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John Zorn

Zorn: The Satyros Play / Cerebrus

John Zorn: Zorn: The Satyros Play / Cerebrus (Tzadik)

Two new large works beautifully packaged with a thick booklet: "Visions of Dionysus" with Cyro Baptist and Kenny Wollesen; and "Cerebus" with Peter Evans, David Taylor and Marcus Rojas.
 

Price: $16.95


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product information:


UPC: 702397739029

Label: Tzadik
Catalog ID: TZA-CD-7390
Squidco Product Code: 14408

Format: CD
Condition: New
Released: 2011
Country: USA
Packaging: Digipack with booklet
Recorded January and April 2010 at East Side Sound, NYC by Marc Urselli.


Personnel:

Cyro Baptista-percussion

Kenny Wollesen-percussion

Peter Evans-trumpet

David Taylor-bass trombone

Marcus Rojas-tuba

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Artist Biographies:

"Cyro Baptista (born December 23, 1950) is a Brazilian musician, teacher, and recording artist specializing in percussion in the genres of jazz and world music.

Born in Sčo Paulo, Brazil, Baptista arrived in the U.S. in 1980 with a scholarship to Creative Music Studio in Woodstock, New York. He has recorded and toured regularly with popular musicians and groups. Baptista creates many of the percussion instruments he plays.

Baptista recorded with pianist Herbie Hancock on his 2005 release, Possibilities. In 2002 Baptista toured with Yo-Yo Ma’s Brazil Project and also appeared on the Obrigado Brazil album – winner of two Grammy awards. He also toured with Trey Anastasio of Phish and John Zorn. He recorded and performed worldwide with Herbie Hancock’s Grammy award-winning Gershwin’s World. Baptista collaborated with Wynton Marsalis and the Lincoln Center Jazz Orchestra for a Brazilian Carnival modern jazz concert. For over two years, he toured with Paul Simon's Rhythm of the Saints tour and appears on his Concert in Central Park release. He also toured worldwide with Sting in 2001.

Baptista has performed or recorded with many artists, including: Trey Anastasio, Laurie Anderson, Derek Bailey, Gato Barbieri, Daniel Barenboim, Kathleen Battle, David Byrne, Dr. John, Brian Eno, Melissa Etheridge, Stephen Kent, Wynton Marsalis, Bobby McFerrin, Medeski Martin & Wood, Robert Palmer, Carlos Santana, Tim Sparks, Spyro Gyra, Sting, James Taylor, Michael Tilson Thomas, Yo-Yo Ma, and John Zorn. He has also played with many noted Brazilian artists such as Badi Assad, Ivan Lins, Marisa Monte, Milton Nascimento, Nana Vasconcelos and Caetano Veloso.

Baptista has performed on five Grammy award-winning albums: Yo-Yo Ma’s Obrigado Brazil, Cassandra Wilson’s Blue Light 'Til Dawn, The Chieftains’ Santiago, Ivan Lins’ A Love Affair, and Herbie Hancock’s Gershwin’s World. A documentary on Baptista’s project, Beat the Donkey, recorded for the WGBH-TV Boston program ‘La Plaza’, won 3 New England EMMY Awards in 2002.

Baptista appeared in Nicolas Humbert and Werner Penzel's 1990 documentary film on Fred Frith, Step Across the Border. He has also composed music for programs on the children's television network Nickelodeon.

Baptista formed Beat the Donkey, a percussion and dance ensemble in 2002. The debut self-titled album Beat the Donkey (Tzadik) was picked by Jon Pareles of The New York Times as one of the ten best alternative albums of 2002. Readers of JAZZIZ magazine and DRUM magazine voted it "Best Brazilian CD of the Year" and named Baptista "Best Percussionist of 2002." Down Beat magazine's 51st annual critics' poll selected Baptista as 'Rising Star' in percussion. The group released its second album, Love the Donkey on John Zorn's independent Tzadik record label in 2005.

