Experimental harpist Anne LeBaron in a double disc release of recordings that spans eight years, four generations of musicians, and hailing from seven countries.
Released in: USA
Anne LeBaron's harp is not your grandmother's harp. Probably.
"In the early 1970's I began improvising with my first harp, a Wurlitzer with ivory pegs, rescued and restored from its fate as an unstrung object languishing in the corner of an elderly couple's living room. Many of these explorations took place during regular Sunday night sessions in Tuscaloosa, Alabama, at the home of LaDonna Smith and Davey Williams. Here, a group of musicians gathered to embark on musical odysseys into uncharted territories. Our models ranged from surrealist concepts and philosophies, to the purism of Derek Bailey, to the gritty blues of Johnny Shines. My exploration of the harp - finding ways to prepare it, to bow the steel-wound wires, and gut and nylon strings, and to slither vertically on the strings, discovering endless microtonal worlds - was stimulated by this proto-environment. Later, living and performing in Europe in the 80's, I made music with 'first-generation' improvising musicians, some of whom are represented on this 2CD set of solos, duets, quartets, and trios: 1,2,4,3."
The recordings span eight years, four generations of musicians, hailing from seven countries. Most of the tracks are from live performances capturing the spontaneous moments between consummate improvisers getting to know one another and co-composing a time together. All feature LeBaron's sonorous harp playing in myriad guises.
Anne LeBaron, composer and performer, writes music embracing an exotic array of subjects that encompass vast reaches of space and time, ranging from the mysterious Singing Dune of Kazakhstan, to investigations into physical and cultural forms of extinction, to legendary figures such as Pope Joan, Eurydice, Marie Laveau, and the American Housewife. Widely recognized for her work in instrumental, electronic, and performance realms, she has earned numerous awards and prizes, including a Guggenheim Foundation Fellowship, the Alpert Award in the Arts, a Fulbright Full Fellowship, an award from the Rockefeller MAP Fund for her opera, Sucktion, and a 2009-2010 Cultural Exchange International Grant from the City of Los Angeles Department of Cultural Affairs for The Silent Steppe Cantata. She teaches composition and related subjects at CalArts.
This release is part of innova's NEA-funded NYFA Series that celebrates the work of New York Foundation for the Arts Music Composition Fellows."-Innova
• Show Bio for Chris Heenan
"Chris Heenan (Washington D.C., 1969) lives in Berlin is an active composer/performer and organizer of experimental music. He performs on alto saxophone, contrabass clarinet and analog synthesizer in contexts ranging from solo to large groups and in various ongoing projects.
He uses these instruments to investigate new musical forms, noise, and improvisation both in his solo work and in collaboration with composers and performers such as musicians, dancers, and visual artists. Heenan has developed a formidable solo voice on his wind instruments, particularly with the contrabass clarinet where he uses extended techniques, often incorporating multiphonics with surprising results, to reveal the subtleties inherent to the instrument.
He performs regularly in the U.S. and Europe, featured on such festivals as Stuttgarter Saxofonfestival, Projektgruppe Neue Musik Festival, Bremen; Improvised and Otherwise, Brooklyn, NY; Experimental Intermedia, New York; and at venues such as Artist Space, New York; Sendesaal Radio Bremen, The Renaissance Society, Chicago, IL and The Santa Monica Museum of Art. He is the recipient of grants from American Composers Forum, Arts International and The Durfee Foundation. Heenan received his MFA from the Milton Avery Graduate School of the Arts at Bard College in 2004 and from 2004 to 2006 was a fellow-in-residence at Akademie Schloss Solitude in Stuttgart, Germany.
Some of his main collaborators and projects include Flamingo, Nordzucker, Trigger, PIVOT (with Liz Allbee), Michael Vorfeld, Sven Åke Johansson, Alessandro Bosetti, Ute Wassermann, Birgit Ulher, and Splitter Orchester.
