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The Tiptons all-women sax quartet with drums, led by Amy Denio and Jessica Lurie, powerful and creative jazz with a twisted blend of influences and an exuberant spirit.
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Catalog ID: SpootLaws
Squidco Product Code: 13577
Packaging: Cardstock foldover
Recorded at Terrarium Studios, Minneapolis, MN, April 23, 2008 by Jason Orris.
Amy Denio-alto sax, clarinet, voice
Jessica Lurie-alto & tenor sax, voice
Sue Orfield-tenor sax, voice
Tina Richerson-baritone sax, voice
Chris Stromquist-drums & percussion
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• Show Bio for Amy Denio
"Denio (rhymes with 'Ohio' or 'gennaio') is an internationally recognized record producer, composer, improviser, singer and multi-instrumentalist.
Her main instruments are voice, alto saxophone, clarinet, accordion, acoustic and electric guitars, electric bass, and theremin.
Denio created and produced the soundtrack for choreographer Pat Graney's piece 'Girl Gods', which was awarded two NYC Bessie Awards at the Brooklyn Academy of Music in October 2016, including one for Best Overall Production.
In 2015 she was inducted into the Seattle Jazz Hall of Fame by Earshot Jazz.
In 1997 Denio received her first NYC Bessie Award for her soundtrack to choreographer David Dorfman's piece 'Sky Down'.
She received the Mayor's Award for Artistic Achievement from the City of Seattle in 1990.
Denio co-founded The Tiptons Sax Quartet and Drums (1988-present).
She has recorded many CDs and videos with Bosnian metal/punk/folk group Kultur Shock since 1999. They've toured internationally since 2002.
From 2006-2009 she composed for, recorded and toured with Austrian trio Die Resonanz Stanonczi.
She co-founded Ama Trio with Correo Aereo in 2004.
You can hear Denio's limpid voice as featured vocalist on A Beautiful Western Saddle (1993) and with The Science Group in 1999.
Denio has toured solo and has collaborated and recorded with various groups and musicians such as Matt Cameron, Bill Frisell, Chris Cutler, Guy Klucevsek, Pauline Oliveros, Tarik Abouzied, Francisco Lopez, Danny Barnes, the Relache Ensemble, Faust, Fred Frith, Hoppy Kamiyama, KMFDM, Il Parto delle Nuvole Pesanti, and Ronin. She played alto sax in the horn section of Chuck D's Fine Arts Militia at the Experience Music Project in Seattle.
Fellowships and Residencies
Denio has been awarded Fellowships from Artist Trust (Seattle, Westport Ireland) Seattle Arts Commission (Seattle) and Civitella Ranieri (Umbertide Italy). She was Rosencranz Artist In Residence at Mills College in Oakland, CA. In 2006-2007 the Dream Community in Taipei Taiwan commissioned Denio to arrange and produce a recording of Taiwanese indigenous and pop music with Samba rhythms, performed by 25 teenagers from the Amis Tribe who played samba drums particularly well. She entitled it Naruwan: Brazil meets Taiwan.
Kino Lorber commissioned Denio to compose a soundtrack for 'Daughter of the Law' written, produced and starring Grace Cunard in 1921 for their Women Film Makers / Women Composers series.
Denio scored 2 animated films by Thomas Edward ~ 'Pangaea's Brood' which won 'Best Animated Film' at the 1999 NY Underground Film Festival, and 'Synchrony in Estrus' which won 'Strangest Film' at the 2003 Motion Arts Festival in California.
She scored Jamie Hook's feature film 'The Naked Proof,' which received honourable mention at its premiere in the 2003 Seattle International Film Festival, and was voted 'Best Undistributed Film' by the Village Voice (NYC).
Denio loves making documentary films about her voyages.
Check out the Deniaural Youtube Channel
She's a founding member of The Tiptons Sax Quartet and Drums
(formerly Billy Tipton Memorial Saxophone Quartet)
Lao Tse and The Entropics
and her Italian chamber/kitchen quintet Quintetto alla Busara.
President of The Tiptons Sax Quartet and Drums, LLC
Vice President of Seattle Composers Alliance
Board member Kultur Shock, LLC
Selected Denio Commissions and Projects:
2017 Truth Is Up For Grabs
Denio composed music for 20 piece chamber orchestra for a multi-media event inspired by current events, poetry by Pablo Neruda and the political economy of war, which included projected images created by James Drage. Funded in part by 4Culture
2016 Pat Graney Dance Company: GIRL GODS
~ Denio composed and produced the soundtrack. Girl Gods received 2 NYC Bessie Awards in October, 2016, one for overall production.