Baptista's first solo recording in 1997, Villa Lobos/Vira Loucos, is a mix of his own compositions with the work of the Brazilian composer Heitor Villa-Lobos. It was called "the most courageous, bright, funny, dramatic, and imaginative work in recent memory."

Blue Note Records released Supergenerous, a duo CD recorded with guitarist Kevin Breit (KD Lang, Cassandra Wilson). Billboard called Supergenerous "pure aural pleasure" and the Washington Post noted it "a marvelous debut that manages to feel outside and intimate at the same time."

Baptista conducts educational "rhythm workshops" in a variety of formats. He has provided presentations for a range of audiences, from elementary school children to professional musicians.

He has conducted workshops and master classes at numerous institutions throughout the world. These include Berklee College of Music (Boston), The New School (New York City), Drummer's Collective (New York City), Mannes College of Music (New York City), New World Symphony Orchestra (Miami) and Rimon School of Music (Tel-Aviv, Israel).

In 2009 Baptista won a Fellow Award in Music from United States Artists.

Baptista plays congas, bongos, tambourine, maracas, caxixi, agogo bells, pandeiro, pandora, cuica, bells, gong, drums, ceramic drums, surdo, berimbau, shaker, triangle, temple blocks, bass drum, metal percussion, campana, caja, udu, arrelegos, bell tree, bottles, washboard, rubboard, hadgini, cowbell, timbales, shekere, wood block, repique, Rototoms, cabasa, apito, mark tree, whistles, shekere, tabla, talking drum, finger cymbals, Chinese bells, tamborim, snare drum, whistles, typewriter, Alfaia, bird calls, clay drums, cymbals, kalimba, wind chimes, tom-toms, water gong, vacuum cleaner, water phone, peneira cheia, alarm clock, and other percussion."

-Wikipedia (https://en.wikipedia.org/wiki/Cyro_Baptista)
2/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Kenny Wollesen (born 1966) is an American drummer and percussionist.

Wollesen lives in New York City. He has recorded and toured with Tom Waits, Sean Lennon, Ron Sexsmith, Bill Frisell, Norah Jones, John Lurie, Myra Melford, Steven Bernstein, and John Zorn. He is a founding member of the New Klezmer Trio and a member of the Sex Mob and Himalayas groups. He also performs on the soundtrack to the popular children's show The Backyardigans.

Kenny grew up in Capitola, CA, studying at Aptos HS and spent many teenage years jamming with Donny McCaslin. He spent quality classroom time with flugelhornist and arranger Ray Brown at Cabrillo College. Kenny also arranges and studied vibraphone at Cabrillo."

-Wikipedia (https://en.wikipedia.org/wiki/Kenny_Wollesen)
2/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Peter Evans is a trumpet player, and improvisor/composer based in New York City since 2003. Evans is part of a broad, hybridized scene of musical experimentation and his work cuts across a wide range of modern musical practices and traditions. Peter is committed to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool, and works with an ever-expanding group of musicians and composers in the creation of new music. His primary groups as a leader are the Peter Evans Quintet and the Zebulon trio. In addition, Evans has been performing and recording solo trumpet music since 2002 and is widely recognized as a leading voice in the field, having released several recordings over the past decade. He is a member of the cooperative groups Pulverize the Sound (with Mike Pride and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is constantly experimenting and forming new configurations with like minded players. As a composer, he has been commissioned by the International Contemporary Ensemble (ICE), Yarn/Wire, the Donaueschingen Musiktage Festival, the Jerome Foundation's Emerging Artist Program, and the Doris Duke Foundation for the 2015 Newport Jazz Festival. Evans has presented and/or performed his works at major festivals worldwide and tours his own groups extensively. He has worked with some of the leading figures in new music: John Zorn, Kassa Overall, Jim Black, Weasel Walter, Levy Lorenzo, Nate Wooley, Steve Schick, Mary Halvorson, Joe McPhee, George Lewis, and performs with both ICE and the Wet Ink Ensemble. He has been releasing recordings on his own label, More is More, since 2011."

