Vivid improvisational colors are explored by saxophonist Fasteau with William Parker, Hamid Drake, Joe McPhee, Sabir Matten and Ron McBee, from live performances in Chicago, Guelph, and NY.
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Label: Flying Note
Catalog ID: FNCD 9007
Squidco Product Code: 13942
Packaging: Jewel Tray
Recorded live in Chicago and at the Guelph Jazz Festival, Canada in 1998 and at Stone Ridge Arts Center, NY in 1999.
Kali Fasteau-soprano saxophone, voice, nai and kaval flutes, mizmar, drum set, moursin, sanza
Hamid Drake-drum set, bindir, voice
Sabir Mateen-alto &tenor saxophones, bamboo slide flute
Joe McPhee-soprano saxophone, pocket trumpet
Ron McBee-djembe and African percussion
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1. Orange 2:32
2. Red 5:08
3. Turquoise 4:29
4. Aquamarine 2:06
5. Sun Yellow 12:09
6. Chartreuse 6:29
7. Tangerine 5:43
8. Sienna (This Moment) 1:52
9. Tamil Blue 2:06
10. Royal Purple 4:19
11. Pimento 5:09
12. Heliotrope 3:12
13. Violet 1:44
14. Sea Green 5:47
15. Magenta 8:21
Related Categories of Interest:
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
sample the album:
"Kali Fasteau presents 15 live recordings named for the aural suggestion of each work and its counterpart in the visual spectrum on Vivid, and the result is an excellent display of creativity and imagination that transcends boundaries and takes her listeners to another level of music aesthetics. The multi-instrumentalist, composer, and arranger plays a set filled with exciting techniques, including her simultaneous playing of the drums, soprano sax, and voice!
Joined by such expressive masters as William Parker on contrabass; Joe McPhee on soprano sax and pocket trumpet; Hamid Drake on drum set, bindir, and voice; Sabir Mateen on alto sax, tenor saxe, and bamboo side flute; and Ron McBee on djembe and African percussion, the sextet exudes music's energies and colors -- whether seen, heard, or felt, within the mind's eye, ear, or touch associations. This concept, also explored and appreciated by such great artists as Avishai Cohen on Colors and the great musical educator Arnold Schoenberg, will definitely open your musical senses with its brightly colored synaesthesia.
"Chartreuse," recorded live at Canada's Guelph Jazz Festival, is a six-minute piece designed with soprano sax, whirling tube, djembe, and percussion, and presents Fasteau's ambitious composition in a light that embraces this spectrum of tonalities by using intuitive approximation and subjective objectivization. Other colors explored and realized are a 12-minute version of "Sun Yellow," with Joe McPhee burning on pocket trumpet and soprano sax, and the mystical "Tamil Blue," on which Fasteau plays the nai and kaval flutes. This CD is a brilliant achievement, and for those interested in a creative display utilizing color associations with certain sounds or tonalities, Vivid is the perfect choice."-Paula Edelstein
• Show Bio for Hamid Drake
"Hamid Drake (born August 3, 1955) is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso's Mandingo Griot Society and has played reggae throughout his career.
Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups)
He studied drums extensively, including eastern and Caribbean styles. He frequently plays without sticks; using his hands to develop subtle commanding undertones. His tabla playing is notable for his subtlety and flair. Drake's questing nature and his interest in Caribbean percussion led to a deep involvement with reggae."-Wikipedia (https://en.wikipedia.org/wiki/Hamid_Drake)
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• Show Bio for Sabir Mateen
"Sabir Mateen (born April 16, 1951) is a musician and composer from Philadelphia who plays primarily in the avant-garde jazz idiom. He plays tenor and alto saxophone, B♭ and alto clarinet, and flute.
As a young man, Mateen was originally a percussionist, and he started playing flute as a teenager. From there he moved to alto and then tenor saxophone. He started out playing rhythm and blues in the early 1970s which led him to the tenor saxophone chair of the Horace Tapscott Pan Afrikan Peoples Arkestra. He has performed or recorded with Cecil Taylor, Sunny Murray, William Parker, Alan Silva, Butch and Wilber Morris, Raphe Malik, Steve Swell, Roy Campbell, Jr., Matthew Shipp, Marc Edwards, Jemeel Moondoc, William Hooker, Henry Grimes, Rashid Bakr, Hamid Drake among others. He also is a member of the band TEST, with Daniel Carter."-Wikipedia (https://en.wikipedia.org/wiki/Sabir_Mateen)
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• Show Bio for Joe McPhee
"Joe McPhee, born November 3,1939 in Miami, Florida, USA, is a multi-instrumentalist, composer, improviser, conceptualist and theoretician. He began playing the trumpet at age eight, taught by his father, himself a trumpet player. He continued on that instrument through his formative school years and later in a U.S. Army band stationed in Germany, at which time he was introduced to performing traditional jazz. Clifford Thornton's Freedom and Unity, released in 1969 on the Third World label, is the first recording on which he appears as a side man. In 1968, inspired by the music of Albert Ayler, he took up the saxophone and began an active involvement in both acoustic and electronic music.
His first recordings as leader appeared on the CJ Records label, founded in 1969 by painter Craig Johnson. These include Underground Railroad by the Joe McPhee Quartet (1969), Nation Time (1970), Trinity (1971) and Pieces of Light (1974). In 1975, Swiss entrepreneur Werner X. Uehlinger release Black Magic Man by McPhee, on what was to become Hat Hut Records.
In 1981, he met composer, accordionist, performer, and educator Pauline Oliveros, whose theories of "deep listening" strengthened his interests in extended instrumental and electronic techniques. he also discovered Edward de Bono's book Lateral Thinking: A Textbook of Creativity, which presents concepts for solving problems by "disrupting an apparent sequence and arriving at the solution from another angle." de Bono's theories inspired McPhee to apply this "sideways thinking" to his own work in creative improvisation, resulting in the concept of "Po Music." McPhee describes "Po Music" as a "process of provocation" (Po is a language indicator to show that provocation is being used) to "move from one fixed set of ideas in an attempt to discover new ones." He concludes, "It is a Positive, Possible, Poetic Hypothesis." The results of this application of Po principles to creative improvisation can be heard on several Hat Art recordings, including Topology, Linear B, and Oleo & a Future Retrospective.
In 1997, McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival in 1998 but the concert went unnoticed by the press. McPhee, Duval, and Rosen therefore decided that an apt title for the group would be Trio X. In 2004 he created Survival Unit III with Fred Lonberg-Holm and Michael Zerang to expand his musical horizons and with a career spanning nearly 50 years and over 100 recordings, he continues to tour internationally, forge new connections while reaching for music's outer limits."-Joe McPhee Website (http://joemcphee.com/bio.html)
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• Show Bio for William Parker
"William Parker is a bassist, improviser, composer, writer, and educator from New York City, heralded by The Village Voice as, "the most consistently brilliant free jazz bassist of all time."
In addition to recording over 150 albums, he has published six books and taught and mentored hundreds of young musicians and artists.
Parker's current bands include the Little Huey Creative Music Orchestra, In Order to Survive, Raining on the Moon, Stan's Hat Flapping in the Wind, and the Cosmic Mountain Quartet with Hamid Drake, Kidd Jordan, and Cooper-Moore. Throughout his career he has performed with Cecil Taylor, Don Cherry, Milford Graves, and David S. Ware, among others."-William Parker Website (http://www.williamparker.net/)
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