Squidco: Blast 4tet: Sift

Edit Your Shopping Cart

Your cart is empty

Blast 4tet

Sift

(Recommended Records

- Great Britain)

Blast's 2nd release on the ReR label, compositional rock that incorporates complex compositions with improvisation sections in seamless and breathtaking ways.

Price: $15.95

Out of Stock

Shipping Weight: 5.00 units

Quantity in Basket: None

Log In to use our Wish List

product information:

UPC: 752725026529

Label: Recommended Records
Catalog ID: RER BLAST2
Squidco Product Code: 11860

Format: CD
Condition: New
Released: 2009
Country: Great Britain
Packaging: Jewel Tray
Recorded by Stefano Vivaldi in Montepuleiano in the Summer of 2006. Mixed by Sandor Caron & Blast in Amsterdam in the Autumn of 2007.

Personnel:

Dirk Bruinsma-baritone sax, soprano sax

Frank Crijns-electric guitar

Paed Conca-electric bass

Fabrizio Spera-drums

with:

Elio Martusciello-electronics

Click an artist name above to see in-stock items for that artist.

Highlight an instrument above
and click here to Search for albums with that instrument.

Artist Biographies:

• Show Bio for Paed Conca
Paed Conca(26.07.1967):
since 1989 he works as a musician and composer
plays clarinet and bass
he writes Music for theater, film, dance, small ensembles and plays in a lot of different projects
-composed and performed since 1989 (Lougaroo, So Nicht, Otolithen and more)
-composed and performed from 1998 till 2010 with BLAST-4tet/sextet/oktet/ensemble with Dirk Bruinsma(NL), Frank Crijns(NL) und Fabrizio Spera(I)
-1998 composed with Bruno Meillier(F) the music for the play "kein Monument für Gudrun Ensslin"in Saint Etienne(F)
-1997 to 2003 music for 3 silent movies: Der Mann mit der Kamera from Oziga Vertov,Nosferatu from F.W. Murnau, die Mutter from Vsevolod Pudovkin
-2003 he composed with Margrit Rieben the music for the"Übermut" Performance from the ÖFF-ÖFF theater in Bern(CH)
-2004 he composed "MIGRATON"
-2006 he composed the music for the play"Selbstbezichtigung" from Peter Handke
-2008 he composed the music for the play "Aufzeichnungen aus einem Irrenhaus" from Christine Lavant
-2009 to 2010 he composed PORTA CHIUSA for 3 clarinets(55 min)
-2009 he composed the music for the dance perfomance "One (idea) - happening live" from Jenni Arne
-2010 to 2013 he compoosed around 2 hours of music for PRAED
-2010 to 2013 he composed a new composition for PORTA CHIUSA(part two) for 3 clarinets and voice(53 min)
-2014 he compoosed new music for PRAED and PRAED plus
-2014 he composed a new composition for PORTA CHIUSA(part three) for 3 clarinets and voice(40 min)
-2014 he composed the music for the play "collecting home" with Yara Bou Nassar
-2015 he composed a new composition for PORTA CHIUSA(part four) for 3 clarinets(46 min)
He did projects with Bart Maris(B), Ottomo Yoshide(JAP), (J)Noeel Akchote(F), Matt Wand(GB), Jason Kahn(US), Koji Asano(JAP), Bruno Meillier,(F) Jim Meneses(US), Stephan Wittwer(CH), Steve Buchanan(US), Dorothea Schürch(CH), Kato Hideki(JAP), Werner Lüdi(CH), Michael Wertmüller(CH), Kido Natsuki(JAP), Masashi Kitamura(JAP), Katsui Yuji(JAP), Margrit Rieben(CH), Saadet Tuerkoez(CH), Yoko Miura(JAP), Hans Koch(CH), Martin Schütz(CH), John Edwards(GB), Sabina Meyer(I), Michael Zernag(US), Christine Sehnaoui(F), Mazen Kerbaj(LEB), Raed Yassin(LEB), Sharif Sehnaoui(LEB), Takumi Seino(JAP), Tarek Atoui(F), Uriel Barthelemi(F), Marcos Fernandes(JAP), Maki Hachiya(JAP), Kaido Yutaka(JAP), Usui Yasuhiro(JAP), Keiko Higuchi(JAP) Shayne Bowden(AUS), Mori-Shige(JAP), Adachi Tomomi(JAP)
Festivals: Untiteld Festival in Den Bosch (NL), Kykart Festival in St. Petersburg, Audio Art Festival in Krakau, Reve de Gier Festival in Frankreich, Rumor Festival in Utrecht (NL), Novembermusic in Gent (B), Hertogenbosch (NL) and Essen (D), Music Inovatrice in Saint Etienne(F), Festival Rue du Nord in Lausanne(CH), Irtijal Festival in Beirut(LEB) and Paris(F), Jazzfestival Mulhouse(F),Al Maslakh Festival in Genf, Bern, Basel and Zürich(CH), Filmfestival Rotterdam(NL), Archipel Festival Geneve(CH), Bad Bonn Kilbi in Düdingen(CH), Artacts Festival Sankt Johann(A), Stummfilmfestival Grosse Halle in Bern(CH), Doubt Music Festival in Tokyo(JAP), Impro Art Festival in Yokohama(JAP), Jazz Promenade Yokohama(JAP), Suoni per il popolo Festival in Montreal(CAN), kleines Festival der anderen Art in Bern(CH), Free Resonance Festival in Trondheim(NOR), Akouphene Festival in Geneve(CH), Konfrontationen Festival in Nickelsdorf(A), Reelfestival in Edinburgh, London and Bristol(UK), Swiss Music Days in Belgrad(SERBIA), CTM Festival in Berlin(D), VS Interpretation Festival in Prague(CZ), Todo Mundo Festival in Belgrade(SERBIA), ZOOM Festival in Bern, Switzerland
-Paed Conca Website (http://www.paed.ch/txt/)
1/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