Heenan has been active as a curator of musical events and concerts since 2001. In 2004 he founded REIFY, a record label specializing in documenting experimental and improvised music, in addition to co-founding line space line (2002-2005), a new and improvised music series in Los Angeles that produced over 120 concerts and two yearly festivals. In 2007 he was invited to curate a concert at The J Paul Getty Museum, Los Angeles: An Evening of Works by Ichiyanagi, Kosugi, Ono and Shiomi as part of the exhibition (Rajikaru!): Experimentations in Japanese Art, 1950-1975."-Chris Heenan Website (http://www.certainsundays.org/chris-heenan/)
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• Show Bio for Georg Graewe
"Georg Graewe began composing and performing professionally at the age of 15. He has since been leading a variety of ensembles - ranging from trio to chamber orchestra formats - which have involved some of the leading instrumentalists in contemporary music. His compositions, which include chamber music and works for full orchestra as well as scores for films, theater productions, radio drama, and video, have been performed and broadcast around the world.
Graewe has had a long-standing trio with Dutch cellist Ernst Reijseger and US-based percussionist Gerry Hemingway since 1989. He has also performed and/or recorded with Anthony Braxton, Evan Parker, Dave Douglas, Phil Minton, Roscoe Mitchell, Barry Guy, Barre Phillips, Hamid Drake, John Butcher, Robert Dick, John Butcher, Mark Dresser among others.
Over the last 10 years, he has also written three operas. Kopenhagen (based on the same-titled play by Michael Frayn) was produced by OPER KÖLN (Cologne Opera House) in 2003. His second opera, Quicksilver, (a commission by Semperoper Dresden) came out in November 2006. And his most recent opera, Barbara Strozzi oder die Avantgarde der Liebe, was staged by Theater Luzern in Switzerland in 2010 and Oper Bonn in Germany in 2011.
Since 1999, Graewe has been closely associated with CNMAT (Center for New Music and Audio Technology) at UC Berkeley. From 2002 - 2007, he taught at Hochschule für Musik Hanns Eisler in Berlin.
In 2010, Graewe curated a series of 27 events that presented different aspects of resonance between music, poetry, visual arts, and science as part of the European Cultural Capital RUHR 2010. A catalogue plus DVD edition documenting this project has been published on his own Random Acoustics label."-Nuscope Records (http://nuscope.org/musicians/georg-graewe/)
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• Show Bio for John Lindberg
"John Lindberg commenced his full-time professional career at age sixteen, allowing for total immersion into his work as a performer/composer, subsequently being mentored by the late great bassist David Izenzon.
The first public performances of his ensemble compositions began in 1975, and in 1980 he recorded his first album focused on his original music, a collection of works for solo double bass, Comin' & Goin'.
Over the last forty-one years he has traveled the globe performing thousands of concerts of creative music, in thirty-six countries on five continents. He has released myriad albums - over one hundred - that spotlight his original compositions for a variety of jazz ensembles, and feature his singularly identifiable bass playing.
His extended works for chamber ensembles combined with improvising artists have been widely commissioned, including works for The Pittsburgh New Music Ensemble, New York Chamber Ensemble, and Neues Kolner Streichquartett. His catalogue contains over one hundred and fifty published works.
He is renowned as an ensemble leader, a collaborator in special duet settings, a solo double bass performer, and as co-founder of the String Trio of New York with Billy Bang and James Emery. He has worked with a plethora of luminary creative artists, including: Albert Mangelsdorff, Ed Thigpen, Eric Watson, Louis Sclavis, Human Arts Ensemble, Frank Lowe, Wadada Leo Smith, Susie Ibarra, Karl Berger, Anthony Braxton, Andrew Cyrille, Dave Douglas, John Carter, Henry Threadgill, Jack DeJohnette, Regina Carter, Jimmy Lyons, Sunny Murray, Roswell Rudd, Mary Redhouse, Pablo Calogero, Joe LaBarbera, Wendell Harrison, and Kevin Norton.
His work as a producer of numerous recordings, and of powerful cross-genre projects - such as JazzHopRevolution and BLOB - is well established, as is his ongoing work as an educator with a distinctly unique message.
Awards and fellowships in support of his work include those from New Music USA, National Endowment for the Arts, New York Foundation for the Arts, Chamber Music America, ASCAP, Arts International, Aaron Copland Fund for Music, Cary Charitable Trust, New York State Council on the Arts, Mid Atlantic Arts Foundation, Meet The Composer, and a Diploma de Honor from Gobernacion Cordillera, Chile.
