The Squid's Ear Magazine


Lutnahimat: Erosions (Aural Terrains)

Lutnahimat is the London-based project of composer/sound sculptor Ian S. in a work mixing electronic self-built instruments with sound samples recorded in India and Cameroon.
 

Price: $17.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Ian S.


Click an artist name above to see in-stock items for that artist.




UPC: 884502831511

Label: Aural Terrains
Catalog ID: TRRN0413
Squidco Product Code: 13981

Format: CD
Condition: New
Released: 2010
Country: Greece/UK
Packaging: Digipack

Descriptions, Reviews, &c.

"Lutnahimat is a London-based project, formed in 2002 by composer/sound sculptor Ian S. After studying music technology in London, Ian has experimented with numerous acoustic instruments including strings, woodwind, brass free-reed and prepared instruments. Not wholly satisfied with the sounds available, he has also built several electronic instruments from scratch and created a variety of recording techniques to go with them. Lutnahimat has been working on soundtracks for short films, sound installations and exhibitions as well as releasing several limited editions on labels such as Entra'cte and EE Tapes. After concentrating at length on acoustic recordings Lutnahimat is currently working on minimal electronic music using purpose-built devices and self-written signal processing programs. For Erosions Lutnahimat used some of these instruments as well sound samples recorded in India and Cameroon."-Aural Terrains


Artist Biographies

Track Listing:



1. Snow in Hadal Zone 20:44

2. Absence of Alternative 3:53

3. Senescence 7:30

Related Categories of Interest:


Electro-Acoustic
Organized Sound and Sample Based Music
Field Recordings

Search for other titles on the label:
Aural Terrains.


Recommended & Related Releases:
Other Recommended Releases:
Elyakim, Dganit
Failing Better
(Aural Terrains)
Using electronics and voice, composer & sound artist Gtanit Elyakim presents a diverse set of compositions in collaboration with other acoustic, voice and electronic artists, a superb debut for an artist interested in aspects of the human and the digital paradigm.
Edwards, Michael
For Rei As A Doe (for piano and computer)
(Aural Terrains)
UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.
Chrysakis / Slaven / O'Sullivan / Wigens
Zafiros en el Barro
(Aural Terrains)
Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).
Branche / Chrysakis / Soloveitzik / O'Sullivan / Vidal / Wigens
Magnetic River
(Aural Terrains)
Electroacoustic improvisation with unusual techniques from the sextet of saxophonist Sebastian Branche, laptop electronicist Thanos Chrysakis, saxophonist Tom Soloeitzik, guitarist James O'Sullivan, saxophonist Artut Vidal and clarinetist Jery Wigens.
Chrysakis, Thanos / James O'Sullivan / Jerry Wigens
Syneuma
(Aural Terrains)
The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.
Eventless Plot
Recon
(Aural Terrains)
The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.
Chrysakis, Thanos / Wade Matthews
Numen
(Aural Terrains)
The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC