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Seven days of "Vacation Music" titled by the weekdays from the duo of Liudas Mockunas from Lithuania on saxophones and clarinets, and Ryoji Hojito from Japan on piano, small instruments and voice.
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Catalog ID: NBCD19
Squidco Product Code: 13556
Condition: Sale (New)
Packaging: Jewel tray, not sealed.
Tracks 1, 2 and 3 recorded by Gediminas Zujus at MAMAstudios in Vilnius, 2006. Tracks 4, 5, 6 and 7 recorded by Arunas Zujus, live at St. Kotryna Church in Vilnius, 2007.
Liudas Mockunas-soprano, tenor and baritone saxophones, clarinet and bass clarinet
Ryoji Hojito-piano, small instruments, voice, etc.
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• Show Bio for Liudas Mockunas
"Liudas Mockūnas (b. 1976) is a representative of modern creative and free avant-garde jazz, his music obliterates the boundaries between jazz and academic music. Exploring the nature of sound and the potential of overtones, he has developed his own playing style saturated with multiphonic techniques. According to the critics, "this reed player works with highly unorthodox mixtures, with sounds ranging from expressive instrumental burnouts over filmic horror to apocalypse-hymns and transcendent bells. His music may be unpredictable with an energizing mixture of free jazz, lyricism and mid-European expressionism."
The musician's education is both in jazz and classical fields. A graduate of M.K.Čiurlionis School of Arts, he received his master's degree from the Lithuanian Academy of Music in 2002 (under Vladimir Chekasin). In 2005 he received Jazz Performance Masters from the Rhythmic Music Conservatory in Copenhagen. He has further perfected his skills and knowledge through a number of courses and private lessons.The saxophonist has accumulated a solid stage experience. He started playing jazz as a child of eight and made his stage debut in 1988 with the Youth Jazz Ensemble led by Vladimir Chekasin. From the age of 15 he has constantly been part of jazz festivals and emerged as a leader in 1996; he has performed with numerous Lithuanian jazz musicians.
Liudas Mockūnas truly merits the name of Lithuanian jazz ambassador. He is constantly involved in international projects both as initiator and member of different groups. His international collaborations were given a new impetus when in 1999 he started his studies in Copenhagen. In 2000 he and the Danish drummer Stefan Pasborg founded a highly acclaimed group Toxikum, their self-titled album in Denmark was hailed Jazz Discovery of the Year 2004.
A co-leader of the groups Red Planet, Baltic Trio, Artomic, and Revolver, he also collaborates with the Copenhagen Art Ensemble, Pierre Dørge and his New Jungle Orchestra. He has played with the Swinging Europe Big Band and has participated in the La Villet Jazz Festival's international big band project with the World Saxophone Quartet. Mockūnas has also collaborated with Marc Ducret, David Murray, Oliver Lake, Mats Eilertsen, Jaak Sooäär, Mikko Innanen, Jeff Arnal, Dietrich Eichmann, Scott Colley, Ryoji Hojito, Nasheet Waits, Mats Gustafsson, Chris Speed, Mike Svoboda and Andrew Hill. With different groups Mockūnas has performed across Europe, in the USA and China. In 2004 he initiated Traffic Quartet, a group of Lithuanian musicians (Valerijus Ramoška, Liudas Mockūnas, Eugenijus Kanevičius and Arkady Gotesman).
Liudas Mockūnas is a winner of a number of competitions. In 1993 and 1995 he became laureate of Juozas Pakalnis Wind Players Competition; in 1993 and 1995 he participated in the "Berklee in Germany" workshops (led by Gary Burton) and was granted a scholarship to study at the Berklee College of Music (USA). In 2000 he received the second prizes from Brilliant Note, an international saxophonists' competition in Latvia, and the international jazz soloists' competition in Klaipeda. In 2001 the MAP trio (Liudas Mockūnas, Jacob Anderskov and Stefan Pasborg) won the European improvisational music competition in France. His achievement in music was recognized by the Mūzų Malūnas Prize in 2004, and by the Vilnius Jazz Festival Prize "For Contribution into Lithuanian Jazz Culture" in 2006.
Liudas Mockūnas also performs contemporary classical repertoire (pieces by Bronius Kutavičius, Algirdas Martinaitis, Remigijus Merkelys and others). He has performed with the Lithuanian State Symphony Orchestra, the Lithuanian National Symphony Orchestra, the St. Christopher Chamber Orchestra and the Gaida Ensemble. He also composes music for theatre and cinema. Since 2004 he teaches at the Jazz Department of the Lithuanian Academy of Music and Theatre."-Music Information Centre Lithuania (http://www.mic.lt/en/database/jazz/composers-artists/mockunas/#bio)
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1. Sunday 2:31
2. Monday 8:13
3. Tuesday 2:51
4. Wednesday 5:49
5. Thursday 16:07
6. Friday 10:39
7. Saturday 7:24
sample the album:
"Japanese pianist Ryoji Hojito goes to Lithuania on holidays. He meets with reedist Liudas Mockūnas and they play music, spontaneously, improvised, first in a studio, with some stuff recorded a year later in St. Kotryna church in Vilnius during the next vacation, then packaged the thing to share it with us.
I did not know Hojito, I must admit, and I know Mockūnas only from his collaboration with Mats Gustafsson on "The Vilnius Explosion", and he impresses again.
The album starts with "Sunday", in an impressionistic way, with tentative piano chords, and tentative bass clarinet, for a slowly unfolding lyrical dialogue, full of joy and control, evolving into the next piece, "Monday", into a more meditative and melancholy vein, with Mockūnas blowing some heartrending pieces on his soprano, but gradually the mood changes, as does the tension, with Hojito adding small percussion and some quicker runs on his keys, pushing the sax into somewhat more frenetic regions, supported by sudden accordion sounds. By "Tuesday", raw baritone blasts are met by extended techniques on the piano.
We're in church on "Wednesday" for a solo piece on tenor by the Lithuanian, deeply emotional and dramatic, filling the space with plaintive phrases. "Thursday" starts avant-garde, with the Japanese singing and squeaking toys, and rattling all kinds of stuff, somewhat reminiscent of Nana Vasconcelos. Mockūnas' response and ensuing phrases are to the point and beautiful, somewhat romantic but with loads of character, and the real fun sets in when Hojito starts using his keyboard, for staccato runs, resulting in some astonishing interplay, of the kind that many musicians would like to accomplish after lots of rehearsals, but here it comes naturally, free-spirited and again full of joy.
"Friday" is more contemplative and slow, warm and sensitive, with the soaring soprano being supported by the prepared piano, in a great contrast between crystal-clear and distorted sounds, evolving towards more uncharted territories. "Saturday" ends the week in darker environments, full of gloomy deep circular breathing tones and irregular percussive attacks on the piano strings, voice and other objects. The only (again!) pity is that the applause of the apparently large crowd that opens the live performance does not end the album too.
Too much said already, what a duo, bringing absolutely captivating music from beginning to end. A real find. A musical vacation. Highly recommended."-FreeJazz Stef
Get additional information at Freejazz-Stef @ Blogspot
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