Guitarist Kim Johannesen and clarinetist Svein Magus Furu in a set of works with interacting tonalities that rely almost completely on texture, tones, scraping, &c..
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Label: Creative Sources
Catalog ID: cs129
Squidco Product Code: 12442
Packaging: Jewel Tray
Recorded by Svein Magnus Furu, November 2008. Mixed and mastered by Thomas Hukkelberg, February, 2009.
Svein Magnus Furu-saxophone, clarinet
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• Show Bio for Kim Johannesen
"Kim Johannesen (born 22 August 1985 in Bærum, Norway) is a Norwegian Jazz musician (guitar) and improviser living in Oslo.
Johannesen has studied jazz performance at the Norwegian Academy of Music in Oslo where he is currently (2013) studying for a Master's degree in improvisation. He has been performing on venues in Oslo with various groups regularly since 2005, and has toured clubs and festivals in Europe with Petter Wettre Quartet, Revolver!, Speakeasy, Wettre/Vinaccia/Johannesen and Golden Dawn. In addition he has collaborated with the likes of John Butcher, Axel Dörner, Raymond Strid, Ingebrigt Håker Flaten, Chris Corsano, Roger Turner, Pat Thomas, Joe Williamson, Frode Gjerstad, Per Zanussi, Klaus Holm, Tatsuya Nakatani and Joel Grip.
Johannesen collaborates closely with Svein Magnus Furu and also composes music on the albums The Eco Logic (2009), Speakeasy including with Tore Sandbakken in the album Kayak (2009), Barrage, Golden Dawn, Revolver! and Jeremy Rose Chiba with the album Blue Then White (2009). He also performs regularly in ensembles led by Petter Wettre."-Wikipedia (https://en.wikipedia.org/wiki/Kim_Johannesen_(musician))
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1. Room to Grow (vegetables) 10:56
2. Jack and the Beanstalk 2:38
3. Microkosmos 4:03
4. Ants Marching 10:47
5. Forest Flower 3:54
6. Battle of the Species 5:00
7. Life on Mars 7:44
sample the album:
"Guitarist Kim Johannesen and clarinetist Svein Magus Furu travel far beyond the borders of jazz on this release. The music they create here would certainly be more at home in the side room of an art exhibit than a jazz club; it defies the traditional reliance on interacting tonalities and relies almost completely on texture.
Parallels could be drawn to John Zorn's soundtrack to the Ken Jacobs film Celestial subway Lines; Johannesen and Furu seem to be sampling from a similar sonic palette (the scraping of wound guitar strings, the sound of a clarinet reed on the brink dysfunction); but their point of departure is very different. The tracks, with names like: "Room to Grow (Vegetables)", "Ants Marching", and "Battle of the Species", seem to be musical illustrations, with intimations of the grit of the dirt, the clicking of an oversize ants mandibles, or the sound of millions of microscopic legs marching. Little is done to separate the tracks, and the album ends with Furu holding the same quavering note with which he sets it off. This brings the album full circle, like the ecosystem which it describes.
Music like this begs the age old question: what is jazz? Or better yet, what is music? The music here has very little connection to any type of musical tradition, but it defines its subject matter far better than many famous jazz concept albums have in the past. An attentive listener cannot leave this album without having a picture in his or her head of what the players are trying to express: images of a microscopic world that we are in constant contact with, but rarely think about."-Tim Madison, JazzReview.com
At The Squid's Ear!
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lowercase, micro-improv, sound improv
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