An encompassing modern guitar compilation curated by Elliott Sharp with pieces from Henry Kaiser, Nels Cline, Scott Fields, Mary Halvorson, Janet Feder, Kazuhisa Uchihashi, Mick Barr &c. &c.!
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Label: Clean Feed
Catalog ID: CFG 005
Squidco Product Code: 13428
Packaging: Cardstock Gatefold Sleeve
1. Mary Halvorson - In Two Parts Missing
Recorded and mixed by E# at Studio zOaR
2. Jeff Parker - Act As If Nothing Ever Happened (Umjabuglafeesh Music - BMI).
"Recorded by myself at Schloss Solitude in Stuttgart, June, 2009 and by Curtis Ruptash at The Wayback Machine in Chicago, January of 2010. This piece is composed of three overdubbed tracks of myself playing the electric guitar through, at varying times, a digital delay, a filter sweep, and a ring modulator. I hope you find the story I was trying to tell to be enjoyable."
3. Henry Kaiser - BLAME IT ON THE TONKORI
A live improvisation, played simultaneously on five acoustics and an electric - dedicated to Nels Cline
4. Jean-François Pauvros - Migrant Song
Recorded by Jean-Marc Foussat
5. Janet Feder - Heater
Recorded by Colin Bricker at Notably Fine Audio in Denver, Co on 10/19/09,
using 1 Neumann KM86, and 1 Neumann KM85 into Grace microphone preamps and Apogee converters.
The recording is live using no electronic effects on a baritone classical guitar made by Milan Sabljic.
"Heater is a love song. To my heater".
6. Raoul Björkenheim - I Told You So
Electric viola da gamba recorded at Rosebud studio, New York City / Mastered by Robert Musso and Raoul Björkenheim
7. Noel Akchote - Joanna
Recorded 26.10.2009 by Christophe Albertijn in Studio The Rabbitfield (Hoboken, Belgium)
Special Thanks to Stef Kamil Carlens
8. Nels Cline - Study for Hairpin and Hatbox
9. Brandon Ross - Until Iago Whispered
Composed and performed by Brandon Ross / 6 string banjo
Recorded by Irene Trudel @ WNYC Studios, NYC, April 2009 / Mixed by Chuck Zwicky @ Chelsea Manor, NYC, January 2010
10. Mike Cooper - Storyteller (Ornette Coleman)
"Always amazed that more people don't do this tune - combines the saxophone melody line with a version of the bass part and then some free improvisation - recorded on my 1930's National Tri-Plate using a Zoom H2 and the built in mics - added a slight delay for some 'room ambience' after in Garage Band. The rattle you hear is a shell bracelet I wear"
11. Michael Gregory - Blue Blue
Written, Arranged and Produced by Michael Gregory
Michael Gregory - Guitar Niels Præstholm - Contrabass Kresten Osgood - Drums
Recorded at On Location Recording Studio, Copenhagen, Denmark, Jon Meinild Engineer / Mixed at L.R.S. Recording Studio, Kingston N.Y. U.S.A., Dave Cook Engineer and Michael Gregory / "chord melody piece I wrote whilst inspired by big band swinging blues."
12. Scott Fields - Buzkashi
Recorded at Topaz Studios by Reinhard Kobialka, Cologne, Germany, January 24, 2010 / guitar: 2006 C.P. Thornton Jazz Elite - amplifier: Mesa-Boogie F50 / no effects, recorded live without overdubs or edits - Played with fingertips and fingernails.
