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Free Fall (Vandermark / Wilk / Haker-Flaten): Gray Scale (Smalltown Superjazzz)

The 4th release from the Free Fall trio (Havard Wiik, Ken Vandermark and Ingebrigt Haker Flaten), new music from the heritage of Jimmy Giuffre's 60s trio with Paul Bley and Steve Swallow.
 

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product information:


UPC: 600116849328

Label: Smalltown Superjazzz
Catalog ID: STSJ 193CD
Squidco Product Code: 13838

Format: CD
Condition: New
Released: 2010
Country: Norway
Packaging: Digipack
Recorded at Fattoria Musica by Stephan van Wylick on September 2nd, 2008. Mixed and mastered by Ken Vandermark and Bob Weston (Shellac) at Chicago Mastering Service.


Personnel:

Ken Vandermark-clarinets

Havard Wiik-piano

Ingebrigt Haker Flaten-bass

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Lividus 4:14

2. Griseus 3:33

3. Ravus 6:08

4. Caesius 4:29

5. Opacus 3:23

6. Argenteus 6:02

7. Cinereus 8:11

8. Fumidus 6:08

9. Incanus 3:03




Related Categories of Interest:


Improvised Music
Jazz
Chicago Jazz & Improvisation
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
Trio Recordings

sample the album:








descriptions, reviews, &c.

"The 4th release from the Free Fall trio consisting of Havard Wiik, Ken Vandermark and Ingebrigt Haker Flaten. With clarinets, piano and bass Free Fall creates magical moods and brings the heritage of Jimmy Giuffres` legendary 60s trio with Paul Bley and Steve Swallow into the new millennium."-Smalltown Superjazzz


Artist Biographies:

"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."

-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
4/19/2017

"Håvard Skarpnes Wiik (born March 10, 1975) in Kristiansund, Norway is a Norwegian jazz pianist and composer, known from a number of recordings with bands like Atomic, and performances with musicians like Petter Wettre, Ola Kvernberg and Stian Carstensen.

Wiik caused sensation at 17 years old in a concert at the Moldejazz, with bassist Steinar Raknes, as the "Wiikrak Duo". He attended the jazz program at Trondheim musikkonservatorium from 1994 to 96, where he and fellow students established the jazz band Element.

After moving to Oslo he has been a key player in many band projects, such as Atomic, "Free Fall", "Atomic Schooldays", a duo with Håkon Kornstad, a new project with Axel Dörner and Fredrik Ljungkvist. He has been an obvious choice as collaborator with giants in jazz, Kenny Wheeler, Lee Konitz, Joe Lovano representing the old school, and Ken Vandermark being a soul mate from the here and now., for example the band Motif. He also led the Håvard Wiik Trio with Mats Eilertsen (bass) and Per Oddvar Johansen (drums), to release Postures (Jazzland, 2003).

Wiik was recogniced as "Artist in residence" at the Moldejazz (2004). At the Kongsberg Jazz Festival (2006), he was awarded the Vital prize, giving him the opportunity to perform as solo artist, and release the album Palinode (2007). He also started his own H.W. Trio, releasing Postures (2003), performing his own compositions. He transformed the trio to The Arcades Project (2007). In this version of the trio we find Håkon Mjåset Johansen on drums and Ole Morten Vågan on bass. They have also been involved within bands such as Urban Connection, Come Shine, Bugge Wesseltoft's New Conception of Jazz."

-Wikipedia (https://en.wikipedia.org/wiki/H%C3%A5vard_Wiik)
4/19/2017

"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.

When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.

A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.

There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.

In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."

-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
4/19/2017

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