Live recordings from 2009 at Delbury Hall with the mighty Paul Dunmall on tenor and clarinet; blistering music from an incredible trio playing seriously smoking free jazz.
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Catalog ID: FMR 286
Squidco Product Code: 13068
Country: Great Britain
Packaging: Digipack, not sealed
Recorded By Chris Trent At Delbury Hall July 15th, 2009.
Paul Dunmall-Tenor Saxophone
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1. Ritual Beyond 19:41
2. Feathered Stone 15:46
3. Saraswati 17:44
4. Beyond Rituals 15:29
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
London & UK Free Improvisation Scene
sample the album:
"The band was smoking, they were burning, they were on fire. Just some of the expressions used to denote a truly affecting jazz experience, but not to be taken literally. So imagine the concern of the patrons in north London's Vortex jazz venue as smoke was spotted curling up from the amplifier of bassist Dave Kane not long into the first set. Not surprisingly the first signs were an acrid smell that some attributed to the candles, and the sudden inaudibility of the bass, immediately apparent to Kane though quite hard for the audience to detect behind the onslaught of drummer Tony Bianco's percussive whirlwind.
Both were here as part of a trio completed by saxophone master Paul Dunmall. Once the saxophonist became aware of Kane's predicament he was able to get the message across to Bianco. Musicians often retreat to a different realm of consciousness when in full spate, and this was certainly the case with Bianco who, with eyes closed and limbs mesmerically flailing, seemed oblivious to perceived danger. Once Dunmall's proximity had registered and the saxophonist was able to convey the problem, Bianco quickly drew the piece to a close, but still with enough presence of mind to mirror his opening gambit of playing with a shaker in one hand and his two sticks in the other, for a snapshot of how structure can be imputed to totally improvised settings. Happily another amp was soon found, and after a brief hiatus the trio was able to resume.
This pairing of American expat Bianco with the British reedman was a repeat of an appearance at the Vortex almost a year previous. On that occasion they performed as a duo, following the double booking of bassist John Edwards, so successfully it was difficult to see where a bassist might have fitted in. Tonight they did have a bassist, notwithstanding the burntout amp, in the upcoming talent of Leeds-based northern Irishman Dave Kane. Kane's reputation is growing, based on his partnership with pianist Matthew Bourne and drummer Steve Davis, who together with Dunmall released the excellent Moment To Moment (Slam, 2009), and his helming of the Leeds Improvised Music Association. Bianco and Dunmall share a history going back some fourteen years since the New York-born drummer relocated from Berlin to London. In that time they have collaborated on numerous occasions, including the acclaimed Utoma Trio (Emanem, 1999), with the most recent being the blistering Spirits Past And Future (DLE, 2008) on the reedman's own imprint.
Typically for Dunmall this was a totally improvised outing without any prior discussion of destination, played out over two sets weighing in at almost 90 minutes. Much of the interest lay in the strategies adopted for working with Bianco's non-stop drumming style, which was the defining characteristic of the evening. Bianco has evinced an interest in deriving drone tones from his drums, which he achieved through fusillades of rhythms spinning around a still center, such that he paradoxically imparted forward motion yet remained in the same place, the aural equivalent of a runner on a treadmill."-FMR
• Show Bio for Paul Dunmall
"Paul Dunmall was born 1953, Welling, Kent; saxophones, clarinets, bagpipes, miscellaneous wind instruments.
As told to Watson (1989), Paul Dunmall was a working class lad from Welling who left school at 15 and spent two years repairing instruments at Bill Lewington's shop in Shaftesbury Avenue, London. He turned professional at 17 and, following two years touring Europe with a progressive rock band (Marsupilami), joined the Divine Light Mission, a spiritual movement led by Guru Maharaj Ji and moved from London to an ashram in America. He told Isham (1997), 'I moved to an ashram full of musicians - a music ashram - but it was still spiritual practice. That gave me a spiritual understanding through meditation, Coltrane's music, and all the rest of it, led me to that, and that's been a fundament in my life ever since - that I can actually sit down and meditate and forget my body. I realise how important meditation is in my life... but I don't do it so much these days.' During the three years he lived in America, Dunmall played with Alice Coltrane (in a big band with the Divine Light Mission) and toured for twelve months with Johnny 'Guitar' Watson.
