Ferrari's 2nd disc for Mode presents 3 works, including one commissioned by Art Zoyd using taped environmental sounds; a work of serialism; and a work using field recordings from the Asian commercial center of Paris.
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Catalog ID: mode 228
Squidco Product Code: 14557
Packaging: Jewel Tray
"Visage 2" and "Après Presque Rien r" recorded at l'Auditorium Abel Dubois a Mons, Belgium on April 21st, 2006 by Daniel Leon. "Madame de Shanghai recorded at The Tolbooth Arts CEntre, Stirling, Scotland in August 2006 by Kenny MacLeod.
Kim Van den Brempt-piano
Scottish Flute Trio
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• Show Bio for Adrien Lambinet
"Adrien Lambinet was born on April 20, 1979. After a classical course in Academy of Music, he is the winner of the Axion Classics contest. He pursued higher musical studies at the Royal Conservatories of Mons, then of Liège and obtained his advanced degrees of chamber music, trombone in the class of Alain Pire and methodology of the trombone.
Following encounters with strong personalities of the music such as Jean-Pierre Peuvion, Garrett List, Michel Massot..., it shows a strong interest for the music of the 20th and 21st centuries. He participates in many projects of Chamber Music in the class of J- P Peuvion , including Correspondances of V. Globokar , works of Scelsi , Rzewsky , Pousseur ,... He also practices improvised music, and has followed the teaching of Garrett List at the Royal Conservatory of Liège.
His affinities for the current music are exploited during collaborations with Musiques Nouvelles , Ictus , the Garrett List Ensemble.
Alongside this passion for contemporary music, he plays in several productions of Belgian orchestras (Liège Philharmonic Orchestra, the Royal Opera of Wallonia).
He participated in several shows mixing music and theater, including The jump of the angel, children's show created in 2006 by the Theater Mâât (tours in Belgium, France, Portugal, Wales, Poland, Canada), The Master of the World ( Coy the Dream Runners ), Armageddon ( Art Zoyd-New Music ), Kasimir and Karoline ( National Theater ), The Opera-Firefighter ( Cultural Center of Walloon Brabant ), Crac Boum Street , mini street fanfare for which he composes.
It exploits gender diversity within the Klezmic Zirkus quintet , mixing traditional klezmer music with jazz, rock, reggae. This group is supported by RTBF's show Le monde est un village and in 2007 released the album Vitamine K at homerecords.be. A second album is planned for the end of 2009.
Adrien Lambinet continues his exploration of sound with the D uo Abysses for which he composes together with clarinetist Aurélie Charneux."-Musique Nouvelles (http://www.musiquesnouvelles.com/fr/Musiciens/Adrien_Lambinet/159/)
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1. Visage 2 9:46
2. Après Presque Rien 31:32
3. Madame De Shanghai 15:22
sample the album:
"Although not as well known as some of his composer colleagues in France, Luc Ferrari (1929-2005) was a remarkable French composer who distinguished himself with a wide variety of works from traditionally notated compositions for conventional instruments to indeterminate scores, improvisations, experimental tape works, radio pieces, films and multimedia installations. This CD, Mode Records' second disc featuring music by Ferrari, vividly confirms this fact.
• Après presque rien (after almost nothing) is an unusual, moody musical reaction to Ferrari's series of six Presque rien works spanning more than three decades of his career (1967-2001), conceived for tape recorder and displaying Ferrari's concept of "anecdotal" music and love of nature. Après presque rien is a vivid instrumental work interspersed with a broad range of taped environmental sounds. It was a special commission from the avant-garde band Art Zoyd, Musiques Nouvelles and CCMIX.
• Visage 2 for two trumpets, trombone, tuba, piano and six percussionists (on this disc) is the second piece in a five-part series of works carrying the same title and spanning the period between 1955 and 1959. While most of the works in this series reflect Ferrari's fascination with serialism, Visage 2 is a physical confrontation of two sexual bodies, telling gestures with notes, rhythms and instruments.
• Madame de Shanghai blends flute sounds with field recordings from the Asian commercial center of Paris (Avenue d'Ivry), including Chinese and Vietnamese voices. At the end of this piece, Ferrari features the voice of Orson Welles, who directed the 1947 film noir The Lady of Shanghai and acted the lover of "The Lady of Shanghai" (Rita Hayworth). Ferrari says "... I can say that this "dramatic comedy" is a bit of a tribute to the film by Orson Welles.""-Mode Records
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