The trio of double bassist Mark Wastell, Rhodri Davies on harp and Burkhard Beins on percussion performing live at The Red Hedgehog in London, 2006.
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Catalog ID: ccs 13
Squidco Product Code: 13382
Country: Great Britain
Packaging: Cardstock Sleeve
Recorded live at The Red Hedgehog, London, on October 29th, 2006.
Mark Wastell-double bass
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1. Track 01 21:01
2. Track 02 26:58
Related Categories of Interest:
lowercase, micro-improv, sound improv
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene
sample the album:
"This is a live date from October, 2006 at a joint called The Red Hedgehog, two tracks. Wastell is on double bass here, Davies and Beins on their regular axes. I'm not at all sure any blow by blow description would be of much value but suffice it to say that much of the material encountered in this concert is more viscerally propulsive than you might expect, Wastell in particular sawing away at his bass with calculated abandon. This is of course not to say that there's anything of a pyrotechnical nature involved; when the first piece subsides from the initial fury, the delicate placement of bongs, whirrs and muffled thuds is exquisite enough to cause one to hold one's breath. Later in the same cut, closing out the improvisation, the brutal grinding of some kind of cords being bowed by Beins (? guessing) contrasting with Wastell's deep, deep arco and Davies' angelically high hum is just too good.The slow, loose cadence that opens the second piece evokes a slightly ritualistic nature, not so dissimilar to that heard on Wastell's recent Amoungst English Men. That rhythmic kernel gets batted around for a good while, assuming a variety of guises until, once again, a surprisingly forceful little storm develops, looming in off the sea before it crashes against the cliff sides. Once again, Davies' keening tones are absolutely shiver-inducing, beautifully placed among the rougher surroundings. A crude, bell-like beat emerges, a tocsin sounding before a return to the initial processional. A wondrous performance."-Bagatellen
• Show Bio for Burkhard Beins
"Burkhard Beins, born 1964 in Lower Saxony, lives in Berlin since 1995. As a composer/performer working in the fields of experimental music and sound art he is known for his definitive use of percussion in combination with selected sound objects. Furthermore, he works with live-electronics/analog synthesizers and has conceived several sound installations.
Since the late 1980's he is performing at internationally renowned venues and festivals throughout Europe, America, Australia and Asia as diverse as the LMC Festival (London), Int. Ferienkurse (Darmstadt), SKIF (St. Petersburg), Musiktage (Donaueschingen), Musique Action (Nancy), Choppa Festival (Singapore), Cave 12 (Geneva), The Now now (Sydney), ZKM (Karlsruhe), Kaleidophon (Ulrichsberg), Kid Ailack Music Hall (Tokyo), Gaudeamus Festival (Amsterdam), Liquid Architecture (Australia), Meteo (Mulhouse), Taktlos (CH), Berghain (Berlin), Konfrontationen (Nickelsdorf), Serralves (Porto), Wien Modern (Vienna), MoMA (New York), New Music Festival (Hanoi), Irtijal (Beirut), or Maerzmusik (Berlin).
Alongside his solo work he is a member of the ensembles Polwechsel, Activity Center, The Sealed Knot, Perlonex, Sawt Out, Trio Sowari, Tree, Junk Orbit, Fracture Mechanics, and Splitter Orchester and also works with composers/musicans such as Sven-Åke Johansson, Andrea Neumann, Keith Rowe, Axel Dörner, Tarek Atoui, John Tilbury, or Charlemagne Palestine.
Burkhard Beins gives workshops based on his graphic score system Adapt/Oppose, has published several articles on music theory, and is a co-editor of the book "Echtzeitmusik Berlin - Self-Defining a Scene" as well as the curator of a follow-up 3CD compilation featuring the Berlin Echtzeitmusik scene. Meanwhile he has released more than 50 CDs and LPs on labels like Zarek, Erstwhile, 2:13 Music, Hat Hut, Potlatch, Absinth, alt.vinyl, God Records, Mikroton, or Confront."-Burkhard Beins Website (http://www.burkhardbeins.de/cv.html)
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