Of late, John's disparate extra-musical activities - which include a stint as a community rescue squad ambulance driver, serving as general contractor for a cabin built with carpenter friends in South Dakota, and being engaged as an observational naturalist - have significantly informed his work as a composer and musician.
Released in September, 2016, on Clean Feed Records, are two new albums:John Lindberg BC3, Born in an Urban Ruin and John Lindberg Raptor Trio, Western Edges. Other recent recordings that feature his compositions include the duet with Wadada Leo Smith, Celestial Weather, the duet with cellist Anil Eraslan, Juggling Kukla (released as a limited edition of 300 vinyl LPs), and John Lindberg's TriPolar, [a]live at Roulette, NYC."-John Lindberg Website (http://www.johnlindberg.com/biography.php)
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• Show Bio for Paul Rutherford
"Paul William Rutherford (29 February 1940 - 5 August 2007) was an English free improvising trombonist. Born in Greenwich, South East London, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama.
In 1970, Rutherford, guitarist Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a double album from Incus, later reissued with much bonus material on the 3-CD set Chapter One (Emanem, 2000). A film soundtrack was separately released as Buzz Soundtrack. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as SME and AMM. The group's unusual name is the Russian word for "spark"; it was the title of the Iskra revolutionary newspaper edited by Lenin. The "1903" designation means "20th century music for trio"; occasionally Evan Parker played with the group (Iskra 1904) and Rutherford also at one point assembled a 12-piece ensemble called, inevitably, Iskra 1912. The group was later revived with Philipp Wachsmann replacing Bailey, a phase of the group's life that lasted from roughly 1977 to 1995; its earlier work is documented on Chapter Two (Emanem, 2006) and its final recordings were issued on Maya (Iskra 1903) and Emanem (Frankfurt 1991).
Rutherford also played with Globe Unity Orchestra, London Jazz Composer's Orchestra, Centipede, the Mike Westbrook Orchestra, and the Orckestra, a merger of avant-rock group Henry Cow, the Mike Westbrook Brass Band and folk singer Frankie Armstrong. He also played a very small number of gigs with Soft Machine. He is perhaps most famous for solo trombone improvisations. His album The Gentle Harm of the Bourgeoisie is a landmark recording in solo trombone and his 1983 Trio album Gheim, recorded at the Bracknell Jazz Festival is another acclaimed work.
Rutherford died of cirrhosis of the liver and a ruptured aorta on 5 August 2007, aged 67."-Wikipedia (https://en.wikipedia.org/wiki/Paul_Rutherford_(trombonist))
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Shipping Weight: 3.00 units
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Catalog ID: 236
Squidco Product Code: 13508
Format: 2 CDs
Packaging: 2 CDs in a single Jewel tray
Recorded by Clay Chaplin, Doug Haire (Tracks 1, 2, 8, and 9 on Disk 1) with Jack Straw Productions' Sonarchy Radio, David Rothbaum (Tracks 5-7 on Disk 1), Jim Murphy (Track 3 on Disk 2), Norman Teale (Tracks 4-8 on Disk 2), Henry Hughes, and Festival Producer Polestar Music Gallery.
Anne LeBaron-harp, harp with live electronics, flute, percussion
Chris Heenan-alto saxophone, bass clarinet, alto saxophone
Leroy Jenkins-violin, amplified violin
Nathan Smith-clarinet, bass clarinet
Ronit Kirchman-violin, mouth whistle
Wolfgang Fuchs-contrabass clarinet
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1. Heat Wave 1 4:42
2. Succulent Blues 10:12
3. Rippling with Leroy 8:16
4. Mirage 7:04
5. Deleuzion 10:50
6. Principles of the Rhizome 4:03
7. Make a Map, Not a Tracing 5:48
8. Heat Wave 2 3:42
9. Intermezzo 3:00
1. Wake 12:31
2. Stream 12:01
3. Sukkulaoi Scream 9:10
4. Into Something Rich and Strange 7:28
5. Submerged Cavern 1:42
6. Soul of a Marble 8:11
7. Funeral Bells for Harry Partch 9:00
8. Full Fathom Funayurei 3:06
9. Lagniappe: Hourglass of Stars 9:08