Saxophonist Dijkstra in compositions commissioned from the North Sea Jazz Festival 2009, 9 works written for Henry Threadgill, George Lewis, Fred Frith, &c.
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Label: Clean Feed
Catalog ID: CF 166
Squidco Product Code: 12673
Packaging: Cardstock Gatefold Sleeve
Recorded on July 12, 2009 Micha de Kanter at PowerSound Amsterdam. Mixed and mastered by Myles Boisen at Headless Buddha Lab, Oakland CA. Produced by Jorrit Dijkstra.
Jorrit Dijkstra-alto saxophone, lyricon, analog synth, crackle box
Tony Malaby-tenor and soprano saxophones
Oene van Geel-viola
Paul Pallesen-guitar, banjo
Jason Roebke-bass, crackle box
Frank Rosaly-drums, percussion, crackle box
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1. Pillow Circles 34 6:26
2. Pillow Circles 41 7:16
3. Pillow Circles 18 11:13
4. Pillow Circles 55 3:33
5. Pillow Circles 65 7:46
6. Pillow Circles 88 7:34
7. Pillow Circles 19 7:28
8. Pillow Circles 10 4:04
9. Pillow Circles 23 6:40
Chicago Jazz & Improvisation
NY Downtown & Jazz/Improv
European Improv, Free Jazz & Related
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sample the album:
"This project was a composition commission from the North Sea Jazz Festival 2009 and Muziek Centrum Nederland. It was made possible through grants from the Netherland-America Foundation, Muziek Centrum Nederland and Fonds voor de Scheppende Toonkunst Lingering melodies, dreamy abstractions, and clever instrumentations characterize the music of Jorrit Dijkstra. Lingering melodies, dreamy abstractions, and clever instrumentations characterize the music of Jorrit Dijkstra. In his new suite of compositions "Pillow Circles", he matches four American musicians from the New York and the Chicago scenes, Tony Malaby, Jeb Bishop, Jason Roebke, and Frank Rosaly, with fellow Dutchmen Oene van Geel, Paul Pallesen, and Raphael Vanoli, to create a mesmerizing sound world full of extremes in texture and dynamics. On this CD, free jazz meets experimental rock and electronica, with tributes to improvisers George Lewis and Fred Frith, Dutch electronic musician Michel Waisvisz, obscure 1950's alto player Ernie Henry, and (don't be surprised) Radiohead's Jonny Greenwood. The electric guitar plays a prominent role (there are two in action), as well as the sound of some 1970s analog electronics like the Lyricon (a wind synthesizer), and the Crackle Box (Waisvisz' lo-fi invention). And there's the stratospheric blowing section, with saxophones and trombone - you can't miss this rare and astonishing encounter between Dijkstra, Malaby, and Bishop. Undoubtedly, a must have, must listen."-Clean Feed
At The Squid's Ear!
• Show Bio for Tony Malaby
"Tony Malaby (born January 12, 1964 in Tucson, Arizona) is a jazz tenor saxophonist. Malaby moved to New York City in 1995 and has played with several notable jazz groups, including Charlie Haden's Liberation Music Orchestra, Paul Motian's Electric Bebop Band, Mark Helias's Open Loose, Fred Hersch's Trio + 2 and Walt Whitman project, and bands led by Mario Pavone, Chris Lightcap, Bobby Previte, Tom Varner, Marty Ehrlich, Angelica Sanchez, Mark Dresser, and Kenny Wheeler. Other collaborators have included Tom Rainey, Christian Lillinger, Ben Monder, Eivind Opsvik, Nasheet Waits, and Michael Formanek. His first album as a co-leader was Cosas with Joey Sellers."-Wikipedia (https://en.wikipedia.org/wiki/Tony_Malaby)
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• Show Bio for Jeb Bishop
"Jeb Bishop was born in Raleigh, North Carolina during the Cuban missile crisis. He began playing the trombone at the age of 10, under the tutelage of Cora Grasser. Other influential teachers during junior high and high school included Jeanne Nelson, Eric Carlson, Richard Fecteau, Greg Cox, and James Cozart.
He majored in classical trombone performance at Northwestern University from 1980-82, studying with Frank Crisafulli. Deciding he did not want to pursue a career as an orchestral musician, he returned to Raleigh in 1982 and took up engineering studies at NC State University. Raleigh's developing underground rock scene attracted him, and from 1982-84 he played bass guitar in rock bands in the Raleigh area.
At the same time, he developed an interest in philosophy, eventually majoring in the subject, and spent 1984-85 studying philosophy at the Higher Institute of Philosophy of the Catholic University of Louvain, Belgium.
Returing to Raleigh in 1985, he spent the next few years working at menial jobs and playing guitar, bass, cheap keyboards, drums, etc., in rock bands including and/or, the Angels of Epistemology, Egg, and Metal Pitcher.
In 1989 he left Raleigh to pursue graduate studies in philosophy, first at the University of Arizona, then at Loyola University of Chicago (where he was awarded the Crown Fellowship in the Humanities). During 1991-92 he returned to Europe, spending the summer of 1991 studying German at the Goethe-Institut Iserlohn (now closed), and then pursuing independent studies in philosophy at the French-language division of the University of Louvain.