13. Kazuhisa Uchihashi - Little Creatures
Recorded live at Shinjuku Pit Inn,Tokyo
14. Mick Barr - Coiled Malescense
Recorded at home 2/28/10
15. Gunnar Geisse - The Day Rauschenberg Met de Kooning
16. Elliott Sharp - Telemetry
Performed on Koll 8-string guitarbass, Timefactor delay
Recorded live - no edits or overdubs - Studi
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1. Mary Halvorson - In Two Parts Missing 5:29
2. Jeff Parker - Act As If Nothing Ever Happened (Umjabuglafeesh Music - BMI). 5:02
3. Henry Kaiser - BLAME IT ON THE TONKORI 4:46
4. Jean-François Pauvros - Migrant Song 6:08
5. Janet Feder - Heater 4:57
6. Raoul Björkenheim - I Told You So 3:48
7. Noel Akchote - Joanna 4:58
8. Nels Cline - Study for Hairpin and Hatbox 4:09
9. Brandon Ross - Until Iago Whispered 2:14
10. Mike Cooper - Storyteller (Ornette Coleman) 5:14
11. Michael Gregory - Blue Blue 4:38
12. Scott Fields - Buzkashi 4:52
13. Kazuhisa Uchihashi - Little Creatures 4:07
14. Mick Barr - Coiled Malescense 3:38
15. Gunnar Geisse - The Day Rauschenberg Met de Kooning 4:39
16. Elliott Sharp - Telemetry 5:05
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"Curated by Elliott Sharp, this compilation presents the "state of the art" in today's guitar. Included are some of the most established pioneers, like Henry Kaiser, Jean-Franois Pauvros, Michael Gregory, Mike Cooper, Brandon Ross, Jeff Parker and, of course, Sharp himself, but also the new heroes of the electric or acoustic six-string instrument: Nels Cline, Raoul Bjorkenheim, Noel Akchot, Scott Fields, and Mary Halvorson, plus some less internationally known (but no less remarkable) figures active in the domains of free improvisation and experimental music, namely Janet Feder, Kazuhisa Uchihashi, Mick Barr, and Gunnar Geisse.
Every idiomatic reference or influence is in the equation, from folk, blues, jazz, rock, and noise to classical contemporary, world music, lounge, and exotica, in a myriad of individual concepts showing us the very wide field of possibilities which characterizes the art of sounds in this beginning of the 21st century. As Elliott Sharp writes on his liner notes, this diversity is guaranteed by musicians who have "one foot in the future and one in the past": artists with "their ass directly in the NOW". These are the representatives of some of the most rewarding guitar music played these days for you to wonder and cherish."-Clean Feed Records
• Show Bio for Elliott Sharp
"Elliott Sharp is an American multi-instrumentalist, composer, and performer.
A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction.
His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
Sharp is a 2014 Guggenheim Fellow, and a 2014 Fellow at Parson's Center for Transformative Media. He received the 2015 Berlin Prize in Musical Composition from the American Academy in Berlin. He has composed scores for feature films and documentaries; created sound-design for interstitials on The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. He is the subject of a new documentary "Doing The Don't" by filmmaker Bert Shapiro."-Elliott Sharp-Elliott Sharp website (http://www.elliottsharp.com/bio.html)
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• Show Bio for Gunnar Geisse
"Gunnar Geisse (born 11 July 1964, Giessen, Germany) is a musician, improviser, composer, and interpreter. He moves along the cutting edge between experimental/improvised music and new music. He has developed a complex instrumental concept combining guitar and electronics/computer which he calls laptop guitar. He also plays several other string instruments including banjo, mandolin, and a variety of instruments from Central Asia, among them the Uzbek and the Persian dotâr. Gunnar Geisse has been living in Munich, Germany since 1985.
Gunnar Geisse began his career in his early youth as a rock guitarist. With the end of his schooling he gravitated in the direction of jazz. Attending an Ornette Coleman concert at the Moers Jazz Festival in Germany, he saw Coleman carried onto the stage in a coffin, jump out dressed in a glittering disco outfit and play in the free jazz style that he helped create. After this key experience, Geisse bought toy plastic saxophones for the members of his band and threw away his original plan to play jazz standards. It was during this time that improvisation and an experimental approach became the foundation of his understanding of music. His first professional engagement was with the "New York Broadway Ensemble" with which he toured throughout Europe for the next two years. For Geisse, to be a part of an orchestra was an essential learning experience.
The avant-garde combo "Brother Virus" which along with Geisse included Werner Klausnitzer, Patrick Scales, and Maurice de Martin, achieved fame at the end of the 1980s. It would leave a major impression on Geisse. The band was invited to play at the Knitting Factory in New York, and was one of the first bands to play serious improvised music "live" on prime time German TV - Dagobert Lindlau's "Veranda". With "Brother Virus" Gunnar Geisse took the first steps on his own musical journey, a journey that was already apparent in his earlier development. In 1991 Enja Records released the "Brother Virus" album "Happy Hour".