-Peter Evans Website (http://pevans.squarespace.com/about/)
2/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Receiving B.S. and M.S. degrees from the Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski's American Symphony Orchestra, and by appearing with the New York Philharmonic under Pierre Boulez Almost simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with Duke Ellington (The New Orleans Suite), The Rolling Stones, and Blood, Sweat, and Tears. Mr. Taylor has recorded four solo albums (Koch, New World, and DMP) and has presented numerous recitals throughout the world (including Carnegie Recital Hall, Kaufman Auditorium at the Y at 92nd Street, and Merkin Hall).

He has appeared as a soloist with the St. Lukes Chamber Orchestra , The Chamber Music Society of Lincoln Center, The Caramoor Festival Orchestra, The NY Chamber Symphony, The Basil Sinfonietta, The Adelaide Philharmonic, and The Group for Contemporary Music among others. He has been involved in dozens of commissioning projects for the Bass Trombone in solo and chamber idioms; collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, David Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis. Throughout his career, David Taylor has appeared and recorded with many major jazz and popular artists including Barbara Streisand, Miles Davis, Quincey Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, the most it could be awarded and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has been a member of the Gil Evans Band, Thad Jones-Mel Lewis Band, George Russell's Band, the George Gruntz Concert Jazz Band, and the Chuck Israel Band to name a few. Although he has performed on numerous Grammy Award winning recordings, 1998 was special. In 1998 Taylor performed on four Grammy nominated CD's: The J.J. Johnson Big Band, Dave Grusin's West Side Story, the Joe Henderson Big Band, and the Randy Brecker Band. The latter two CD's were chosen for Grammys.

David Taylor currently performs with The Chamber Music Society of Lincoln Center, The Charles Mingus Big Band, Eos Orchestra, The NY Chamber Symphony, The Mostly Mozart Festival Orchestra, The Michelle Camillo Band, Areopagitica (a brass trio in residence at Mannes College), The Bob Mintzer Band, the Daniel Schnyder, David Taylor, and the Kenny Drew Jr Trio. He appears frequently with Orpheus, and the St. Lukes Chamber Orchestra, and he is on the faculties of the Manhattan School of Music and Mannes College."

-David Taylor Website (http://www.davetaylor.net/bio.html)
2/18/2019

Have a better biography or biography source? Please Contact Us so that we can update this biography.
track listing:


1. Visions of Dionysus - Ode I 3:48

2. Visions of Dionysus - Ode II 3:39

3. Visions of Dionysus - Ode III 2:54

4. Visions of Dionysus - Ode IV 3:50

5. Visions of Dionysus - Ode V 2:35

6. Visions of Dionysus - Ode VI 4:33

7. Visions of Dionysus - Ode VII 3:36

8. Visions of Dionysus - Ode VIII 1:39

9. Cerberus 10:34
sample the album:








descriptions, reviews, &c.

"Two dramatic new worlds in sound from our downtown Alchemist who continues to confound and defy expectations well into his fourth decade of recorded activity. Scored for two percussionists, The Satyr's Play is a dramatic work that mysteriously evokes the decadent excesses of Bacchanalia and Saturnalia. Presented in book form accompanied by a esoteric text beautifully illustrated with rare drawings by the great mystical artist Austin Osman Spare, this is a work of subtle nuance and sexuality. In contrast, Cerberus, is a flamboyant and dynamic trio for brass. A demonic piece featuring three undisputed Brass virtuosos, it jumps styles, moods and genres in classic Zorn fashion. Radical, moody and colorful chamber works for the 21st century."-Tzadik

Related Categories of Interest:

Tzadik

Improvised Music
NY Downtown & Jazz/Improv
Compositional Forms
Zorn. John
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