Part 2 of the "Reason"/"Treason" releases, Doc Chad focuses on banjo in all new songs, with Robert Harris providing narration; uniquely odd song-spieling as only the good Doctor does.
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Catalog ID: chadTreason
Squidco Product Code: 12736
Recorded and mixed at Psychadelic Studios, Greensboro, NC January 2010. "Bird Song" based on a live radio performance from St. Louis, Summer 2009.
Eugene Chadbourne-banjo, voice, guitar
Jay Tercer-modified electric dobro, bajo sexto, charango, baclamel, cjumbus, percussion, toy koto
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1. Water Song 10:23
2. Bird Song 5:15
3. Adrift 7:16
4. I Woke up at Home 6:05
5. Best Friend 4:16
6. Flying SOng 6:03
7. Song of Good Health 5:58
8. Pepper Mine 8:36
9. Song of Confidence 1 0:58
10. Song of Confidence 2 6:04
Related Categories of Interest:
Rock and Related
Song Based Music
sample the album:
Doc Chad's 2010 major recordings for the year, the complementary "Reason" and "Treason" releases. Treason features mostly banjo songs, though Chadbourne overdubs himself on quite a few instruments, so it is not a clear delineation between guitar on disc and banjo on the other.
• Show Bio for Eugene Chadbourne
"A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label."-All Music (http://www.allmusic.com/artist/eugene-chadbourne-mn0000172925/biography)
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