Geisse lost the two middle fingers on his right hand in a mountain climbing accident in 1992. With the severity of the injury and subsequent operations, it was unclear as to whether Geisse would be able to continue his playing career. It was during his hospital stays that he was able to contemplate the implications of 20th century new music compositional techniques, and in so doing discovered his deep interest in structure. He wrote his first composition during one of his hospital stays. For him to have a good aural understanding of the piece, he proceeded to overdub the tracks - some 200 in total. Out of his interest in structure, Geisse worked together with the Institute for Experimental Physics at the University of Magdeburg in the area of complexity theory, non-linear phenomena and simulation, and inserted structural models of nature into his music. The recording was released under the title "AtEM".
While judging a music composition competition, Hans Zender - conductor of the SWR symphony orchestra und professor for composition at the College of Music and Arts in Frankfurt, Germany - took notice of Geisse's extraordinary music. Subsequently Gunnar Geisse received a stipend to compose at the prestigious Schloss Solitude Academy for one year. It was at Solitude that he composed "Das diskrete Jetzt" (The Discrete Now). He delved deeper into the phenomena of musical time. On a renewed search for natural structural references, he received important suggestions and impetus from the Institute for Medical Psychology at the Ludwig-Maximilian University (LMU) in Munich on the theme "time and its perception". The classic compositional parameters of tempo, meter, and rhythm are pushed into the background by this broadening of perspective through a psychological perception of time.
After his work with structure and time Gunnar Geisse again delved into questions concerning the fundamental functions of harmony. Searching for answers within nature since 2003, he has occupied himself with the non-linear phenomena of combination-tones - these are tones that are formed in the cochlea of the inner ear as an extension of the original acoustic signal. The combination-tones are the missing building blocks which, when added to his use of partial-tone rows and partial-tone matrixes, complete Geisse's set of harmonic compositional tools. The results of this work can be heard on the CD "MEtA" (Creative Sources Recordings). In 2006 Geisse wrote an exposition which lends insight into his specific harmonic concept.
Paradoxically, with these compositional tonal explorations, sound-based improvisation and its physical, expressive moments have taken on more and more importance; Geisse's improvisational models have changed under these influences. Since 2005 working with electronics and laptop computers have become an important means of expression for Geisse. In this context he has developed a unique hardware/software set-up (laptop guitar) that allows him to pursue his analogue playing (guitar) on a digital level, and even more importantly, to break away from the restrictions of "instrument" in order to work more directly with sound and its formulation.
Gunnar Geisse has received various awards and stipends, including the Musical Achievement Award of the City of Munich, and the Schloss Solitude Academy's Composition Stipend.
Gunnar Geisse has played with musicians from the three major areas of his musical life: experimental/improvised music, new music, and contemporary jazz. They include:
Richard Barrett, Marty Cook, Phil Durrant, Vinko Globokar, Barry Guy, Franz Hautzinger, Jason Kahn, Thomas Lehn, Michael Lentz, George Lewis, David Moss, Günter Müller, Olga Neuwirth, Phill Niblock, Evan Parker, Giancarlo Schiaffini, Ignaz Schick, Ed Schuller, Mike Svoboda, Gary Thomas, Wu Wei, Xu Fengxia.
Gunnar Geisse has worked with or played works of Hans-Jürgen von Bose, John Cage, Peter Maxwell Davies, Fred Frith, Gérard Grisey, Hans Werner Henze, Tom Johnson, Helmut Lachenmann, Anestis Logothetis, Chico Mello, Josef Anton Riedl, Gioacchino Rossini, Dieter Schnebel, James Tenney, Kurt Weill, Jörg Widmann, Christian Wolff, and Udo Zimmermann.
He has also played as soloist under the direction of Stefan Asbury, Paul Daniel, Peter Eötvös, Franck Ollu, and Lothar Zagrosek with the Bavarian Radio Symphony Orchestra (BR), The Bavarian State Opera Orchestra, the Stuttgart Radio Symphony Orchestra (SWR), the Stuttgart City Orchestra, and the Munich City Theatre Orchestra on Gärtnerplatz.
