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Ferrari, Luc

Visage 2 / Apres presque rien / Madame de Shanghai

Ferrari, Luc: Visage 2 / Apres presque rien / Madame de Shanghai (Mode)

Ferrari's 2nd disc for Mode presents 3 works, including one commissioned by Art Zoyd using taped environmental sounds; a work of serialism; and a work using field recordings from the Asian commercial center of Paris.

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product information:

UPC: 764593022824

Label: Mode
Catalog ID: mode 228
Squidco Product Code: 14557

Format: CD
Condition: New
Released: 2011
Country: USA
Packaging: Jewel Tray
"Visage 2" and "Après Presque Rien r" recorded at l'Auditorium Abel Dubois a Mons, Belgium on April 21st, 2006 by Daniel Leon. "Madame de Shanghai recorded at The Tolbooth Arts CEntre, Stirling, Scotland in August 2006 by Kenny MacLeod.


Musiques Nouvelles

Jean-Paul Dessy-conductor

Art Zoyd-samplers

Luc Sirjacques-trumpet

Dominique Bodart-trumpet

Roel Smedts-trombone

Adrien Lambinet-tuba

Kim Van den Brempt-piano

Louison Renault-percussion

Jean-Micehl Monart-percussion

Salvatore Salamone-percussion

Pierre Quiriny-percussion

Jean-Francois Dossogne-percussion

Simon Drachman-percussion

Oliver Ledomez-percussion

Berten D'Hollander-flute

Blanche Philippe-oboe

Charles Michiels-clarinet

Jean-Michel Charlier-clarinet

Magali Dangreau-saxophone

Roel Smedts-trombone

David Nunez-violin

Antoine Maisonhaute-violin

Dominica Eyckmans-viola

Jean-Pol Zanutel-cello

Pascal Smets-contrabass

Scottish Flute Trio

Ruth Morley-flute

Laura Bailie-flute

Janet Larsson-flute

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track listing:

1. Visage 2 9:46

2. Après Presque Rien 31:32

3. Madame De Shanghai 15:22

Related Categories of Interest:

Compositional Forms
Field Recordings
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Electroacoustic Composition

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descriptions, reviews, &c.

"Although not as well known as some of his composer colleagues in France, Luc Ferrari (1929-2005) was a remarkable French composer who distinguished himself with a wide variety of works from traditionally notated compositions for conventional instruments to indeterminate scores, improvisations, experimental tape works, radio pieces, films and multimedia installations. This CD, Mode Records' second disc featuring music by Ferrari, vividly confirms this fact.

• Après presque rien (after almost nothing) is an unusual, moody musical reaction to Ferrari's series of six Presque rien works spanning more than three decades of his career (1967-2001), conceived for tape recorder and displaying Ferrari's concept of "anecdotal" music and love of nature. Après presque rien is a vivid instrumental work interspersed with a broad range of taped environmental sounds. It was a special commission from the avant-garde band Art Zoyd, Musiques Nouvelles and CCMIX.

Visage 2 for two trumpets, trombone, tuba, piano and six percussionists (on this disc) is the second piece in a five-part series of works carrying the same title and spanning the period between 1955 and 1959. While most of the works in this series reflect Ferrari's fascination with serialism, Visage 2 is a physical confrontation of two sexual bodies, telling gestures with notes, rhythms and instruments.

• Madame de Shanghai blends flute sounds with field recordings from the Asian commercial center of Paris (Avenue d'Ivry), including Chinese and Vietnamese voices. At the end of this piece, Ferrari features the voice of Orson Welles, who directed the 1947 film noir The Lady of Shanghai and acted the lover of "The Lady of Shanghai" (Rita Hayworth). Ferrari says "... I can say that this "dramatic comedy" is a bit of a tribute to the film by Orson Welles.""-Mode Records

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