The 1965 lineup of this quartet was John Tchicai, Roswell Rudd, Finn von Eyben and Louis Moholo, captured in these two remarkable live broadcasts from 1965 in Copenhagen, DK.
Out of Stock
If ordered we
expect to ship within:
Shipping Weight: 5.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: Rune 300
Squidco Product Code: 12660
Packaging: Jewel Tray
Tracks 1-6 recorde at the Montmartre Jazzhus, Copenhagen, Denmark on October 14, 1965. Tracks 7-11 recorded at the Concert Hall of the Radio House, Danish Broadcasting Corporation, Copenhagen, Denmark on October 24, 1965.
John Tchicai-alto sax
Finn von Eyben-bass
Highlight an artist name or instrument above
and click here to Search
1. Rosmosis 15:41
2. Sweet Smells 6:20
3. Old Stuff 7:18
4. Pannonica 3:00
5. Kvintus T 2:50
6. På Tirdag 5:52
7. Old Stuff 7:57
8. Cool Eyes 7:28
9. Sweet V 2:30
10. Karin's Blues 6:20
11. Kirsten 5:33
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
sample the album:
"This release is truly a remarkable archival find! Formed in the summer of 1964, although the New York Art Quartet existed for barely a year and a half, great interest remains in their work. They consisted of co-leaders John Tchicai (alto sax), who participated in John Coltrane's ground-breaking Ascension album and Roswell Rudd (trombone), considered to be the first free-jazz trombonist, along with bassist Don Moore and drummer Milford Graves. The band participated in the legendary "October Revolution in Jazz", which journalist Bill Shoemaker called, "Arguably the most seminal jazz concert series ever held...it was a comprehensive four-day survey of jazz's cutting edge.... It marked the beginning of the Golden Era of do-it-yourself jazz culture in the U.S." The New York Art Quartet recorded their self-titled first album for ESP and Tchicai went back to his homeland of Denmark to scout out work for the group. Only Rudd was able to join him, so the pair enlisted Copenhagen bassist Finn von Eyben and South African drummer Louis Moholo, who had very recently left South Africa with the Blue Notes; this is one of his earliest recordings. This lineup of the New York Art Quartet performed two concerts in Copenhagen in October, 1965, which is where these recordings were made.
Released on the 45th anniversary of the October Revolution, this historic issue features all previously unheard and unreleased recordings of brilliant and firey musical interplay that have really great, high quality, period live sound. In the 8 page booklet are never-before seen photos and a short, informative essay by writer Jason Weiss, who produced this album."-Cuneiform
• Show Bio for John Tchicai
"John Martin Tchicai (April 28, 1936 - October 8, 2012) was a Danish free jazz saxophonist and composer.
After moving to New York City in 1963, Tchicai joined Archie Shepp's New York Contemporary Five and the New York Art Quartet. He played on John Coltrane's Ascension, and Albert Ayler's New York Eye and Ear Control, both influential free jazz recordings.
Tchicai was born in Copenhagen, Denmark, to a Danish mother and a Congolese father. The family moved to Aarhus, where he studied violin in his youth, and in his mid-teens began playing clarinet and alto saxophone, focusing on the latter. By the late 1950s he was travelling around northern Europe, playing with many musicians.
Following his work in New York, Tchicai returned to Denmark in 1966, and shortly thereafter focused most of his time on music education. He formed the small orchestra Cadentia Nova Danica with Danish and other European musicians; this group collaborated with Musica Elettronica Viva and performed in multi-media events. Tchicai was a founding member of Amsterdam's Instant Composers Pool in 1968, and in 1969 took part in the recording of John Lennon and Yoko Ono's Unfinished Music No.2: Life with the Lions.
On August 30, 1975, Tchicai's appearance at the Willisau Jazz Festival was recorded and released later that year as Willi The Pig. On this record, he plays with Swiss pianist Irène Schweizer. Tchicai returned to a regular gigging and recording schedule in the late 1970s. In the early 1980s he switched to the tenor saxophone as his primary instrument. In 1990 he was awarded a lifetime grant from the Danish Ministry of Culture.
Tchicai and his wife relocated to Davis, California, in 1991, where he led several ensembles. He was awarded a National Endowment for the Arts fellowship in 1997. He was a member of Henry Kaiser and Wadada Leo Smith's "Yo Miles" band, a loose aggregation of musicians exploring Miles Davis's electric period.
Since 2001 he had been living near Perpignan in southern France. On June 11, 2012, he suffered a brain hemorrhage in an airport in Barcelona, Spain. He was recovering and had canceled all appearances when he died in a Perpignan hospital on October 8, 2012, aged 76."-Wikipedia (https://en.wikipedia.org/wiki/John_Tchicai)
^ Hide Bio for John Tchicai
• Show Bio for Roswell Rudd
"Roswell Hopkins Rudd, Jr. (born November 17, 1935) is an American jazz trombonist and composer.
Although skilled in a variety of genres of jazz (including Dixieland, which he performed while in college) and other genres of music, he is known primarily for his work in free and avant-garde jazz. Since 1962 Rudd has worked extensively with saxophonist Archie Shepp.
Rudd was born in Sharon, Connecticut. He attended the Hotchkiss School and graduated from Yale University, where he played with Eli's Chosen Six, a dixieland band of students that Rudd joined in the mid-'50s. The sextet played the boisterous trad jazz style of the day and recorded two albums, including one for Columbia Records. His collaborations with Cecil Taylor, Archie Shepp, John Tchicai, and Steve Lacy grew out of the lessons learned while playing rags and stomps for drunken college kids in Connecticut.
Rudd later taught ethnomusicology at Bard College and the University of Maine. On and off for a period of three decades, he assisted Alan Lomax with his world music song style (Cantometrics) and Global Jukebox projects.
In the 1960s, Rudd participated in free jazz recordings such as the New York Art Quartet; the soundtrack for the 1964 movie New York Eye and Ear Control; the album Communications by the Jazz Composer's Orchestra; and in collaborations with Don Cherry, Larry Coryell, Pharoah Sanders, and Gato Barbieri. Rudd has had lifelong friendships with saxophonists Archie Shepp and Steve Lacy and has performed and recorded the music of Thelonious Monk with Lacy.
Rudd and his producer and partner Verna Gillis went to Mali in 2000 and 2001. His album MALIcool (2001), a cross-cultural collaboration with kora player Toumani Diabat and other Malian musicians, represented the first time the trombone had been featured in a recording of Malian traditional music.
In 2004, he brought his Trombone Shout Band to perform at the 4th Festival au Dsert in Essakane, Tombouctou Region, Mali. In 2005, he extended his reach further, recording an album with the Mongolian Buryat Band, a traditional music group of musicians from Mongolia and Buryatia, entitled Blue Mongol.
Rudd conducts master classes and workshops both in the United States and around the world."-Wikipedia (https://en.wikipedia.org/wiki/Roswell_Rudd)
^ Hide Bio for Roswell Rudd
• Show Bio for Louis Moholo-Moholo
"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.
Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.
He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.
Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
^ Hide Bio for Louis Moholo-Moholo
Search for other titles on the Cuneiform label.