Norway's 5-piece Atomic with Magnus Broo, Fredrik Ljungkvist, Paal Nilssen-Love, Havard Wiik and Ingebrigt Haken Flaten in a limited LP reissue of their 2nd release.
Numbered limited edition of 500 copies.
Catalog ID: NBLP19
Squidco Product Code: 13468
Packaging: Vinyl LP
Recorded at Rainbow Studio, Oslo, Norway on June 27-28, 2002.
Fredrik Ljungkvist-tenor saxophone, Bb clarinet
Ingebrigt Haker Flaten-bass
Paal Nilssen-Love-drums and percussion
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1. toner fran for 5:32
2. boom boom 10:10
3. feets from above 6:50
4. praeludium 6:46
1. cleaning the dome 5:28
2. re-lee 2:48
3. alla dansar samba til tyst musik 7:54
4. hyper 4:41
5. pyramid song 6:52
Related Categories of Interest:
European Improv, Free Jazz & Related
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Limited Editions & Out of Print
sample the album:
"Boom Boom is the second release from Atomic, a five-piece acoustic outfit from Norway. The cd comes in a rather lovely cardboard digipak in typical Jazzland style with liner notes by Ken Vandermark. 'Toner Frän För' begins proceedings with wistful unison line lamentations which frequently pause for delicate, delicious percussion interludes from Nilssen-Love. There's something of the spirit of Miles Davis's Nefertiti in the piece, but with a less steely and warmer heart. The title track picks up the pace and is driven along by galloping, hypnotic bass and piano allied to some formidable drumming. There's a hint of the east about the music - if the Leningrad Cowboys played jazz this might be what they'd sound like. Magnus Broo's mercurial trumpet solo raises the pressure to such an extent that it seems like there might be an explosion. 'Praeladium' explores Paul Hindemith's melody at length with trumpet, sax and piano shadowing each other like private detectives. The album closes with a cover of Radiohead's 'Pyramid Song' which manages to sound both like a prime, late '60s Blue Note track and a convincingly passionate, contemporary rendering. The same might be said of the whole album. Atomic's music has space, energy to spare and a tangible good humour allied to a classic, modernist impulse. Highly recommended."-Colin Buttimer, BBC
Numbered limited edition of 500 copies.
• Show Bio for Magnus Broo
"Magnus Broo (born 27 June 1965 in Husqvarna, Västervik, Småland, Sweden) is a Swedish jazz musician (trumpet) known from own recordings and collaboration with Norwegian jazz musicians like in the band Atomic.
Broo is the son of trumpeter, raised in Västervik, and participated in Visby big band before he attended musical training at North Texas State University (1984-1990). Back in Sweden, he was incorporated into Fredrik Norén Band (1991-1999), and also collaborated in the orchestra of Lennart Åberg.
Broo's expression is a continuation of free jazz and Ornette Coleman's style from the 1960'th, and he is central in the Norwegian/Swedish band Atomic (1999-). He also leads his own 'Magnus Broo Quartet with Torbjörn Gulz on piano, Mattias Welin on bass and Jonas Holgersson on drums. They released the albums Sudden Joy (1999), Levitaton (2001), Sugar Promise(2003) and Pain Body (2008). Moreover, he also collaborates in Fredrik Nordström Quintet."-Wikipedia (https://en.wikipedia.org/wiki/Magnus_Broo)
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• Show Bio for Havard Wiik
"Håvard Skarpnes Wiik (born March 10, 1975) in Kristiansund, Norway is a Norwegian jazz pianist and composer, known from a number of recordings with bands like Atomic, and performances with musicians like Petter Wettre, Ola Kvernberg and Stian Carstensen.
Wiik caused sensation at 17 years old in a concert at the Moldejazz, with bassist Steinar Raknes, as the "Wiikrak Duo". He attended the jazz program at Trondheim musikkonservatorium from 1994 to 96, where he and fellow students established the jazz band Element.
After moving to Oslo he has been a key player in many band projects, such as Atomic, "Free Fall", "Atomic Schooldays", a duo with Håkon Kornstad, a new project with Axel Dörner and Fredrik Ljungkvist. He has been an obvious choice as collaborator with giants in jazz, Kenny Wheeler, Lee Konitz, Joe Lovano representing the old school, and Ken Vandermark being a soul mate from the here and now., for example the band Motif. He also led the Håvard Wiik Trio with Mats Eilertsen (bass) and Per Oddvar Johansen (drums), to release Postures (Jazzland, 2003).
Wiik was recogniced as "Artist in residence" at the Moldejazz (2004). At the Kongsberg Jazz Festival (2006), he was awarded the Vital prize, giving him the opportunity to perform as solo artist, and release the album Palinode (2007). He also started his own H.W. Trio, releasing Postures (2003), performing his own compositions. He transformed the trio to The Arcades Project (2007). In this version of the trio we find Håkon Mjåset Johansen on drums and Ole Morten Vågan on bass. They have also been involved within bands such as Urban Connection, Come Shine, Bugge Wesseltoft's New Conception of Jazz."-Wikipedia (https://en.wikipedia.org/wiki/H%C3%A5vard_Wiik)
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• Show Bio for Ingebrigt Haker Flaten
"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.
When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.
A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.
There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.
In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
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• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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