Pianist Burk's 4th release on 482 in a quartet with Henry Cook on woodwinds, bassist Ron Seguin and drummer Michel Lambert in a disc of exotic beauty and timbral intrigue.
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: 482 Music
Catalog ID: 1063
Squidco Product Code: 12678
Packaging: Cardstock Gatefold Sleeve
Recorded at Extra Beat Studios, Rome, Italy from April 21, 2007 - August 9, 2007.
Greg Burk-piano, small percussion
Henry Cook-alto saxophone, soprano saxophone, flute, alto flute, washint
Ron Seguin-contrabass, electric acoustic bass, percussion
Michel Lambert-drum, percussion
Highlight an artist name or instrument above
and click here to Search
1. Sonny Time 5:15
2. BC 5:43
3. Lost Time 5:46
4. Storm Cloud 2:37
5. Look to the Lion 5:43
6. Many Worlds 6:45
7. The Strong Force 4:56
8. Waves 7:02
9. In Persuit of Matter 6:06
10. Particular 4:23
11. The Spirit Will Take You Out 2:55
Related Categories of Interest:
sample the album:
"On his fourth release for 482, Burk expands and refines concepts from his earlier work in startling new ways. With Henry Cook on woodwinds, bassist Ron Seguin and drummer Michel Lambert, Burk crafts a disc of extraordinary power, stunning beauty and timbral intrigue.
While this is the first recording of this quartet, there is a sense of familiarity and group chemistry apparent throughout. Burk and Cook's collaborations date back to their time with Boston's Either Orchestra, and Burk, Cook and Seguin have a performing history in Rome, Burk's home since 2004. With Lambert traveling frequently to Europe and active with Seguin on the Canadian jazz scene, the group has had a chance to form the bonds evident on its recorded debut.
All of Greg Burk's music pushes at the boundaries of composition, improvisation and of jazz itself; this newest offering is no exception. "I want my music to be beautiful," he states emphatically. "I love the freedom brought to this music by its pioneers, but I also love melody and structure." These are concerns that developed early. Burk comes from a musical family in which opera and orchestral repertoire played a very important role. Simultaneously, Burk began to develop a consuming passion for improvisation. "I was never a very good classical pianist, and I would always improvise between repetitions of what I was supposed to be practicing." His diverse musical interests led him to the innovations of John Coltrane, which he credits for cementing his interest in jazz. Later studies with Yusef Lateef, Archie Shepp and, perhaps most importantly, Paul Bley would bring Burk to the rhythmically flexible group concept which pervades much of the quartet interplay on Many Worlds. "He was a model for my development. He comes from a jazz tradition, but he challenges himself continually to improvise in other contexts."
Many Worlds is a record of continuous group exploration; each chord, gesture and composition leads to the next while maintaining autonomy, conjuring worlds while connecting them. The album's title is an apt descriptor, both of the compositional process and of the exploratory soundscapes evoked on this quartet's stellar debut."-482 Music
• Show Bio for Michel Lambert
"Michel Lambert is the descendant of a virtual dynasty of classical musicians in Quebec. First exposed to music by his mother and then his grandfather Omer Létourneau, he spent a good part of his youth between the Petit Séminaire and the Conservatoire de Musique de Québec, the city where he was born in 1959. His fascination with drums and composition inspired him to pursue his musical education at Berklee College in Boston, where his professors included John La Porta, Herb Pomeroy, and Greg Hopkins. Later on, he travelled to Paris, attended the Banff Jazz Workshops, studied with Dave Liebman in New York and Misha Mengelberg in Amsterdam.
Following a few meetings with Charlie Haden, he joined Milcho Leviev's trio in Los Angeles in 1983. Since then, different projects have taken him to Europe, across Canada, the U.S. and Asia, at different festivals like the Berliner Jazztreff, Jazzfest Wien, l'Europa Jazz Festival du Mans, Pori Jazz, Internationales New Jazz Moers, Tampere Jazz Happening, Jakarta Jazz Festival, Birmingham Jazz Festival, le Festival International de Jazz de Montréal and many others.
He has performed and recorded with Gary Burton, Dewey Redman, Barre Phillips, Kenny Wheeler, Bobo Stenson and Uri Caine among others. In Toronto from '87 to '94 and living in Montreal since '96, he has performed coast to coast with the groups of Sonny Greenwich, Herbie Spanier, Wray Downes, Don Thompson or Dave Young.
A recording artist in Europe with Lonely Universe for CMP Records, Germany / Jimco Japan, the cd project won international acclaim ... "adventurous yet contained, always uncompromisingly searching" quoted the New York Review of Records. With Finnish guitar player Raoul Björkheim, a review of "Ritual" in Wire Magazine mentioned " ...a vital and important record..." . He performs internationally with his wife, vocalist Jeannette Lambert, whose recent cd "Lone Jack Pine" is described in Cadence as "... art at a very high level".
He has Canadian recording credits which include, for Justin Time, with Dave Young, "Inner Urge" and 1993 JUNO Award-winning "Fables and Dreams", the Herbie Spanier Anthology volume I and II and "Resonance" with Reg Schwager and François Carrier Trio with Uri Caine. On the Rant Label, he has produced several sessions with his ground breaking trio Maïkotron Unit, "5ieme cycle de 7", "Composition with Three Figures" and Lonely Universe "à la Plage". Other recordings include "Les Trois Michel" with Michel Donato and Milcho Leviev for DSM , AD2000 with Agostino Di Giorgio a session recorded in Budapest, the year 2000 Canadian JUNO Award-winning session, "Compassion", Krakatau "Alive", in Helsinki, and Frédéric Alarie Trio "Live à Vienne" for Fidelio Audio. Michel Lambert also appears on numerous cd compilations.
In 2001 he started a series of compositions titled "Musiques Dessinées", entirely based on drawings. In 1998, with a grant from the Conseil des Arts et des Lettres du Québec, he was resident of the Studio du Québec in New York City. In 1988, he composed his "Journal des Episodes, 366 Episodes pour orchestre symphonique" . In '92, 33 excerpts from the work received a World Premiere performance at the first Winnipeg New Music Festival by the Winnipeg Symphony Orchestra. His orchestral works also include "Le Passant, Triptyque pour Orchestre Symphonique" ('92). As a composer and band leader, over 50 of his jazz related compositions have been broadcast nationally. When he brought his quartet to the Ontario Science Centre for CJRT Sound of Toronto Jazz Series, critics wrote "...a challenging hour of unusual fare created by a masterly drummer" et "Lambert pushes the Jazz series to the edge"."-Michel Lambert Website (http://www.michellambert.com/index.htm)
^ Hide Bio for Michel Lambert
Search for other titles on the 482 Music label.