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© 2002-2017, Squidco LLC


Bradford / Gjerstad / Haker Flaten / Nilssen-Love: Reknes (Circulasione)

This impressive quartet was recorded live at the Molde International Jazz Festival in 2008, performing four extended improvisations of melodic and embraceable free jazz.
 

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product information:


UPC: 786497067350

Label: Circulasione
Catalog ID: 11
Squidco Product Code: 12269

Format: CD
Condition: New
Released: 2009
Country: Norway
Packaging: Digipack
Recorded at the Molde International Jazz Festival, 2008.


Personnel:

Bobby Bradford-cornet

Frode Gjerstad-sax, clarinet

Ingebrigt Haker Flaten-bass

Paal Nilssen-Love-drums

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track listing:


1. Renknes 1 17:06

2. Renknes 2 12:54

3. Renknes 3 17:42

4. Renknes 4 10:46
Related Categories of Interest:


Improvised Music
Jazz
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
Paal Nilssen-Love
Melodic and Lyrical Jazz
Quartet Recordings

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descriptions, reviews, &c.

This impressive quartet was recorded live at the Molde International Jazz Festival in 2008, performing four extended improvisations of melodic and embraceable free jazz.



Read more about this item
The Squid
At The Squid's Ear!

Artist Biographies:

"Bobby Lee Bradford (born July 19, 1934) is an American jazz trumpeter, cornetist, bandleader, and composer. He is noted for his work with Ornette Coleman. In October 2009, Bradford became the second recipient of the Festival of New Trumpet Music's Award of Recognition.

Bobby Lee Bradford's life begins in Mississippi, he and his family then moved to Dallas, Texas, in 1946. He moved to Los Angeles, California in 1953 where he reunited with Ornette Coleman, whom he had previously known in Texas. Bradford subsequently joined Coleman's ensemble, but was drafted into the U.S. Air Force and replaced by Don Cherry.

After playing in military bands from late 1954 to late 1958, he rejoined Coleman's quartet from 1961 to 1963, which infrequently performed in public, but was indeed recorded under Coleman's Atlantic contract. Quite unfortunately, these tapes were among those many destroyed in the Great Atlantic Vault Fire. Freddie Hubbard acted as Bradford's replacement upon his departure to return to the West Coast and pursue further studies. Bradford soon began a long-running and relatively well-documented association with the clarinetist John Carter, a pairing that brought both increased exposure at international festivals (though the records remain scantily available, when one excludes web rips and bootlegs). Following Carter's death in 1991, Bradford fronted his own ensemble known as The Mo'tet, with which he has continued to perform since. He is the father of drummer Dennis Bradford. He is also the father of jazz vocalist Carmen Bradford.

He holds a B.M. degree from Huston-Tillotson College (now Huston-Tillotson University) in Austin, Texas.

In addition to Coleman, Bradford has performed with Eric Dolphy, Leon "Ndugu" Chancler, Ingebrigt Hker-Flaten, Bob Stewart, Charlie Haden, George Lewis (trmbn.), James Newton, Frode Gjerstad, Vinny Golia, Paal Nilssen-Love, and David Murray, who was previously a student of his in the 1970s.

He is an instructor at Pasadena City College in Pasadena, California, and Pomona College in Claremont, California, where he teaches The History of Jazz, known to be one of the most popular classes available."

-Wikipedia (https://en.wikipedia.org/wiki/Bobby_Bradford)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Frode Gjerstad was born in Stavanger, Norway, 24-03-1948. He started trying to play improvised music as a trumpeter in 1968. When he moved to Lund in Sweden (1971 to 1975) he got a chance to meet, talk and play with musicians interested in this music. He had at that time started playing tenor saxophone (1969).

After he came back to Stavanger in 1975 he started collaborating with keyboardist Eivin One Pedersen. Together, they explored many different aspects of improvised music, as a duo or with others, but it was not until 1981, when they first played with John Stevens, that he had a real chance to feel what a dedicated musicians can do to the music-making.

At the early stage of his career, he choose mainly to play with international musicians because there was no tradition in Norway for the free music. However, after the club Blå opened in Oslo in 1996, a good number of younger musicians are now picking up on the music.

