Drummer Harris Eisenstadt's beautiful nonet album contemplates Japanese woodbock print art through captivating compositions in a "Birth of the Cool" mode.
Limited edition of 300 copies
Catalog ID: NBLP18
Squidco Product Code: 13469
Packaging: Vinyl LP
Recorded by Jon Rosenberg at Systems Two, Brooklyn, January 17, 2010
Jason Mears-alto saxophone
Mark Taylor-french horn
Jonathan Goldberger-electric guitar
Garth Stevenson-acoustic bass
Harris Eisenstadt-drums, compositions
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1. Hasui (for brass trio) 2:51
2. The Floating World 11:05
3. After Jeff Wall 7:15
1. Hiroshige (for woodwind trio) 2:55
2. Hokusai 10:49
3. Andrew Hill 7:41
Related Categories of Interest:
NY Downtown & Jazz/Improv
Limited Editions & Out of Print
sample the album:
"Referencing the delicate artistic printing method, this nonet recording presented by Harris Eisenstadt on drums and compositions, Michael McGinnis on clarinet, Jason Mears on alto saxophone, Sara Schoenbeck on bassoon, Mark Taylor on french horn, Brian Drye on trombone, Jay Rozen on tuba, Jonathan Goldberger on electric guitar and Garth Stevenson on acoustic bass (with smaller groups frequently breaking out) is a model of artistic restraint.
At times sounding like a post-modern version of the classic Miles Davis Birth of the Cool band, the music is very patient and thoughtful, and one could imagine the past masters of the art of woodblock printing nodding their heads in approval of the craft involved. "Hasui (for brass trio) opens the album with a muted call to arms, playing a beautiful and haunting melody. "The Floating World" has a spacious dreamlike appeal, with the leader's percussion light and agile. Following a meditative beginning, "After Jeff Wall" builds to a fleet and exciting collective improvisation which builds a fascinating sound texture of clarinet and bassoon rubbing up against french horn and trombone. This performance really takes on an artistic bent sounding like a sound collage with all of the artists adding ideas toward a common goal. Riffs and melodies bubble up and then pass on with muted dignity and compassion.
"Hiroshige (for woodwind trio)" returns to the meditative sound on the trio, developing a spare motif prepared with gentle forethought developing and emotional and yearning sound. Taylor's french horn is the centerpiece of "Hokusai" developing a unique statement on an instrument rarely used in jazz, over subtle accompaniment, the music develops slowly, evolving an changing as the musicians develop the performance. The final track, "Andrew Hill" is dedicated to the great composer and pianist, beginning by developing a beautifully dignified and delicate melody. Mears gracefully develops an excellent solo against the backdrop of the horns.
NoBusiness Records is based in Vlinius, Lithuania and they are becoming one of the most interesting labels on the current jazz scene, issuing progressive jazz from around the world and reissuing forgotten gems of improvisational music from the past. This thoughtful album is clearly a labor of love for all concerned, only 300 LP copies were produced, so if this appeals to you, don't wait."-Tim Niland, Jazz and Blues Blogspot
Limited edition of 300 copies
Get additional information at Jazz and Blues Blogspot
• Show Bio for Sara Schoenbeck
"Sara Schoenbeck is a bassoonist who dedicates herself to expanding the sound and role of the bassoon in the worlds of classical, contemporary notated and improvised music. The Wire magazine places her in the "tiny club of bassoon pioneers" at work in contemporary music today and the New York Times has called her "riveting, mixing textural experiments with a big, confident sound."
Originally from California, Sara spent her time on the west coast freelancing in various orchestral bassoon sections such as Santa Barbara Symphony, California Symphony, Redlands, Mancini Orchestra, the Dakah Hip Hop Orchestra and touring as a member of creative music ensembles Gravitas Quartet with Wayne Horvitz, Ron Miles and Peggy Lee, Anthony Braxton's 12+1(tet) and Vinny Golia's Large Ensemble. Sara also recorded for various sound and film projects including the Matrix 2 and 3 and Spanglish.
Sara now calls Brooklyn home and performs regularly with Petr Kotek's SEM ensemble, the composers group WetInk, Wordless Music Orchestra, LPR, Anthony Braxton's Tri-Centric Orchestra, Gravitas, Harris Eisenstadt's Golden State Quartet,the Lyrica Chamber Orchestra as well as performing with many other creative and inspiring musicians in the New York scene.
She has performed at major venues and festivals throughout North America and Europe, including Carnegie Hall, Lincoln Center Out of Doors, the Kitchen, Iridium, Disney Hall, SXSW, New Orleans Jazz Festival, Berlin Jazz Festival, Free Music Festival in Antwerp Belgium, Biennale Musica in Venice Italy, Montreal Jazz Festival, Ottawa Jazz Festival, the Vancouver International Jazz Festival and the San Francisco Jazz Festival to name a few. Sara received her BFA from the San Francisco Conservatory of Music and MFA from the California Institute of the Arts."-Sara Schoenbeck Website (http://saraschoenbeck.weebly.com/bio.html)
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• Show Bio for Harris Eisenstadt
"One of only a handful of drummers equally well known for his work as a composer, Brooklyn-based Harris Eisenstadt (b. Toronto, 1975) is among the most individual and prolific musicians of his generation. His resume includes studies with some of the most respected names in jazz and improvised music, West African and Afro-Cuban drumming, and performance credits in jazz, film, theater, poetry, dance, contemporary concert music and opera.
Eisenstadt has performed all over the globe, received grants from organizations such as Meet The Composer, American Composers Forum, Canada Council for the Arts, and appeared on more than 60 recordings since 2000, including twenty as a leader. Recordings of his compositions often appear on the Songlines, Clean Feed, No Business, and 482 Music labels, and are consistently included on critics' best-of lists. Recent honors: Rising Star Percussion Percussion, Arranger, and Composer categories of the Downbeat international critics poll; Best Album, Drummer, Composer categories of the El Intruso international critics poll.
His first work for orchestra, Palimpsest, was premiered by the American Composers Orchestra, as part of the Jazz Composers Orchestra Institute at Miller Theater, Columbia University (2011). Eisenstadt's second orchestral work, Four Songs, commissioned by the Brooklyn Conservatory Community Orchestra, was premiered at the Brooklyn Museum (2013). His first string quartet, Whatever Will Happen, That Will Also Be, was premiered as part of Eisenstadt's twelve-set residency at The Stone in NYC (2015). As a writer and radio producer, he has contributed to National Public Radio and AfroPop Worldwide. Eisenstadt is also an active AfroCuban batá drummer in New York and a longtime researcher in African and diaspora vernacular traditions. He has travelled to West Africa twice (Gambia, Senegal) to research Mandinka and Wolof music, and to Cuba twice (Matanzas, Havana) to research Afro-Cuban music."-Harris Eisenstadt Website (http://www.harriseisenstadt.com/bio/)
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