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Thing, The with Jim O'Rourke: Shinjuku Growl (Smalltown Superjazzz)

The Thing (Mats Gustafsson, Ingebright Haker-Flaten and Paal Nilssen-Love) meets guitarist Jim O'Rourke performing an insane and demanding show live at Shinjuku Pit Inn, Tokyo in 2008.
 

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product information:


UPC: 600116080127

Label: Smalltown Superjazzz
Catalog ID: stsj201
Squidco Product Code: 14689

Format: CD
Condition: New
Released: 2010
Country: Norway
Packaging: Digipack
Recorded live on February 4th, 2008 by Yasuo Fujimura at Shinjuku Pit Inn, Tokyo, Japan.


Personnel:

Mats Gustafsson-alto saxophone, baritone saxophone

Jim O'Rourke-guitar

Ingrebrigt Haaker Flaten-bass

Paal Nilssen-Love-drums

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track listing:


1. If Not Ecstatic, We Replay 22:42

2. Half A Dog Can't Even Take A Shit 14:59

3. I Can't, My Mouth Is Already Full 9:19

4. Shinjuku Growl 9:29




Related Categories of Interest:


Improvised Music
Jazz
European Improv, Free Jazz & Related
O'Rourke. Jim
Staff Picks & Recommended Items
2011 Top 40
Mats Gustafsson
Paal Nilssen-Love
Quartet Recordings

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descriptions, reviews, &c.

"Smalltown Superjazzz is very proud to present two new albums by The Thing. And this time it is The Thing with guitars! And none others than two of the best guitar players in the improv world today; Otomo Yoshihide and Jim O`Rourke. Both albums are recorded live at Pit Inn in Tokyo, Japan. Shinkjuku Growl with JIm O`Rourke was recorded the 4th of February 2008 and Shinkuju Crawl with Otomo Yoshihide was recorded the 2nd of October 2007 (and was also recorded by Jim O`Rourke). These two live documents shows the different aspects of The Thing and how they are shaping and melting together with the wonderful guitar magic of Yoshihide and O`Rourke.

Jim O`Rourke now lives in Tokyo, Japan. He has produced albums by artists such as Sonic Youth, Wilco, Stereolab, Superchunk, Kahimi Karie, Quruli, John Fahey, Smog, Faust, Tony Conrad, The Red Krayola, Bobby Conn, Beth Orton, Joanna Newsom and U.S. Maple. He was a in Gastr Del Sol, was a member of Sonic Youth and is working close with Wilco. Otomo Yoshihide is from Yokohama, Jaoan, He first came to international prominence in the 1990s as the leader of the noise rock group Ground Zero, and has since worked in a variety of contexts, ranging from free improvisation to noise, jazz, avant-garde and contemporary classical.

The Thing is a rare flower in the world of jazz. They have managed to reach out far beyond jazz and avant garde audiences to those of rock, punk, hip-hop and electronica as well. They`ve been critically acclaimed by such diverse magazines as DJ Magazine (described as " absurdly cool ), Uncut, BBC and The Observer. They have done sold-out London show with electronica/hip-hop acts Four Tet and Prefuse 73 as well as a sold out Scala (London) with Kieran Hebden/Steve Reid, they toured the jazz clubs of Europe, Japan, China and USA, they covered David Bowies` "Life On Mars" for the German electronica label K7!, they blew the rock audience away at Oslo`s Oya Festival with Sonic Youth`s Thurston Moore as guest guitarist, and they were invited by the Basement Jaxx to play the Wireless Festival in London. Not bad for a free jazz act. But The Thing is not a traditional band. They have done collaborations with artists such as jazz legend Joe McPhee, Ken Vandermark, Thurston Moore of Sonic Youth, Jim O`Rourke and Otomo Yoshihide as well as Norwegian garage rock band Cato Salsa Experience as well as being produced by Steve Albini."-Smalltown Superjazzz



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At The Squid's Ear!

Artist Biographies:
"Born 1964 in Umeå, Northern Sweden.Saxplayer, improviser and composer. Solo artist and international tours and projects with a.o. Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, FIRE!, Gush, Boots Brown, Swedish Azz and Fake (the facts). Large ensemble work with Barry Guy New Orchestra,FIRE! Orchestra and the NU - ensemble.over 1800 concerts and over 200 record productions in Europe, Australia, Africa, North & South America and Asia.Collaborations with contemporary dance, theater, art, poetry as well as projects with noise, electronica, contemporary rock and free jazz.Discaholic - running the discaholic corner website.Producer of international festivals and concert tours as well as work with own record labels Slottet, OlofBright Editions and Blue Tower Records."-Mats Gustafsson Website (http://matsgus.com/archives/category/bio)
8/18/2017

"O'Rourke was born on January 18, 1969 in Chicago, Illinois. He is an alumnus of DePaul University. He has released albums of jazz, noise, glitchy electronica and rock music. O'Rourke has collaborated with Thurston Moore, Lee Ranaldo, Derek Bailey, Mats Gustafsson, Mayo Thompson, Brigitte Fontaine, Loren Mazzacane Connors, Merzbow, Nurse with Wound, Phill Niblock, Fennesz, Organum, Phew, Henry Kaiser, Flying Saucer Attack, and in 2006 mixed Joanna Newsom's album Ys. In 2009, he also mixed several tracks on Newsom's follow up Have One On Me.

He has produced albums by artists such as Sonic Youth, Wilco, Stereolab, Superchunk, Kahimi Karie, Quruli, John Fahey, Smog, Faust, Tony Conrad, The Red Krayola, Bobby Conn, Beth Orton, Joanna Newsom and U.S. Maple. He mixed Wilco's Yankee Hotel Foxtrot album and produced their 2004 album, A Ghost Is Born, for which he won a Grammy Award for "Best Alternative Album". During the recording of Yankee Hotel Foxtrot, O'Rourke collaborated with Wilco member Jeff Tweedy and pre-Wilco Glenn Kotche under the name Loose Fur. Their self-titled debut was released in 2003 with a follow-up in 2006 entitled Born Again in the USA. He also mixed the unfinished recordings that made up a planned third album by the late American singer-songwriter Judee Sill, recorded in 1974 and mixed by O'Rourke for a 2005 release.

O'Rourke was once a member of Illusion of Safety, Gastr Del Sol (with David Grubbs) and Sonic Youth. Beginning in 1999 he played bass guitar, guitar and synthesizer with Sonic Youth, in addition to recording and mixing duties with the group. He withdrew as a full member in late 2005, but continued to play with them in some of their side projects. In the early 1993, O'Rourke formed an avant-rock group with Darin Gray and Dylan Posa called Brise-Glace. The band released one studio album, When in Vanitas..., in 1994. They also released a 7" in the same year titled In Sisters All and Felony/Angels on Installment Plan.

O'Rourke has also released many albums under his own name on a variety of labels exploring a range of electronic and avant-garde styles. His most well-known works may be his series of releases on Drag City, which focus on more traditional songcraft: Bad Timing (1997), Eureka (1999), Insignificance (2001), The Visitor (2009) and Simple Songs (2015). The titles of the first four albums all refer to films by the British director Nicolas Roeg; the first three by direct reference to film titles, the fourth being titled after a fictional album within Roeg's film The Man Who Fell To Earth. With music director Takehisa Kosugi, he played for the Merce Cunningham dance company for four years. O'Rourke received a 2001 Foundation for Contemporary Arts Grants to Artists Award."

-Wikipedia (https://en.wikipedia.org/wiki/Jim_O'Rourke_(musician))
8/18/2017

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
8/18/2017

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