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Stevens, John Trio: Live at The Plough (Ayler)

Drummer John Stevens in an uncharacteristically straight-ahead record from the 70s London scene performing live in a trio with saxophonist Mike Osborne and bassist Paul Rogers.
 

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product information:


UPC: 7320470031292

Label: Ayler
Catalog ID: aylCD-007
Squidco Product Code: 12222

Format: CD
Condition: New
Released: 2003
Country: Sweden
Packaging: Digipack - 3 panel
Recorded in concert at "The Plough", Stockwell Road, London, England on March 30, 1979.


Personnel:

John Stevens-drums

Mike Osborne-alto saxophone

Paul Rogers-bass

Highlight an artist name or instrument above
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track listing:


1. Blue Rondo 10:29

2. Plough Story 9:18

3. Carrousel 8:06

4. Cherokee 9:09

5. Summertime 5:34

6. The Restart 7:49

7. MO Recapulations 23:08




Related Categories of Interest:

Ayler Records

Improvised Music
Jazz
European Improv, Free Jazz & Related
London & UK Free Improvisation Scene
Trio Recordings
Trio Recordings

sample the album:








descriptions, reviews, &c.

"If you're expecting the intricate, crystalline insect music of John Stevens' Spontaneous Music Ensemble, you can put this one back in the rack.Stevens was equally at home playing rowdy jazz rock and hard-swinging bop, and March 1979 found him in one of his familiar haunts, a sweaty, smoky London pub called the Plough, fronting a trio with veteran British altoist Mike Osborne and a young Paul Rogers on bass. Not only that, but the programme on offer here includes two venerable chestnuts, "Summertime" and "Cherokee", as well as Jackie McLean's "Blue Rondo" and four straight-head originals by Osborne.

Jan Ström's Sweden-based Ayler label has got quite a bit of flak recently (from me included) regarding the occasionally dodgy sound quality of its releases, but with historic material such as this (and Ström apparently has several thousand concerts in his archive!), as with some of the legendary Charlie Parker live recordings and the early Leo releases whose tapes were smuggled under the Iron Curtain, such criticism is petty and small-minded.We can hear enough to say that Rogers was already a damn fine bassist, Osborne an extremely inventive post-bop player, and Stevens a veritable propulsion engine of a drummer. Of course, if your idea of a good time is a spotless, cool, Nordic ECM studio recording or Incus/Emanem-style thorny no-concessions improv, this may not be for you, but if you're not afraid of Jazz (with a capital J) and want to have a real idea of exactly what those fabled London pub sessions were like, pull yourself a pint of warm ale and put this on nice and loud.Now, I wonder if Ström has a tape of another pub gig Stevens did about that time with Eugene Chadbourne and Toshinori Kondo."-Dan Warburton, Paris Transatlantic


Artist Biographies:

"John William Stevens (10 June 1940 in Brentford, Middlesex - 13 September 1994 in Ealing, west London) was an English drummer. He was one of the most significant figures in early free improvisation, and a founding member of the Spontaneous Music Ensemble (SME).

Stevens was born in Brentford, the son of a tap dancer. He used to listen to jazz as a child, but was initially more interested in drawing and painting (media through which he also expressed himself throughout his life). He studied at the Ealing Art College and then started work in a design studio, but left at 19 to join the Royal Air Force. He studied the drums at the Royal Air Force School of Music in Uxbridge, and while there met Trevor Watts and Paul Rutherford, two musicians who became close collaborators.

In the mid-1960s Stevens began to play in London jazz groups alongside musicians like Tubby Hayes and Ronnie Scott, and in 1965 he fronted a septet. Influenced by the free jazz he was hearing coming out of the United States by players like Ornette Coleman and Albert Ayler, his style began to move away from fairly traditional be-bop to something more experimental.

In 1966 SME was formed with Watts and Rutherford and the group moved into the Little Theatre Club at Garrick Yard, St. Martin's Lane, London to develop their new music. In 1967 their first album, Challenge, was released. Stevens then became interested in the music of Anton Webern, and the SME began to play generally very quiet music. Stevens also became interested in non-Western musics.

The SME went on to make a large number of records with an ever changing line-up and an ever changing number of members, but Stevens was always there, at the centre of the group's activity. He also played in a number of other groups, drumming in Watts' group Amalgam and later forming bands like Freebop and Fast Colour, for example, but the SME remained at the centre of his activities.

In the latter part of 1967 Evan Parker joined the SME and worked closely with Stevens in the group, eventually becoming one of the longest standing members. He later summed up Stevens' approach to improvising in two basic maxims: if you can't hear another musician, then you're too loud; and there is no point in group improvisation if what you are playing doesn't relate to what other members of the group are playing.

Stevens also devised a number of basic starting points for improvisation. These were not "compositions" as such, but rather a means of getting improvisational activity started, which could then go off in any direction. One of these was the so-called "Click Piece" which essentially asked for each player to repeatedly play a note as short as possible.

Stevens played alongside a large number of prominent free improvisors in the SME, including Derek Bailey, Peter Kowald, Julie Tippetts and Robert Calvert, but from the mid-1970s, the make-up of the SME began to settle down to a regular group of Stevens, Nigel Coombes playing violin, and Roger Smith playing guitar. During the mid-1970s Stevens played regularly with guitarist and songwriter John Martyn as part of a trio that included bassist Danny Thompson. This line up can be heard on Martyn's 1976 recording Live at Leeds.

From 1983 Stevens was involved with Community Music (CM), an organisation through which he took his form of music making to youth clubs, mental health institutions and other unusual places. Notes taken during these sessions were later turned into a book for the Open University called Search and Reflect (1985). In the late 70s and early 80s John was a regular performer at the Bracknell Jazz Festival.

Aside from SME, Stevens also ran or helped to organise groups that were more jazz or jazz-rock based, such as Splinters, the John Stevens Dance Orchestra, Away, Freebop, Folkus, Fast Colour, PRS, and the John Stevens Quintet and Quartet. He also contributed significantly to Trevor Watts' group Amalgam and Frode Gjerstad's Detail, as well as collaborating with Bobby Bradford on several occasions.

The SME continued to play, the last time being in 1994 with a group including John Butcher. Stevens died later that year."

-Wikipedia (https://en.wikipedia.org/wiki/John_Stevens_(drummer))
5/25/2017

Other Releases With These Artists:
Recommended & Related Releases:
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Bailey, Derek / Trevor Watts / John Stevens
Dynamics of the Impromptu
(FMR)
Spontaneous Music Orchestra
Mouthpiece
(Emanem)
Spontaneous Music Ensemble
Low Profile
(Emanem)
Spontaneous Music Orchestra
For You To Share
(Emanem)
Spontaneous Music Ensemble
Face to Face
(Emanem)
Spontaneous Music Ensemble
Summer 1967
(Emanem)
Otherways & Free Space
Life Amid the Artefacts
(Emanem)
Amalgam (Watts / Clyne / Stevens / Guy)
Prayer For Peace [VINYL]
(NoBusiness)
Gjerstad, Frode / John Stevens
Let's Just Keep Going
(FMR)
Bradford, Bobby
Love's Dream
(EMANEM)
Stevens, John / Evan Parker
Corner to Corner + The Longest Night
(Ogun)
Spontaneous Music Ensemble & Orchestra
Trio & Triangle
(Emanem)
Spontaneous Music Ensemble
Bare Essentials 1972-3
(Emanem)
Spontaneous Music Ensemble
Frameworks (1968-73)
(Emanem)
Other Recommended Releases:
Spontaneous Music Ensemble
New Surfacing (1978/92)
(Emanem)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)



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