His relationship with British drummer, John Stevens which started in -81 and lasted up until his death in -94, was of great importance both musically as well as on a personal level. Through Stevens, he was introduced to some of the finest British improvisers and got to know their way of playing. Together, they led the trio "Detail" starting with Johnny Dyani on bass. And after Johnny died in -86, with Kent Carter.

He has also been active, running a larger group of mostly Norwegian musicians, the Circulasione Totale Orchestra. He started the group using electric instruments and modern rock-oriented rhythms. He has used the band to present his own compositions as well as a workshop and a place for young people to get to know free music. The band presented a commissioned work at the Molde Festival in -89 with a 13 man band combining free improvisations, compositions as well as rapping and scratching.(Three horns, three bassists, three drummers, accordeon, guitar a rapper and a DJ). The Circulasione Totale Orchestra is a powerful ever-changing band.

But it´s not easy to keep such a big group together. In 1998 he decided to keep the core of the band which at that time was Paal Nilssen-Love on drums and Øyvind Storesund on bass and try to develop that sound. It became Frode Gjerstad Trio. So far the trio has toured Norway, Sweden, Denmark, Polen, Italy, Austria, Portugal, England, Canada and the United States.

He has received several grants from various foundations and has been very active in the Norwegian Jazzmusicians Federation as well as in the committee for the Norwegian Contemporary Music Federation. Voted Jazz Musician of the Year in Norway, 1997. Part of the price was a concert where he could freely choose which musicians to use. This was the first meeting with Hamid Drake and William Parker. The concert became a tour of Scandinavia in -97 and the US in 2000.

US Pianist Borah Bergman has also been important to Frode. They first met in -94 and have played as a duo and also as trio with Evan Parker and later Peter Brøtzmann. Borah has been a great inspiration and a challenge over the years!

English bassist Nicholas Stephens first played with Frode in 1984. He played electric bass at the time, but it was not until after John Stevens died in 1994 that they started working together as "Calling Signals". First with a tour of England in 1995 with Paul Rutherford and Terje Isungset. And in 1996 with Louis Moholo and Danish guitarist, Hasse Poulsen. The latest version of the group has been with accordionist Eivin One Pederesen and Paal Nilssen-Love or Tony Marsh on drums. Frode also met and worked with US percussionist Kevin Norton in 2004 and they have found a common ground. They have a trio with Nicholas Stephens: Instinctual Eye.

Electronic music started to make an impact when he met Lasse Marhaug. They have played some concerts together and made some recordings. Lasses sounds have opened up a whole new territory of possibilities and came at a time when Frode started playing clarinets. A very fruitful combination!

Another side of the electronic thing was the group Ultralyd which was Frodes idea: to bring in a loud powerful electric bass with drums, guitar and reeds. After about a year, he left the band because the sound level was unbearable for the old man.! And he left it to the youngsters to decide how loud the band should be. Still, he has continued playing with Morten, Anders and Kjetil in other projects."

-Frode Gjerstad Website (http://frodegjerstad.com/?page_id=162)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.

When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.

A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.

There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.

In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."

-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
12/13/2017

Have a better biography or biography source? Please Contact Us so that we can update this biography.