Gunnar Geisse was/is a member of the following ensembles: Brother Virus, le petit chien, ICI ensemble, Go Guitars, Berlin Jazz Composers Ensemble, Fractal Gumbo, NIE Quartett"-Wikipedia (https://en.wikipedia.org/wiki/Gunnar_Geisse)
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• Show Bio for Henry Kaiser
"Henry Kaiser (born September 19, 1952) is an American guitarist and composer, known as an idiosyncratic soloist, a sideman, an ethnomusicologist, and a film score composer. Recording and performing prolifically in many styles of music, Kaiser is a fixture on the San Francisco Bay Area music scene. He is considered a member of the "second generation" of American free improvisers. He is married to Canadian artist Brandy Gale.
In 1977, Kaiser founded Metalanguage Records with Larry Ochs (Rova Saxophone Quartet) and Greg Goodman. In 1979 he recorded With Friends Like These with Fred Frith, a collaboration that lasted for over 20 years. In 1983 they recorded Who Needs Enemies, and in 1987 the compilation album With Enemies Like These, Who Needs Friends? They joined with fellow experimental musicians John French, and English folk-rocker Richard Thompson to form French Frith Kaiser Thompson for two eclectic albums, Live, Love, Larf & Loaf (1987) and Invisible Means (1990). In 1999 Frith and Kaiser released Friends and Enemies, a compilation of their two Metalanguage albums along with additional material from 1984 and 1999.
In 1991, Kaiser went to Madagascar with guitarist David Lindley. They recorded roots music with Malagasy musicians and discovered music that, he says, "changed us radically and permanently". Three volumes of this music were released by Shanachie under the title A World Out of Time. In 1994 he made a similar trip to Norway, again with Lindley, recording music that was released as Sweet Sunny North (2 volumes, 1994 and 1996).
Since 1998, Kaiser has been collaborating with trumpeter Wadada Leo Smith in the "Yo Miles!" project, releasing a series of tributes to Miles Davis's 1970s electric music. This shifting aggregation has included musicians from the worlds of rock (guitarists Nels Cline, Mike Keneally and Chris Muir, drummer Steve Smith), jazz (saxophonists Greg Osby and John Tchicai), avant-garde (keyboardist John Medeski, guitarist Elliott Sharp), and Indian classical music (tabla player Zakir Hussain).
Kaiser has appeared on more than 250 albums and scored dozens of TV shows and films, including Werner Herzog's Encounters at the End of the World (2007). He was given a Grammy Award for his work on the Beautiful Dreamer tribute to Stephen Foster.
In 2001, Kaiser spent two and a half months in Antarctica on a National Science Foundation Antarctic Artists and Writers Program grant. He has subsequently returned for nine more visits to work as a research diver. His underwater camera work was featured in two Herzog films, The Wild Blue Yonder (2005) and Encounters at the End of the World (2007), which he also produced, and for which he and Lindley composed the score. Kaiser served as music producer for Herzog's Grizzly Man (2005). He was nominated for an Academy Award for his work as a producer on Encounters at the End of the World."-Wikipedia (https://en.wikipedia.org/wiki/Henry_Kaiser_(musician))
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• Show Bio for Jeff Parker
"Jeff Parker (born April 4, 1967) is an American jazz and rock guitarist based in Los Angeles. Parker is best known as an experimental musician, working with avant-garde electronic, rock, and improvisational groups.