2013-2015 Tiptons Sax Quartet: Mythunderstandings
~ Produced by Denio, a collaboration between her Tiptons Sax Quartet, Salish master musician Paul 'Che oke ten' Wagner, film maker Adam Sekuler, and directed by Lisa Halpern.
2010 Dan Hurlin and Dan Froot: Who's Hungry? Santa Monica
(funded by Meet the Composer)
2009 Sonic Bench
~ Denio's interactive public art on permanent exhibit at the Vashon Island Parks Department (Funded by Seattle Arts Commission and 4Culture)
2006 The Tiptons Sax Quartet and Drums: House of Wild Dreams
~ a collaboration between artist Danijel Zezelj, film maker Aric Mayer and the Tiptons (Funded by Seattle Arts Commission)
1999 The Danubians
~ a collaboration with Csaba Hajnoczy, Gabi Kenderesi, Pavel Fajt and AD, produced in Budapest, Hungary (funded by Arts Link/CEC International Partners)
1997 False Prophets or Dang Good Guessers
~ A collaboration with the Shaking Ray Levi Society, Jessica Lurie and AD (funded by King County Arts Commission)
1996 Pollo d'Oro
~ A collaboration with Billy Tipton Memorial Saxophone Quartet and Ne Zhdali. Produced in Tallinn, Estonia (funded by Arts Link/CEC International Partners)
1992 Pat Graney Dance Company: Saxhouse
~ Performed by her all-women group The Billy Tipton Memorial Saxophone Quartet (funded by National Endowment For the Arts)
Denio has received additional support from Washington State Arts Commission, Pew Charitable Trust, Arts International, as well as composition commissions from various philanthropists.
Other commissions include creating and producing compositions and recordings for Italian National Radio, the Berkeley Symphony, The New York Festival of Song, Relache Ensemble, the Austrian chamber octet Die Knodel, choreographers Victoria Marks, Aiko Kinoshita, Li Chiao-Ping, Cheronne Wong and Carla Barragan; multi-media performance group Run/Remain Ensemble, UMO Ensemble, The Cabiri, and choreographer/actor/clown Lorenzo Pickle.
Home-taper since the Dark Ages of Analog, she started her label and publishing company Spoot Music in 1986, with the release of her first cassette, No Bones. Since then, she has recorded & released over 50 cassettes, LPs, CDs and short videos, created solo and with an array of international musicians.
Listen to her newest release, The Big Embrace, released in the Fall of 2017.
Denio teaches at the Kultur Shock was the featured group at the Nilüfer Festival in Bursa Turkey, performing for more than 25,000 people."-Amy Denio Website (http://www.amydenio.com/body/Biography.htm)
Have a better biography or biography source? Please Contact Us so that we can update this biography.
^ Hide Bio for Amy Denio
1. Fallout 4:11
2. Raisa 8:13
3. Sind' 3:13
4. Number Six 7:32
5. Yugo A Go Go 6:37
6. The Shop Of Wild Dreams 7:43
7. Jumpstop 3:25
8. Anthem 5:00
9. Laws Of Motion 6:40
10. Marjan 4:51
11. Mi Yo Mei 2:29
12. Untitled 2:15
sample the album:
"The Tiptons are an all-women sax quartet (who sing!) with drums, 10 CDs under their belt, touring & playing festivals in Europe and the US for the last 15 years. Our music is a high energy blend of "twisted folk" with world music, second line, funk, jazz, and eastern european influences thrown into the mix of mainly original material. We are comfortable playing in any venue, including squats, jazz and rock clubs, universities and prisons.
The group features Jessica Lurie and Amy Denio, original members and lead composers of the internationally renowned Billy Tipton Memorial Saxophone Quartet (BTMSQ), along with Sue Orfield, Tina Richerson and special guest drummer Chris Stromquist (Slavic Soul Party, Kultur Shock).
BTMSQ was originally founded in 1988, named in honor of big band saxophonist and pianist Billy Tipton, following the post-mortem revelation that Tipton was actually a woman who lived as a man for more than 50 years. Many believe that this allowed Tipton to pursue a career in the male-dominated world of jazz. Not to be bound by convention, the Tiptons similarly do their own thing. With a repertoire that ranges from New Orleans "second - line" to jazz, Afro-Cuban to Balkan, klezmer and beyond, the Tiptons create some of the wildest sounds ever to come out of a sax quartet. Their dynamic, playful concerts feature high-energy interaction between members, and a repertoire that touches on soulful music from around the world."-Tiptons
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