Back in England, he played with Danny Thompson and John Stevens as well as folk musicians Kevin Dempsey, Martin Jenkins and Polly Bolton and then, in 1979 he became a founder member of Spirit Level (Tim Richards, piano; Paul Anstey, bass; Tony Orrell, drums), staying with the group until 1989. During his time with Spirit Level, Dunmall joined the two-tenor front line group Tenor Tonic with Alan Skidmore (1985), played and broadcast with Dave Alexander and Tony Moore in the DAM trio (1986) and formed the Paul Dunmall Quartet with Alex Maguire, Tony Moore and Steve Noble (1986).
In 1987 Paul Dunmall joined the London Jazz Composers Orchestra, being a constant member and appearing on all their recorded output from that date onward. The following year the improvising collective quartet Mujician was formed by Keith Tippett, Dunmall, Paul Rogers and Tony Levin and has continued to be a regular performing, touring and recording group, sometimes augmented by other musicians. Dunmall has also played in a trio with Keith and Julie Tippetts and in Keith Tippett's big band Tapestry. Two other duos have also sprung out of Mujician: Dunmall with Tony Levin (two CD releases) and Dunmall in folk-influenced outings with Paul Rogers. Another regular playing partner throughout this period and up until the present includes Elton Dean.
In 1995, two trios were formed, the first with Oren Marshall, tuba and Steve Noble, percussion, the second with John Adams, guitar and Mark Sanders, percussion, these sometimes coming together as a quintet. More recently, Dunmall has played in another reeds/guitar/drums trio with Philip Gibbs and Tony Marsh and there appears to be regular crossover between all these players. The Paul Dunmall Octet was founded in 1997."
Dunmall also has released a large number of albums and a box set on the UK FMR label, in various configurations and instrumentation.-EFI (http://www.efi.group.shef.ac.uk/musician/mdunmall.html)
^ Hide Bio for Paul Dunmall
• Show Bio for Dave Kane
"Composer/ Bassist Dave Kane was born in a small town called Bangor in County Down in Northern Ireland. At age 16 he bought an electric bass guitar from a catholic priest for 50 pounds, and began moving his fingers up and down the ' E ' string in local punk and alternative bands. With aspirations of eventually playing on the other 3 strings of the bass, Kane began studying music at a local college with the internationally acclaimed composer and bandleader Brian Irvine. As a direct result of hanging out with Irvine, Kane began to explore the idioms of free improvisation, contemporary jazz, classical music, funk, metal, red wine and general mayhem! Further exploration was required, so Kane rowed across the irish channel on his double bass and studied Contemporary music (essay writing!) at Bretton Hall College of the University of Leeds.
Unfortunately there were no influential teachers there like Irvine, so he learnt how to use a library and subsequently encountered the music of John Cage, Edgar Varese, Cecil Taylor, Barry Guy, John Coltrane, Iannis Xenakis, Charles Mingus, Frank Zappa and John Zorn. Upon graduating from University Kane lived and worked in London for a while trying to get his 'shit together' and playing free music with some British Jazz legends including; Keith Tippett, Paul Dunmall, Elton Dean, Evan Parker, Tony Levin, Mark Sanders, Paul Rogers, Alex Maguire and many other heads! Currently based in Leeds, Kane is a founder member of L.I.M.A. (Leeds Improvised Music Association) and the musical director/ composer for the L.I.M.A orchestra. An ever expanding large improv orchestra featuring some of the UK's finest young musicians inc, Matthew Bourne, Chris Sharkey, Christophe De Bezenac, Petter Fadnes. Other projects include; The internationally acclaimed Bourne/ Davis/ Kane. Dave Kane ( solo double bass + voice ). The Shank Trio (featuring saxophonist James Allsopp and drummer Tim Giles). Didrik Ingvaldsen's Quartet Alpha. Dave Kane's Rabbit Project."-Dave Kane Website (http://www.davekanemusic.com/dave-kane/)
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