Parker currently plays guitar in the post-rock group Tortoise and also was a founding member of the ensembles Isotope 217 and the Chicago Underground Trio in the 1990s and early 2000s. He is also a member of the Association for the Advancement of Creative Musicians, as well as working with musicians George Lewis, Ernest Dawkins, Brian Blade, Joshua Redman, Fred Anderson (musician) and Jason Moran. He has released three solo albums: Like-Coping, The Relatives and Bright Light in Winter."-Wikipedia (https://en.wikipedia.org/wiki/Jeff_Parker_(musician))
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• Show Bio for Kazuhisa Uchihashi
"Kazuhisa Uchihashi (内橋和久, Uchihashi Kazuhisa) is a Japanese guitarist involved in free improvisation music. Born in 1959 in Osaka, Uchihashi began to play the guitar at age 12, playing in various rock bands, though he later studied jazz music. In 1988 he joined the band the First Edition, and in 1990 formed the band Altered States. He was also a member of Otomo Yoshihide's Ground Zero from 1994 to 1997. Uchihashi also plays daxophone, and in addition to his role as a free improviser, Uchihashi has been the musical director for Osaka theatre group Ishinha, has held improvisation workshops (a project known as New Music Action) in various cities in Japan, as well as London, Oslo, and currently in Vienna also. Uchihashi has set up his own record label, Innocent Records a.k.a. Zenbei Records, had held a music festival annually since 1996 Festival BEYOND INNOCENCE."-Wikipedia (https://en.wikipedia.org/wiki/Kazuhisa_Uchihashi)
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• Show Bio for Mary Halvorson
"One of improvised music's most in-demand guitarists, Mary Halvorson has been active in New York since 2002, following jazz studies at Wesleyan University and the New School. Critics have called her "a singular talent" (Lloyd Sachs, JazzTimes), "NYC's least-predictable improviser" (Howard Mandel, City Arts), "one of the most exciting and original guitarists in jazz-or otherwise" (Steve Dollar, Wall Street Journal), and "one of today's most formidable bandleaders" (Francis Davis, Village Voice). The Philadelphia City Paper's Shaun Brady adds, "Halvorson has been steadily reshaping the sound of jazz guitar in recent years with her elastic, sometimes-fluid, sometimes-shredding, wholly unique style."
After three years of study with visionary composer and saxophonist Anthony Braxton, Ms. Halvorson became an active member of several of his bands, including his trio, septet and 12+1tet. To date, she appears on six of Mr. Braxton's recordings. Ms. Halvorson has also performed alongside iconic guitarist Marc Ribot, in his bands Sun Ship and The Young Philadelphians, and with the bassist Trevor Dunn in his Trio-Convulsant. Over the past decade she has worked with such diverse bandleaders as Tim Berne, Taylor Ho Bynum, Tomas Fujiwara, Ingrid Laubrock, Myra Melford, Jason Moran, Joe Morris, Tom Rainey and Mike Reed.
As a bandleader and composer, one of Ms. Halvorson's primary outlets is her longstanding trio, featuring bassist John Hébert and drummer Ches Smith. Since their 2008 debut album, Dragon's Head, the band has been recognized as a rising star jazz band by Downbeat Magazine for five consecutive years. Ms. Halvorson's quintet, which adds trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon to the trio, has released two critically acclaimed albums on the Firehouse 12 label: Saturn Sings and Bending Bridges. Most recently she has added two additional band members-tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik-to form a septet, featured on her 2013 release Illusionary Sea. Ms. Halvorson also co-leads a longstanding chamber-jazz duo with violist Jessica Pavone, the avant-rock band People and the collective ensembles Thumbscrew and Secret Keeper."-Mary Halvorson Website (http://www.maryhalvorson.com/bio/)
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• Show Bio for Mike Cooper
"For the past 40 years Mike Cooper has been an international musical explorer, performing and recording, solo and in a number of inspired groupings and a variety of genres. Initially a folk-blues guitarist and singer songwriter his work has diversified to include improvised and electronic music, live music for silent films, radio art and sound installations. He is also a music journalist, writing features for magazines, particularly on Pacific music and musicians, a visual artist, film and video maker, collector of Hawaiian shirts and appears on more than 60 records to date."-Mike Cooper Website (http://www.cooparia.com/welcome/biography/)
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• Show Bio for Nels Cline
"Nels Courtney Cline (born January 4, 1956 in Los Angeles) is an American guitarist and composer. He has been the guitarist for the band Wilco since 2004.
He first came to prominence in the 1980s playing jazz, often in collaboration with his twin brother Alex Cline, a drummer. Since then, he has worked with a wide range of musicians in punk and alternative rock, notably Mike Watt and Thurston Moore. He also leads the groups the Nels Cline Singers and Nels Cline Trio.
Cline was named the 82nd greatest guitarist of all time by Rolling Stone magazine in November 2011."-Wikipedia (https://en.wikipedia.org/wiki/Nels_Cline)
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