Returning to Chicago in 1992, he completed his M.A. at Loyola in 1993. By this time he had already begun to make connections with improvising musicians in Chicago, having joined the Flying Luttenbachers as bassist (later adding trombone) in late 1992, and playing guitar occasionally in a quartet with Weasel Walter, Ken Vandermark, and Kevin Drumm. Other bands during this period included the Unheard Music Quartet (with Vandermark, Mike Hagedorn on trombone, and Otto Huber on drums) and the Rev Trio (with Walter and saxophonist Joe Vajarsky). Bishop played electric bass in both these bands.
In late 1995, Bishop joined the Vandermark 5 as one of its founding members, and remained with the band through the end of 2004. During this period he also became associated with many other groups, including the Peter Brötzmann Chicago Tentet, School Days, Ken Vandermark's Territory Band, and his own Jeb Bishop Trio, and became a very frequent participant in ad hoc and free-improvised concerts in Chicago. Bishop performed in the inaugural concerts of two of the longest-running free-music concert series in Chicago: the Myopic Books weekly concerts (originally at Czar Bar; with Rev Trio) and the Empty Bottle Wednesday night concert series (with a quartet of Terri Kapsalis, Kevin Drumm, and Jim O'Rourke). He curated the monthly Chicago Improvisers Group concerts at the Green Mill from 1999-2002, and co-curated the weekly Eight Million Heroes concert series at Sylvie's in 2005-6.
Bishop has made dozens of recordings with many different groups, has toured North America and Europe many times, and maintains a busy performing schedule."-Jeb Bishop Website (http://www.jebbishop.com/jebbio.html)
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• Show Bio for Oene van Geel
"Violist / composer Oene van Geel (1973) is a true adventurer in music. Influenced by jazz, chamber music, Indian music and free improvisation, he has applied his virtuoso improvisation skills and his composition talents to a wide scope of musical activities. He toured in Europe, India, Japan, the USA and Canada.
As a player he is currently active with: Zapp4, Estafest, The Nordanians, Haanstra & van Geel and a duo with Matteo Mijderwijk. Besides these groups he is regularly invited as an improvising guest soloist.
He has won the Boy Edgar Award (2013), the Sena Performers Toonzetters Award (2012, with Zapp4) Kersjes Award (2005, with Zapp4), the Deloitte Jazz Award (2002), Dutch Jazz Competition (2001) and the Jur Naessens Music Award (2000).
Oene composes for his own groups, but also writes for other ensembles / soloists such as:
The David Kweksilber Big Band, Osiris Trio, New European Ensemble, Calefax, Ensemble Black Pencil, Amstel Quartet, Steven Kamperman Quintet, Frederieke Saeijs, Remy van Kesteren & Eric Vloeimans, Eric Bosgraaf, Jeugd Orkest Nederland, Amsterdam Sinfonietta, Matangi Quartet, Tetzepi bigtet, Ricciotti Ensemble, Nikolay Shugaev, David Braid and many others.
In 2015 Oene wrote his first viola concerto for Emlyn Stam and the New European Ensemble (premiered 18 December at the Bimhuis, Amsterdam).
Oene often gets commissions by festivals such as: Het Nederlands Vioolconcours (2016), Cello Biennale Amsterdam (2016 and 2008), 25 years Osiris Trio (2014), Storioni Festival (2013), Orlando Festival (2012), North Sea Jazz Festival (2005), SJU Jazz Festival (2002), Marathon Festival Oosterpoort (2002).
As a player and / or composer he was involved in theatre productions with the following companies / directors: Silbersee, Holland Opera, Marcel Sijm, Hollands Diep, Boukje Schweigman, Eric Vaarzon Morel, Saartje van Camp, Tafel van Vijf (Herman van Baar), De Wereldband and the Sonnevanck theatre.
Oene has a special interest in dance: he often works with dancer/ choreographer Kenzo Kusuda, dancer/ choreographer Heather Ware and he will do a collaboration with choreographer Kalpana Raghuraman in 2018."-Oene van Geel Website (http://oenevangeel.com/biography/)
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• Show Bio for Frank Rosaly
"Frank Rosaly (Francisco Javier Rosaly Amoros Rosello - b. 5/30/74 Phoenix, AZ) is a drummer and composer living in Chicago. He has been involved in the improvised and experimental music community since 2001 where he has become an integral part of Chicago's musical fabric, navigating a fine line between the vibrant improvised music, experimental, rock and jazz communities. He contributes much of his time to performing, composing, teaching, as well as organizing musical events, while also touring regularly domestically and internationally.
Frank is currently active in many projects throughout Chicago as well as New York and in Europe. Some groups include Bobby Bradford/Frode Gjerstad Quartet, Matana Robert's Chicago Project, Rob Mazurek's Mandarin Movie, The Rempis Percussion Quartet, Ingebrigt Haker-Flaten Quintet, Scorch Trio, Nicole Mitchell Ice Crystal Quartet, Jason Stein Quartet, Jeff Parker/Nels Cline Quartet, Josh Abrams' Natural Information Society, Fred Lonberg-Holm's Valentine Trio, Keefe Jackson's Project Project, The Fast Citizens, The Jeb Bishop Trio, Jason Adasievicz's Rolldown, Jorrit Dijkstra's Flatlands Collective, Chicago Lucern Exchange, Hearts and Minds, Slow Cycle, Outskirts, Darren Johnston's Chicago Quintet, Anchor and others."-Frank Rosaly Website (http://fjrosalbio.blogspot.com/)
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