve Beresford, Philipp Wachsmann, Caroline Kraabel, and Dave Tucker.
8-page booklet with text from each conductor.
Catalog ID: 11.04
Squidco Product Code: 14886
Country: Great Britain
Packaging: Cardstock foldover
Recorded at Freedom of the City, Conway Hall, London, on May 2nd, 2010 by Sebastian Lexer and Rick Campion.
Caroline Kraabel-alto Saxophone, baritone Saxophone
Harrison Smith-bass clarinet
John Rangecroft-clarinet, tenor saxophone
David Leahy-double bass
Dominic Lash-double bass
Guillaume Viltard-double bass
Dave Tucker-electric guitar
Robert Sassi-electric guitar
Adam Bohman-amplified objects
Tania Chen-phone, melodica
Lol Coxhill-soprano saxophone
Adrian Northover-soprano saxophone, alto saxophone
Ricardo Tejero-tenor saxophone, clarinet
Ivor Kallin-violin, viola
Philipp Wachsmann-violin, viola
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1. Before Tapping 8:16
2. Wiretapping 12:36
3. After Tapping 4:22
4. Concert For Soft-Loud Key-Box Np.2 10:10
5. Inhale Exhale 14:12
6. Numbers Listening 5:48
7. After Numbers 4:18
8. Concerto For Ishmael Wadada Leo Smith & Orchestra 12:36
London & UK Free Improvisation Scene
EMANEM & psi
Staff Picks & Recommended Items
Objects and Home-made Instruments
sample the album:
"The whole of the performance at the 2010 Freedom of the City festival by the 38-strong LIO. Conductions by Alison Blunt, Steve Beresford (featuring guest Leon Michener), Philipp Wachsmann, Caroline Kraabel, and Dave Tucker (featuring guest Ishmael Wadada Leo Smith), were interspersed with free improvisations."-psi
8-page booklet with text from each conductor.
• Show Bio for Caroline Kraabel
"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.
After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era. There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston, Charlotte Hug, Maggie Nicols, Phil Hargreaves, and the London Improvisors Orchestra among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.
Recordings include Transitions with Maggie Nichols and Charlotte Hug, Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.
Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM and is the editor for the London Musicians Collective's magazine Resonance."-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
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• Show Bio for Hannah Marshall
"Hannah Marshall is a cellist who is continuing to extract and invent as many sounds and emotional qualities from her instrument as she can , playing experimental & freely improvised music and collaborating with other musicians, theatre and performing artists in the UK and Europe. She trained at The Guildhall school of music and Drama from 1992-1996. She plays regularly with The London Improvisors Orchestra and has performed at various festivals including VNM-Graz, Freedom of the City - London, Fete Qua Qua, Nickelsdorf-Konfrontationen, Banlieue Bleu-Paris, Jazz em Agosto-Lisbon, Barcelona Horta Cordel, ring ring-belgrade, Wels Unlimited- Austria, Alpen Glow - UK/Austria, Taktlos, Nantes festival, Saalfelden jazz festival, Red Ear Amsterdam, thirstyfish festival - London, Konfrontationen, Akouphene-Geneva, Europa Jazz Festival, Joyful Noise Festival- Swtizerland, Blurred Edges Festival- Hamburg. She has been invited by Fred Frith, Thomas Lehn and Suichi Chino in their residencies at café Oto, and by Evan Parker in his monthly residency at The Vortex Club."-Music Teachers UK (https://www.musicteachers.co.uk/user/6fdca7e3c5ca7ab082f8/biography)
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• Show Bio for David Leahy
"David Leahy is a Kent (UK) based musician and dancer specialising in things improvised, from Free Improvisation in music to Contact Improvisation in dance.
