Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.
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Label: ReR/ Fred Records
Catalog ID: ReR FRO 12
Squidco Product Code: 13633
Packaging: Digipack - 3 panel
Recorded at 80s Factory, Fukuoka on July 20th, 1981, Kawai Hall, Maebashi on July 22nd, 1981, Nichifutsu Kaikan, Tokyo on July 11th 1981, and Mainichi Kokusai Salon, Osaka on July 17th, 1981.
Fred Frith-1961 Burns Black Bison Guitar, custom double neck guitar made by Charles Fletcher in 1974, pilot's throat microphone from World War II, HH electronic stereo mixer amp, piano, violin
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1. Osaka I 21:23
2. Osaka II 2:19
3. Osaka III 2:15
4. Fukuoka I 9:25
5. Fukuoka II 9:13
6. Maebashi I 8:17
7. Fukuoka III 11:12
8. Tokyo I 5:47
Related Categories of Interest:
Rock and Related
RIO (Rock in Opposition)
Staff Picks & Recommended Items
2010 Top 40
sample the album:
"Concert recordings made at various venues in Japan in 1981 and released by Recommended Records Japan in 1982 in an edition of 1000. Out of print since, though highly sought after, it has now been transferred and remastered by Tom Dimuzio for this official reissue. Fred was just starting out on his long career as a solo improviser when he made this double LP, and still using the now long retired Charles Fletcher custom double-neck guitar (one fretted, one fretless) and the Burns Black Bison, as well as a pilot's throat mike, a violin and (at one venue) the house piano. Some great music - and an historic and important document. "-ReR Megacorp
At The Squid's Ear!
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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