ap'strophe began working together in 2006 in search of a common sonoric space, which they found in the investigation of distinctive timbres between acoustic guitar and zither.
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Label: Another Timbre
Catalog ID: at28
Squidco Product Code: 12984
Packaging: Jewel Tray
Recorded by Cristian Palleja at Maik Maier Studios in Barcelona, December 2008Mixed and mastered by Ferran Conangla at Estudis FCM in Barcelona, February 2009
Ferran Fages-acoustic guitar
Dimitra Lazaridou Chatzigoga-zither
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1. spring 7:54
2. its like a perhaps hand 39:47
Related Categories of Interest:
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene
sample the album:
"ap'strophe is the duo of Ferran Fages and Dimitra Lazaridou Chatzigoga. They began working together in 2006, when Ferran Fages recorded "Cançons per a un lent retard". At that time he collaborated with Dimitra Lazaridou Chatzigoga in the track Paraula clau, which they composed and interpreted together. After recording the album they realized the impossibility of re-interpreting this piece, which is based on the detuning(s) of the guitar, but decided to continue working together and started to search for a common sonoric space. The result of this survey gave shape to their present collaboration, which consists of a duo of acoustic guitar and zither. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments. Their approximation combines the acoustic with the electronic in the sense that they employ frequencies produced by their acoustic notes together with sounds produced by electronic means. Their first album 'objects sense objectes' has been released in Etude Records in May 2009, while their second album 'corgroc' is out now in another timbre."-Ap'strophe web site
Get additional information at Ap'strophe web site
• Show Bio for Ferran Fages
"Ferran Fages (1974, Barcelona, Catalunya)
Ferran Fages is an improviser and composer, and an international reference in the sphere of electroacoustic improvisation. Since the end of the 1990s, he has published over fifty discographic references on national and international labels. He has undertaken tours, performed concerts and led workshops around Europe and South America as well as in Canada and Japan.
He plays guitar, resonant objects, acoustic turntable and electronics: "feedback mixing board", pick-ups and oscillators.
From 1999 until 2006 he was a member of the IBA col·lectiu d'improvisació, with whom he organised over one hundred concerts as well as the festivals Improvisa (2000-2003) and the Experimental Music Week at Metrònom (2005), among others.
Besides his projects, he has shared a stage and made collaborations with musicians such as Christine Abdelnour, Sophie Agnel, Núria Andorrà, Derek Bailey, Pascal Battus, Tom Chant, David Chiesa, Albert Cirera, Sébastien Cirotteau, Angharad Davies, Rhodri Davies, Michel Doneda, Axel Dörner, Lluïsa Espigolé, Agustí Fernández, Jean-Philippe Gross, Will Guthrie, Robin Hayward, Barbara Held, Jason Kahn, Martin Küchen,Eduard Márquez, Wade Matthews, Mattin, Manuel Mota, Ivan Palacky, Ramon Prats, Eddie Prévost, Pablo Rega, Àlex Reviriego, Ernesto Rodrigues, Alejandro Rojas-Marcos, Ivo Sans, Joan Saura, Pilar Subirà, Vasco Trilla, Birgit Ulher, Taku Unami, Nikos Velliotis, Dafne Vicente-Sandoval, Mark Wastell, Christopher Williams and Ingar Zach among others.
He has also worked with the choreographers and companies of Olga Mesa (1999), Lanónima Imperial (2003-2004), Carme Torrent (1999-2005), Ktonycia (2007), Constanza Brncic (2008-2009) and Merce Cunningham Dance Company (2009).
He has performed the following pieces of contemporary music: Guitar two, for four, by Phill Niblock (2004); Cobra, by John Zorn (2006); Meditations for Orchestra, by Pauline Oliveiros (2007); Guitar Trio, by Rysh Chatham (2007); Trio I from Trios WHITE ON WHITE, by Robert Ashley (2008); Poem 1960, by La Monte Young (2008); Diferencias familiares sobre las cuerdas, by Christopher Williams (2009); Little by Little, by Sam Sfirri (2011), and Cartridge Music, by John Cage (2012)."-Ferran Fages Website (http://www.ferranfages.net/index.php?/bio/)
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