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• Show Bio for Dominic Lash
"Born Cambridge, England, in January 1980; played bass guitar since 1994; studied with Hugh Boyd and Pascha Milner and at Basstech (London) with Rob Burns, Terry Gregory and others. Played double bass since 2001; basically self taught, with grateful thanks to Simon H. Fell. First class BA in English Literature from Oxford University (2002). Received MA Composition from Oxford Brookes University in 2003, having studied with Paul Whitty, Ray Lee and others. Received PhD from Brunel University in 2010, having studied the work of Derek Bailey, Helmut Lachenmann and JH Prynne and been supervised by Richard Barrett and John Croft."-Dominic Lash Website (http://dominiclash.blogspot.com/p/dominic-lash_5.html)
^ Hide Bio for Dominic Lash
• Show Bio for Guillaume Viltard
"Born in 1975 in the North of Ivory Coast, I had grown up in a wild countryside with almost no music - but many natural sounds. Back in France at the age of 10, I was seized by a compulsive desire of music, listening to many sorts of music, and especially free jazz, to the great displeasure of my brothers who never appreciated Cecil Taylor for breakfast. I was dreaming about bass playing but started studying philosophy.
By the whims of fate, I saw a double bass at a friend's flat. A few weeks after, I was studying at the Paris Conservatoire and having private jazz lessons. It was ages ago.
I gave my first improvised bass solo in 2003 (not without apprehension !) I have played with many artists of the French improv' scene, including Heddy Boubaker, Nusch Werchowska, Isabelle Duthoit, Alexandre Kittel, Catherine Jauniaux, Jean Pallandre, Mathias Pontévia, Etienne Brunet, Soizic Lebrat, Sébastien Coste, etc. I have also organised many concerts in Lyon where I lived from 2000 to 2007."-Guillaume Viltard Website (http://utofmu.free.fr/?page_id=4)
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• Show Bio for Javier Carmona
"Javier Carmona is a drummer and percussionist from Madrid (now settled in Barcelona after seven years in London), Javier is very active in the European free improvisation scene and has performed with musicians such as John Tchicai, Evan Parker, Carlos Zingaro and John Russell, among many others.
Member of several formations, Javier also collaborates with dancers Rosa Aledo and Saija Lehtola in Kicking Louise & Co., a dance company that has presented work in France, Cyprus, Spain and England.
Organizer of FIL Malaga, a festival of free improvised music including performances and workshops, Javier has also led student workshops about free improvisation in Newport University (with Kamil Korolczuk), Westminster University (with Sakoto Fukuda) and Huddersfield University (with Ingrid Laubrock and Olie Brice).
Co-founder alongside graphic designer and electronics player Kamil Korolczuk of Oso Records, a netlabel of free downloadable music focused on releasing various types of experimental music."-Javier Carmona Website (https://carmonajavier.wordpress.com/about/)
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• Show Bio for Veryan Weston
"Born in 1950, and moved from Cornwall to London in 1972 and began playing as a freelance jazz pianist as well as developing as an improviser at Little Theatre Club.
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• Show Bio for Lol Coxhill
"George Lowen Coxhill (19 September 1932 - 10 July 2012), generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey's Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader - there was no regular Lol Coxhill Trio or Quartet as would normally be expected of a saxophonist. Instead he had many intermittent but long-lasting collaborations with like-minded musicians.
In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. He was thought to have largely inspired Joni Mitchell's song "For Free", while busking solo on the old footbridge which formed part of the Hungerford Bridge between Waterloo and Charing Cross. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher (of Mott the Hoople), Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, the Damned, Hugh Metcalfe, Derek Bailey and performance art group Welfare State.
He often worked in small collaborative groups with semi-humorous names such as the Johnny Rondo Duo or Trio (with pianist Dave Holland - not the bassist of the same name), the Melody Four (characteristically a trio, with Tony Coe and Steve Beresford), and The Recedents (with guitarist Mike Cooper and percussionist Roger Turner), known as such because the members were (in Coxhill's words) "all bald", though the name may additionally be a play on the American band the Residents. Typically these bands performed a mix of free improvisation interspersed with ballroom dance tunes and popular songs. There was humour throughout his music but he sometimes felt it necessary to tell audiences that the free playing was not intended as a joke. Coxhill was compere and occasional performer at the Bracknell Jazz Festival, and a raconteur as well as a musician; he often would introduce his music by saying the words, "what I am about to play you may not understand". It was following a performance at Bracknell that he recorded the melodramatic monologue Murder in the Air."-Wikipedia (https://en.wikipedia.org/wiki/Lol_Coxhill)
^ Hide Bio for Lol Coxhill
• Show Bio for Benedict Taylor
"Benedict Taylor is an award winning composer & solo violist specialising in contemporary music and improvisation. He studied at the Royal Northern College of Music & Goldsmiths College, and is a leading figure within the area of contemporary composition & string performance, at the forefront of the British & European new and improvised music scene.
