Presenting a 1963 gig by the quartet of Steve Lacy (saxophone), Roswell Rudd (trombone), Dennis Charles (drums) and Henry Grimes (bass), playing piano-less interpretations of the music of Thelonious Monk; plus Lacy with the Monk Quintet live in Philadelphia, 1960.
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Catalog ID: 5016
Squidco Product Code: 14485
Country: Great Britain
Packaging: Cardstock Gatefold Sleeve 3 panels
Tracks 1-7 recorded in NYC in March 1963 by Vashkar Nandi and Paul Haines. Tracks 8 and 9 recorded at Quaker City Jazz Festival in Philadelphia on August 27th, 1960.
Steve Lacy-soprano saxophone
Dennis Charles-drum set
Charlie Rouse-tenor saxophone
Roy Haynes-drum set
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1. Bye-Ya 9:00
2. Pannonica (Incomplete) 3:25
3. Monk´s Dream 7:18
4. Brilliant Corners 9:45
5. Monk´s Mood 8:09
6. Ba-Lue Bolivar Ba-Lues-Are 10:24
7. Skippy 6:23
8. Evidence 6:30
9. Straight No Chaser 8:23
Related Categories of Interest:
Melodic and Lyrical Jazz
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EMANEM & psi
sample the album:
"A 1963 gig by the quartet of Steve Lacy (soprano saxophone), Roswell Rudd (trombone), Dennis Charles (drums) and, on most of this session, Henry Grimes (double bass) playing their original piano-less interpretations of the music of Thelonious Monk. The 1975 release of this material on Emanem 3316 (subsequently reissued on QED, hatART and hatOLOGY) was the first appearance of this important band on record, thanks to the foresight of Vashkar Nandy and Paul Haines who recorded them excellently.
This CD presents the music in the order of performance for the first time. Also included are the two extant examples of Lacy with the Thelonious Monk Quintet (with Charlie Rouse, John Ore & Roy Haynes) made at a 1960 festival in Philadelphia. (The recording of a third piece was truncated before Lacy's solo, so it has been omitted).These were recently issued on RLR with significantly inferior sound, quite a bit of skipping, and the wrong date - all of which have been corrected here."-Emanem
At The Squid's Ear!
• Show Bio for Steve Lacy
"Steve Lacy (July 23, 1934 - June 4, 2004), born Steven Norman Lackritz in New York City, was a jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times.
The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's songs appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlike many jazz musicians he rarely played standard popular or show tunes.
Lacy began his career at sixteen playing Dixieland music with much older musicians such as Henry "Red" Allen, Pee Wee Russell, George "Pops" Foster and Zutty Singleton and then with Kansas City jazz players like Buck Clayton, Dicky Wells, and Jimmy Rushing. He then became involved with the avant-garde, performing on Jazz Advance (1956), the debut album of Cecil Taylor,:55 and appearing with Taylor's groundbreaking quartet at the 1957 Newport Jazz Festival; he also made a notable appearance on an early Gil Evans album. His most enduring relationship, however, was with the music of Thelonious Monk: he recorded the first album to feature only Monk compositions (Reflections, Prestige, 1958) and briefly played in Monk's band in 1960:241 and later on Monk's Big Band and Quartet in Concert album (Columbia, 1963).
Lacy's first visit to Europe came in 1965, with a visit to Copenhagen in the company of Kenny Drew; he went to Italy and formed a quartet with Italian trumpeter Enrico Rava and the South African musicians Johnny Dyani and Louis Moholo (their visit to Buenos Aires is documented on The Forest and the Zoo, ESP, 1967). After a brief return to New York, he returned to Italy, then in 1970 moved to Paris, where he lived until the last two years of his life. He became a widely respected figure on the European jazz scene, though he remained less well known in the U.S.
The core of Lacy's activities from the 1970s to the 1990s was his sextet: his wife, singer/violinist Irene Aebi,:272 soprano/alto saxophonist Steve Potts, pianist Bobby Few, bassist Jean-Jacques Avenel, and drummer Oliver Johnson (later John Betsch). Sometimes this group was scaled up to a large ensemble (e.g. Vespers, Soul Note, 1993, which added Ricky Ford on tenor sax and Tom Varner on French horn), sometimes pared down to a quartet, trio, or even a two-saxophone duo. He played duos with pianist Eric Watson. Lacy also, beginning in the 1970s, became a specialist in solo saxophone; he ranks with Sonny Rollins, Anthony Braxton, Evan Parker, and Lol Coxhill in the development of this demanding form of improvisation.
