Dave Petts' Remote Viewers, now a septet of 4 saxophonists, marimba, bassist John Edwards and drummer Mark Sanders, in 7 pieces blending rock and improvisational aesthetics in seductive ways.
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Label: Remote Viewers
Catalog ID: RV8
Squidco Product Code: 13815
Country: Great Britain
Packaging: Jewel Tray
Recorded at Eastcote Studios, London on May 20th, 2010 by Anna Tjan.
David Petts-tenor sax
Adrian Northover-soprano sax
Sue Lynch-tenor sax
Caroline Kraabel-alto and baritone saxes
John Edwards-double bass
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1. Journey To The Border 3:54
2. The Lure Of Heresy 4:38
3. Saturation Bombing 10:17
4. All The Conspirators 7:28
5. The High Place 4:20
6. To The North 3:42
7. The Memorial 8:22
Related Categories of Interest:
European Improv, Free Jazz & Related
Rock and Related
London & UK Free Improvisation Scene
sample the album:
"Yet another change of line-up in The Remote Viewers, now a septet consisting of four saxophonists (Dave Petts, Adrian Northover, Sue Lynch and Caroline Kraabel), an equally eminent rhythm section (bassist John Edwards and drummer Mark Sanders) and Rosa Lynch-Northover on marimba. The compositions encompassed by To The North were entirely penned by Petts, a matchless voice whose reminiscences of suggestion appear to be somewhat located in certain reed-fuelled parallelisms heard in early Henry Cow (and, more specifically and perhaps coincidentally, in the intro of National Health's "Binoculars" on Of Queues And Cures). Still, the exclusivity of these seven pieces remains visible all over the album's 42 minutes. There is no indulgence for undemanding consonance - not for a second, I mean; the junction between all those tangentially unkind sax lines (sounding remarkably extemporaneous during the freer sections) and the atypical pulse dictated by Sanders, Edwards and Lynch-Northover constitutes an opportunity for listening to fairly awkward music without getting lost in the warren of gratuitous complicatedness. The playing is sensible, respectful of the scores while ever open to further interpretations; the timbres are rightly amalgamated. An element of newness (in regard to TRW's previous outings) is the use of short snippets of environmental recordings: besides steps and engines caught in other selections, "All The Conspirators" begins with a few seconds of a bird intoning a three-pitch code that literally disintegrates my heart, as if the instrumental merits weren't already enough. Get your copy soon, this stuff is brilliant."-Massimo Ricci, Touching Extremes
Get additional information at Touching Extremes
• Show Bio for David Petts
UK saxophonist David Petts is the leader and composer of The Remote Viewers, releasing 15 albums since 1999.4/19/2017
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• Show Bio for Sue Lynch
"Sue Lynch runs 'The Horse Improvised Music Club' with Adam Bohman and Hutch Demouilpied. www.horseimprovclub.wordpress.com/.Since 2014, The horse has been based at IKLECTIK Art Lab, so this and other projects have been in conjunction with Eduard Solaz. Lynch is currently a member of David Petts-'Remote Viewers',with John Edwards, Mark Sanders, Caroline Kraabel , Adrian Northover and David Petts. She also performs with Adam Bohman, Eddie Prevost,Hutch Demouilpied,Richard Sanderson,Steve Noble and Sharon Gal. Sue Lynch is organiser and arranger for Hogcallin' a Mingus tribute ensemble, performing at the London 2016 Jazz Festival.
In 2015 she performed with Maria Vatentina's opera 'Mannequin'. She has recently performed as part of Tarek Atoui's 'Reverse Collection' at The Tate Modern, with Pat Thomas,Mark Harwood, Angharad Davies + Luke Younger. Sue Lynch is currently one of the featured musicians in Julie Kjaer's Interviews with Female Musicians on The London Improv Scene for The British Music Collection."-Sue Lynch Website (https://suelynch.wordpress.com/)
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• Show Bio for Caroline Kraabel
"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.
After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era. There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston, Charlotte Hug, Maggie Nicols, Phil Hargreaves, and the London Improvisors Orchestra among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.
Recordings include Transitions with Maggie Nichols and Charlotte Hug, Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.
Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM and is the editor for the London Musicians Collective's magazine Resonance."-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
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• Show Bio for John Edwards
"After taking up the bass, around 1987, John Edwards co-formed The Pointy Birds who went on to win awards for their music for The Cholmondeleys and Featherstonehaughs dance troupes. The group appeared at festivals in Glasgow, Edinburgh, Moers, Leverkusen, Copenhagen. Around 1990, Edwards played his first gigs with London improvisers such as Roger Turner, Lol Coxhill, Maggie Nicols, Phil Minton.
Between 1990 and 1995 Edwards was a member of three touring groups simultaneously: B-Shops For The Poor, The Honkies and GOD. During this period he also became an increasingly regular player on the London improvised music scene and performed his first solo gigs; he composed and performed music theatre with the bass and cello duo The Great Explorers, street-busked a lot and appeared at many more festivals in Germany, Estonia, France, Italy, Czech, etc.
Since 1995 John Edwards has become a "mainstay" of the London scene, playing with just about everybody, an activity that has seen him clocking up between 150 and 200 gigs a year. He has become regular player with Evan Parker, in many groupings, and with Tony Bevan, Veryan Weston, and Elton Dean, often in collaboration with Mark Sanders on percussion. He has become a more frequent player on the European (and festival) scene, appearing at Taktlos, Ulrichsburg, Nickelsdorf, Budapest, New Zealand and in the USA. He continues to work on solo performances."-EFI (http://www.efi.group.shef.ac.uk/musician/medwards.html)
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• Show Bio for Mark Sanders
"Mark Sanders has played with many renowned musicians including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Henry Grimes, Roswell Rudd, Peter Brotzmann, Barry Guy, Otomo Yoshihide, Jah Wobble, Sidsel Endresen , Charles Gayle, Peter Evans and William Parker. He works with John Edwards in a duo and with groups including Evan Parker, `Foils` with Frank Paul Schubert and Matthius Muller and groups with Veryan Weston, John Tilbury, Agusti Fernandez and Mathew Shipp. Mark works in a regular improvising duo with John Butcher and also performing John`s composition `Tarab Cuts` which has played festivals in Rio de Janiero, Amsterdam, Barcelona, Glasgow, Bristol and London. In a trio with cellist Okkyung Lee, John and Mark have played in Belgium, France, England and Scotland. He also has a longstanding duo with Sarah Gail Brand which has featured on the BBC`s `The Stuart Lee Show`and in the film `Taking the dog for a Walk`.
He has performed solo for a Christian Marclay exhibition at The White Cube Gallery in London, Evan Parker`s festival`Unwhitstable` in Wroclaw, Poland for `Solos Festival` The 100 Years Gallery London, an improvised music series in Derby and Cafe Oto in London. Working with Christian Marclay in his `Everyday` piece for film and live music, he has performed in Aldeburgh, Ruhr Trienalle, Vienna Bienalle, Holland festival and London`s QEH and has also collaborated with him playing for the film `Screenplay`in London and Lisbon. In situations using composition in one form or another Mark works in various projects including `13 Vices` with Brian Irvine/Jennifer Walshe, Alex Hawkins Ensemble featuring Peter Evans, Simon Fell Ensembe, groups with Hasse Poulsen and Luc Ex , Sarah Sarhandi`s `Both Universe`, Elaine Mitchener`s `Sweet Tooth` and has played in the groups of Shabaka Hutchings including`Sons of Kemet` Conceptual Artist Sam Belinfante collaborated with Mark in his piece `On the One Hand, and the Other` in two exhibitions at Camden Arts Centre, London For Conceptual artist Henrik Hakensen`s film `The End` he has performed as an improvising soloist with orchestras conductedd by Jessica Cottis, playing the music of John Coxon in Glasgow, Sydney and Monte Carlo As a guest with New York`s ICE Ensemble he has performed John Zorn`s `The Tempest` in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, in duo and `Frisque Concordance` with Georg Graewe , and the ensembles of Mikolaj Trzaska, Uwe Oberg and Peter Jaquemyn. He has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Australia, Mozambique and Turkey, playing at many major festivals including Nickelsdorf, Riga, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, FMP, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel."-Mark Sanders Website (http://www.marksanders.me.uk/biography.html)
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