He composes, performs & records internationally, in many leading venues and festivals including: Royal Court Theatre, Rambert Dance Company, BBC Arts Online, Berlinale, Venice International Film Festival, BFI London Film Festival, Toronto Film Festival, Huddersfield Contemporary Festival, London Contemporary Music Festival, Aldeburgh Festival, Cantiere D'Arte di Montepulciano, Edinburgh Festival, CRAM Festival, Cafe Oto, The Barbican, Royal Albert Hall, Southbank Centre, The Vortex, Ronnie Scott's, ICA, BBC Radio 3 & 2, Radio Libertaire Paris, Resonance FM London.
Through his work he is involved with a number of higher education institutions, giving composition, improvisation & performance lectures at the Royal College of Music, City University and Goldsmiths College amongst others. He is the founder and artistic director of CRAM, a music collective and independent record label dedicated to new music."-Benedict Taylor Blogspot (http://benedict-taylor.blogspot.com/p/benedict-taylor-is-award-winning_2.html)
^ Hide Bio for Benedict Taylor
• Show Bio for Alison Blunt
"Growing up in Kenya and Cumbria and starting out as a classical violinist, Alison Blunt has become an internationally respected artist creating music utilising or consisting of improvisation, Her solo and collaborative projects often reach beyond the music stage and involve film, text, dance, theatre and visual art.
Alison Blunt was born in Mombasa, Kenya, grew up in Nairobi and subsequently in the Lake District, UK. Finding her way from a classical violin training at Birmingham Conservatoire and the Guildhall School of Music and Drama, Alison's fascination with sound, motion and space has led her into national and international projects exploring the boundaries between art forms and genres and creating, performing and recording new music.
She has performed new and creative work in contrasting environments including Royal Albert Hall, BFI, Southbank Centre, Barbican, Sage Gateshead, Sesc Pompeia (Brazil), MS Stubnitz (Germany), Boat Ting, Colourscape Music Festival, Little Angel Theatre, Vortex Jazz Club, Cafe Oto, Colston Hall, Symphony Hall, Buckingham Palace Gardens, Latitude Festival, Bimhuis (Holland), SoundOut Festival and ACME (Australia), Musikhuset Aarhus (Denmark), St Magnus Festival & Mull Theatre (Scotland), European Storytelling Marathons (Holland & Belgium), Alte Gerberei (St Johann, Tirol), MS Stubnitz, Radialsystem, & B-Flat (Germany), Stockwerk Jazz Club (Styria), Wunderbar (South Island NZ) and The Kosmos (New Mexico USA) with a diverse array of creative artists including Apartment House, Apocryphal Theatre Company, Renee Baker, Julia Barclay-Morton, Barrel, Barcode Quartet, Cristiano Calcagnile, Lawrence Casserley, Viv Corringham, Guy Dartnell, John Edwards, Vinny Golia, HANAM Quintet, Elisabeth Harnik, Tristan Honsinger, Cat Hope, Birthe Jorgensen, Tony Marsh (RIP), Hannah Marshall, Lisa Mezzacappa, Gianni Mimmo, Phil Minton, Lode, London and Berlin Improvisers Orchestras, Evan Parker, Pierette Ensemble, Reciprocal Uncles, Gino Robair, Mark Sanders, Guillaume Viltard, Ove Volquartz and Michael Zerang.
Alison's activities range from composing for film, visual arts, theatre and contemporary dance productions to touring solo musical storytelling performances, from performances with interdisciplinary ensembles to arranging and recording children's albums, from gigging with rock bands to gigging with world folk music artists, from writing about new music to performing and recording new music. Alison resists being pigeonholed."-Alison Blunt Facebook Page (https://www.facebook.com/AlisonBluntMusic/about/?ref=page_internal)
^ Hide Bio for Alison Blunt
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