Lacy was interested in all the arts: the visual arts and poetry in particular became important sources for him. Collaborating with painters and dancers in multimedia projects, he made musical settings of his favourite writers: Robert Creeley, Samuel Beckett, Tom Raworth, Taslima Nasrin, Herman Melville, Brion Gysin and other Beat writers, including settings for the Tao Te Ching and haiku poetry. As Creeley noted in the Poetry Project Newsletter, "There's no way simply to make clear how particular Steve Lacy was to poets or how much he can now teach them by fact of his own practice and example. No one was ever more generous or perceptive."
In 1992, he was the recipient of a MacArthur Fellowship (nicknamed the "genius grant").
He also collaborated with a wide range of musicians, from traditional jazz to the avant-garde to contemporary classical music. Outside of his regular sextet, his most regular collaborator was pianist Mal Waldron,:244-245 with whom he recorded a number of duet albums (notably Sempre Amore, a collection of Ellington/Strayhorn material, Soul Note, 1987).
Lacy played his 'farewell concerts to Europe' in Belgium, in duo and solo, for a small but motivated public. This happened in Brussels, Antwerp, Ghent, Bruge and Bergen. This recollection is published by Naked Music. In Ghent he played with the classical violinist Mikhail Bezverkhni, winner of Queen Elisabeth Concours. He returned to the United States in 2002, where he began teaching at the New England Conservatory of Music in Boston, Massachusetts. One of his last public performances was in front of 25,000 people at the close of a peace rally on Boston Common in March 2003, shortly before the US-led invasion of Iraq.
After Lacy was diagnosed with cancer in August 2003, he continued playing and teaching until weeks before his death on June 4, 2004 at the age of 69."-Wikipedia (https://en.wikipedia.org/wiki/Steve_Lacy)
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• Show Bio for Roswell Rudd
"Roswell Hopkins Rudd, Jr. (born November 17, 1935) is an American jazz trombonist and composer.
Although skilled in a variety of genres of jazz (including Dixieland, which he performed while in college) and other genres of music, he is known primarily for his work in free and avant-garde jazz. Since 1962 Rudd has worked extensively with saxophonist Archie Shepp.
Rudd was born in Sharon, Connecticut. He attended the Hotchkiss School and graduated from Yale University, where he played with Eli's Chosen Six, a dixieland band of students that Rudd joined in the mid-'50s. The sextet played the boisterous trad jazz style of the day and recorded two albums, including one for Columbia Records. His collaborations with Cecil Taylor, Archie Shepp, John Tchicai, and Steve Lacy grew out of the lessons learned while playing rags and stomps for drunken college kids in Connecticut.
Rudd later taught ethnomusicology at Bard College and the University of Maine. On and off for a period of three decades, he assisted Alan Lomax with his world music song style (Cantometrics) and Global Jukebox projects.
In the 1960s, Rudd participated in free jazz recordings such as the New York Art Quartet; the soundtrack for the 1964 movie New York Eye and Ear Control; the album Communications by the Jazz Composer's Orchestra; and in collaborations with Don Cherry, Larry Coryell, Pharoah Sanders, and Gato Barbieri. Rudd has had lifelong friendships with saxophonists Archie Shepp and Steve Lacy and has performed and recorded the music of Thelonious Monk with Lacy.
Rudd and his producer and partner Verna Gillis went to Mali in 2000 and 2001. His album MALIcool (2001), a cross-cultural collaboration with kora player Toumani Diabaté and other Malian musicians, represented the first time the trombone had been featured in a recording of Malian traditional music.
In 2004, he brought his Trombone Shout Band to perform at the 4th Festival au Désert in Essakane, Tombouctou Region, Mali. In 2005, he extended his reach further, recording an album with the Mongolian Buryat Band, a traditional music group of musicians from Mongolia and Buryatia, entitled Blue Mongol.
Rudd conducts master classes and workshops both in the United States and around the world."-Wikipedia (https://en.wikipedia.org/wiki/Roswell_Rudd)
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