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Fabbriciani, Roberto / Robin Hayward: nella basilica (Another Timbre)

Luigi Nono associate Roberto Fabbriciani on hyperbass flute improvising with Berlin-based tuba player Robin Hayward at the Basilica di San Domenico in the Tuscan hilltown of Arezzo.

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product information:

Label: Another Timbre
Catalog ID: at30
Squidco Product Code: 13366

Format: CD
Condition: New
Released: 2010
Country: UK
Packaging: Jewel tray, not sealed.
Recorded September 28th, 2009 by Simon Reynell in the Basilica di San Domenico in the town of Arezzo, Tuscany.


Roberto Fabbriciani-bass flute, contrabass flute and hyperbass flutes

Robin Hayward-microtonal tuba

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Artist Biographies:

"The tuba player and composer Robin Hayward was born in Brighton, England in 1969. He studied classical music at the University of Manchester and tuba at the Royal Northern College of Music, where he graduated in 1991. In following years he was active in the improvised and experimental music scenes in Manchester and London. Since 1998 he has been based in Berlin.

He has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve' in 1996, and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, partly out of a desire to visualise the harmonic space implicit within the microtonal tuba. In 2005 he founded the ensemble Zinc & Copper to explore brass chamber music from an experimental music perspective.

Robin Hayward has toured extensively both solo and in collaboration, and been featured in such festivals as Maerzmusik, Fri Resonans, Donaueschingen, TRANSIT festival, Ghent Festival of Flanders, Ostrava New Music Days, Sound Symposium, Kieler Tage für Neue Musik and Wien Modern. Collaborations include such musicians as Charles Curtis and Roberto Fabbriciani, along with composers such as Christian Wolff, Alvin Lucier and Eliane Radigue. His approach to the tuba has been documented in the solo releases Valve Division, States of Rushing, Nouveau Saxhorn Nouveau Basse and Rubble Master, along with numerous collaborative releases, such as with the microtonal tuba trio Microtub and the tuba and double bass duo Reidemeister Move. He has lectured at such institutions as Stuttgart Musikhochschule, the Sibelius Academy in Helsinki, UDK Berlin, Dartmouth College and Wesleyan University. He has also worked regularly with such orchestras as the Rundfunk-Sinfonieorchester Berlin and the Konzerthausorchester Berlin, and from 2002 to 2012 was a member of the new music ensemble KNM Berlin.

In 2012 the International Tuba and Euphonium Association (ITEA) presented him with the Clifford Bevan Award for Excellence in Research for his 2011 article on the history and development of the microtonal tuba. In 2016 he received the ITEA's Jim and Jamie Self Creative Award for his work with the microtonal tuba and Hayward Tuning Vine."

-Robin Hayward Website (

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track listing:

1. Nella Basilica 15:06

2. Adagio 10:47

3. Riflessione 7:56

4. Colori Di Cimabue 6:54

5. Arezzo 4:18
sample the album:

descriptions, reviews, &c.

"This is the first CD of improvised music featuring Roberto Fabbriciani, one of the giants of contemporary music. Fabbriciani was the instrumentalist with whom Luigi Nono worked most closely in the last two decades of his life, playing in the premieres of virtually all of the composer's late works. On nella basilica Fabbriciani improvises with Robin Hayward, the phenomenal Berlin-based tuba player with whom he has worked on several recent realisations of Nono's music. Their improvisations - recorded in the Basilica di San Domenico in the Tuscan hilltown of Arezzo - create a unique sound, largely based on the extraordinarily low tones produced both by the tuba and the hyperbass flute that Fabbriciani played for much of the session."-Another Timbre

"Both musicians have developed their instruments, Hayward using a new microtonal valve system, and Fabbriciani his self-designed hyperbass flute-over twelve metres of tubing! The latter produces fearsome sounds at the lower threshold of human hearing, meaning they are felt in the internal organs as much as heard. Overall, the combination of tuba and the lower frequency flutes creates a bottom-heavy soundscape in which boundaries between tuba and flutes are blurred. This is embellished by the players' percussive sounds-pad noise from the flutes and impact on the body of the tuba-and the characteristic whistling wind-tunnel sound of breath passing through the instruments' tubing. Otherwise, it is the lingering, slowly-evolving tones of the instruments that dominate. There are no rapidly-articulated passages here; everything moves at a stately pace, allowing plenty of time to wallow in the varied textures of the sounds.... Awesome."-John Eyles, All About Jazz

Related Categories of Interest:

Improvised Music
European Improvisation and Experimental Forms
London & UK Improv & Related Scenes
Free Improvisation
Duo Recordings

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