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© 2002-2017, Squidco LLC


Grosse Abfahrt: Vanity (Emanem)

Tom Djll put this electro-acoustic improvising group together when Matthieu Werchowski & David Chiesa were visiting the SF area, with performances from duos to octet.
 

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product information:


UPC: 5030243500727

Label: Emanem
Catalog ID: 5007
Squidco Product Code: 12429

Format: CD
Condition: New
Released: 2009
Country: Great Britain
Packaging: Cardstock Gatefold Sleeve 3 panels
Digital concert recordings at 21 Grand Gallery, Oakland, CA on Apil 23, 2008 by Philip Perkins of See a Dog, Hear a Dog Studios.


Personnel:

Tom Djll-trumpet, preparations, electronics

Matt Ingalls-clarinet, bass clarinet

John Shiurba-electric guitar

Matthieu Werchowski-violin, viola

Theresa Wong-cello

David Chiesa-doublebass

Tim Perkis-electronics

Gino Robair-energised surfaces & voltage made audible

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Sportsman's Paradise Music LA 1:03

2. Mo Frippy 2:34

3. Hi L8R Bra 2:49

4. Hang Bat5 Over 10:56

5. CA Mirror 12:33

6. Cthlhu Kids First 1:43

7. Zoundz - Yours to Discover 1:49

8. May Cal Oknotok 2:04

9. Kablama 8:07

10. Live Free Or Die Delphi2 16:37




Related Categories of Interest:

EMANEM & psi

Improvised Music
Electro-Acoustic
Electro-Acoustic Improv
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
London & UK Free Improvisation Scene
Free Improvisation
Octet Recordings

sample the album:








descriptions, reviews, &c.

"Grosse Abfahrt is a project I started to explore a number of problems in freely improvised music. The first and most obvious of these is the problem of ensemble size, which I wanted to tackle head-on: GA ensembles are always of eight to ten players. This range seems to settle in a locale where there is a strong opportunity for individual sound-agents to emerge and make a statement against the ensemble backdrop, and also for the entire ensemble to cohere into long-form structures that transcend the productions of conventional improvised-music sociality (another problem addressed). How these ensembles are collected takes up another problem: that of the conflict between fluency and comfort among improvising compadres. Fluency between players' languages and approaches is desirable, of course; however, it can lead to complacency.

Grosse Abfahrt is made up of a core group of five players which does not vary. These people are all very familiar with each other's strengths, preferences, and foibles, yet they do not play as a quintet (well, on one occasion we did). To this core I add musicians who have not played with any of the core members. Often, these outsiders come from far away, and are playing as duos or trios already, so they arrive with some comfort and fluency in their own musical relationship. How these two dynamics come together to create music, with practically no introduction (much less, rehearsal), is our practice.

For the present realisation, I added one more player (Theresa Wong) whose instrument was of the same family as the outsiders. Being a local, she was to perform as a kind of 'bridge' between the instrumental sounds of the Werchowski-Chiesa duo on the one hand, and the social identity of the core quintet. The Werchowski-Chiesa duo played a sensitive and soulful opening set, the second half of which is presented here as HANG BAT5 OVER. With Theresa on cello, the three chamber strings formed a molten core to this Grosse Abfahrt. The music seemed to assemble itself into short pieces much of the time, although the evening featured a couple of longer discursions in the traditional Grosse Abfahrt style."-Tom Djll


Artist Biographies:

"John Shiurba is a composer and guitarist whose musical pursuits include improvisation, art-rock, modern composition and noise. Shiurba has recorded and toured the U.S. and Europe as a member of the bands Eskimo, The Molecules and Spezza Rotto, as a member of the Merce Cunningham Dance Company, Anthony Braxton's ensemble and the SFSound Group, and as an improvisor.

Shiurba has conducted the premieres of his compositions at ODC in 2005 ("Moon Cycle" for SFSound) at New Langton Arts in 2002 ("Triplicate") and at SFAlt in 2002 ("5x5 1.4" for SFSound). Shiurba was invited to play at the Seattle Improvised Music Festival in 1998, at the High Zero Festival in Baltimore in 1999, at the SFAlt Festival in 2004 and at the Olympia Experimental Music Festival in 2002 and 2004, and at the Push International Performing Arts Festival in Vancouver in 2007.

As a guitarist Shiurba has developed a unique and personalized approach to the guitar. Through the use of extended techniques and unusual preparations, he expands the traditional sound range of the instrument, producing stunning, often unrecognizable results. Cadence Magazine calls Shiurba a 'wildly creative guitarist... anti-jazz, anti-everything else, yet utterly compelling.'"

-John Shiurba Website (http://www.shiurba.com/bio.html)
9/18/2017

"Tim Perkis has been working in the medium of live electronic and computer sound for many years, performing, exhibiting installation works and recording in North America,Europe and Japan. His work has largely been concerned with exploring the emergence of life-like properties in complex systems of interaction.

In addition, he is a well known performer in the world of improvised music, having performed on his electronic improvisation instruments with hundreds of artists and groups, including Chris Brown, John Butcher, Eugene Chadbourne, Fred Frith, Gianni Gebbia, Frank Gratkowski, Luc Houtkamp, Yoshi Ichiraku, Matt Ingalls, Joelle Leandre, Gino Robair, ROVA saxophone quartet, Elliott Sharp, Leo Wadada Smith and John Zorn. Ongoing groups he has founded or played in include the League of Automatic Music Composers and the Hub -- pioneering live computer network bands -- and Rotodoti, the Natto Quartet, Fuzzybunny, All Tomorrow's Zombies and Wobbly/Perkis/Antimatter.

He has taught at the California Institute of the Arts (CalArts) and the California College of the Arts (CCA); has been composer-in-residence at Mills College in Oakland California, artist-in-residence at Xerox Corporation's Palo Alto Research Center, and designed musical tools and toys at Paul Allen's legendary thinktank, Interval Research. In 2013 he was a resident fellow at the Mediterranean Institute of Advanced Research (IMéRA) of the University of Aix-Marseille in France.

His checkered career as a researcher and engineer has brought him a variety of interesting projects: creating data sonification displays for research physicists and biologists in France; designing museum displays for science and music museums in San Francisco, Toronto and Seattle; creating artificial-intelligence based auction tools for business; working on mobile phone based support systems for the blind; consulting on multimedia art presentation networks for the SF Art Commission and SF Airport; writing software embedded in toys and other consumer products; and creating new tools for sound and video production, research and analysis.

Recordings of his work are available on several labels: Artifact,Tzadik, New World, Metalanguage, Rastascan, Limited Sedition, Kajira,482, Lucky Garage and Praemedia (USA); EMANEM, Leo(UK); Sonore and Meniscus(France); Curva Minore and Snowdonia(Italy); Pogriff(Canada); ALKU(Spain); XOR(Netherlands); Creative Sources(Portugal).

He is also producer and director of a feature-length documentary on musicians and sound artists in the San Francisco Bay area called NOISY PEOPLE (2007), and the ongoing audio podcast NOISY PEOPLE (2015- )."

-Tim Perkis Website (http://www.perkis.com/_site/about/index.html)
9/18/2017

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