Other Releases With These Artists:
Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Unusual Words
(Soul What Records)
Large Unit
Fluku
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Large Unit
Selected Tracks 2013-2017
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Nearby Faraway
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Pan-Scan Ensemble
Air And Light And Time And Space
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Gjerstad, Frode / Fred Lonberg-Holm
The Houdan
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Bradford, Bobby / Hafez Modirzadeh / Ken Filiano / Royal Hartigan
Live at the Magic Triangle [VINYL]
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Rempis Percussion Quartet, The (w/ Haker Flaten / Daisy / Rosaly)
Cochonnerie
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Ulmer, James Blood W/ The Thing
Baby Talk [VINYL]
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Ulmer, James Blood W/ The Thing
Baby Talk
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Boneshaker (Mars Williams / Paal Nilssen-Love / Kent Kessler)
Thinking Out Loud
(Trost Records)
Tipple (Frode Gjerstad / Kevin Norton / David Watson)
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Lean Left
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(Trost Records)
Lean Left
I Forgot To Breathe
(Trost Records)
Ballister
Low Level Stink [VINYL & DVD]
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Levin, Daniel / Ingebrigt Haker Flaten / Chris Corsano
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Slag
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Fielder, Alvin / Frode Gjerstad / Damon Smith
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McPhee, Joe / Ingebrigt Haker Flaten
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Unseen Seas
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Conde, Luis / Fabiana Galante / Frode Gjerstad
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Bradford, Bobby / Hafez Modirzadeh / Mark Dresser / Alex Cline
Live At The Open Gate [VINYL]
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News From the Junkyard [VINYL]
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Yagi, Michiyo / Lasse Marhaug / Paal Nilssen-Love
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Large Unit
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Monkey Plot w/ Frode Gjerstad
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Thing, The
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Thing, The
Shake
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Moholo-Moholo / Gjerstad / Stephens / Lonberg-Holm
Distant Groove
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Gjerstad, Frode Trio (w/ Paal Nilssen-Love / Jon Rune Strom)
Miyazaki
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Bradford, Bobby / John Carter Quintet
No U Turn, Live in Pasadena 1975
(Dark Tree Records)
Flaten, Ingebrigt Haker
Birds
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Lacerda / Manso / Nilssen-Love / Zenicola
Bota Fogo [VINYL]
(Bocian Records 2014/QTV/PNL)
Circulasione Totale Orchestra
Enten Eller
(Circulasione)
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Worse For The Wear
(Aerophonic)
Thing, The With Thurston Moore
Live [VINYL]
(The Thing Records)
Thing, The With Thurston Moore
Live
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Lonberg-Holm, Fred / Frode Gjerstad
Life On Sandpaper
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Lindsay, Arto & Paal Nilssen-Love
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Lacerda / Manso / Nilssen-Love / Zenicola
Bota Fogo
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Erta Ale [4 LP BOX SET]
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Erta Ale [3 CD BOX SET]
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Thing, The
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Satoh, Masahiko / Paal Nilssen-Love
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Sandell, Sten & Paal Nilssen-Love
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Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
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Nilssen-Love, Paal / Mats Gustafsson
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Lean Left
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Lindsay, Arto & Paal Nilssen-Love
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Thing, The
Boot!
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OX
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Double Tandem (Baars / Vandermark / Nilssen-Love)
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Gjerstad / Nilssen-Love
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(Soul What Records)
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Gjerstad, Frode / Paal Nilssen-Love
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Air And Light And Time And Space
(PNL)
Gjerstad, Frode / Fred Lonberg-Holm
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Ulmer, James Blood W/ The Thing
Baby Talk [VINYL]
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Ulmer, James Blood W/ The Thing
Baby Talk
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Thinking Out Loud
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Tipple (Frode Gjerstad / Kevin Norton / David Watson)
Live at Elastic Arts
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Lean Left
I Forgot To Breathe [VINYL]
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Lean Left
I Forgot To Breathe
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Ballister
Low Level Stink [VINYL & DVD]
(Dropa Disc)
Levin, Daniel / Ingebrigt Haker Flaten / Chris Corsano
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Ballister (Renpis / Lonberg-Holm / Nilssen-Love)
Slag
(Aerophonic)
Fielder, Alvin / Frode Gjerstad / Damon Smith
The Shape Finds Its Own Space
(FMR)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
Gjerstad, Frode / Ramiro Molina
Unseen Seas
(FMR)
Conde, Luis / Fabiana Galante / Frode Gjerstad
Give And Take
(FMR)
Bradford, Bobby / Hafez Modirzadeh / Mark Dresser / Alex Cline
Live At The Open Gate [VINYL]
(NoBusiness)
Nilssen-Love, Paal
News From the Junkyard [VINYL]
(PNL)
Yagi, Michiyo / Lasse Marhaug / Paal Nilssen-Love
Angular Mass
(PNL)
Large Unit
Ana
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Large Unit
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