  ^ Hide Bio for Paed Conca

• Show Bio for Fabrizio Spera
Born in Rome where he has been active for many years both as a musician and organizer in the field of experimental and improvised music. Founding member of Ossatura, 7k Oaks, Eco d'Alberi, Weightless, Truth in the Abstract Blues and has worked, amongst others, with Peter Kowald, Mike Cooper, Wadada Leo Smith, Butch Morris, ROVA, Blast, Lisle Ellis, Larry Ochs, John Butcher, John Edwards, Evan Parker, Alfred Harth, Tim Hodgkinson, Wolfgang Fuchs, Thomas Lehn, Michel Doneda, Lol Coxhill, Veryan Weston, Hans Koch and Axel Dorner.
-Recommended Records 1/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

  ^ Hide Bio for Fabrizio Spera

• Show Bio for Elio Martusciello
An Italian electroacoustic and experimental composer, musician and visual artist who studied photography with Mimmo Jodice, visual art with Carlo Alfano, Armando De Stefano and Rosa Panaro. He teaches electronic music at the Conservatory of Music in Naples and is active in the fields of acousmatic and traditional composition, live electronics, sound installation, audiovisual and multimedia art, and improvised computer music. He was a founding member of the electronic and composer collectives IATO and OAS.
(Recommended Records)
1/23/2020

Have a better biography or biography source? Please Contact Us so that we can update this biography.

  ^ Hide Bio for Elio Martusciello

track listing:

1. Sift 12:06

2. Cklack 3:55

3. Fluke 10:15

4. Swerves 4:15

5. Pole 13:00

sample the album:

descriptions, reviews, &c.

"Blast's second release on the Recommended label after a long wait from this unique ensemble. Equally at home with the discipline of composition and the tightrope of improvisation Blast have evolved a fluid, pointillistic, unfathomable but transparent musical language that seamlessly integrates - over very short durations - highly complex writing and very free ranging improvisation, allowing the two languages to merge and combine into a new kind of logical exposition that makes sense but can't be reverse-engineered into its component parts. This is a music that lives through detail and exposition; neither resolving into composition, nor able properly to be understood as improvisation. In this respect Blast have solved a problem that has defeated many in the last 40 years."-Chris Cutler, Recommended Records

"Formed in 1989, European avant ensemble Blast play both scored and improvised music with a distinct Rock in Opposition edge. Most often a quartet and as of 2009 comprised of Dutch saxophonist Dirk Bruinsma and guitarist Frank Crijns (both of whom are featured on all of the group's discs thus far), Swiss bassist Paed Conca, and Italian drummer Fabrizio Spera, Blast perform music often centered in avant rock while ranging from total improvisation to complex written passages and extensive use of counterpoint. The group has played new music venues and festivals such as the MIMI Festival in Arles, France, and the Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec.

Blast's first release, Purist Sirup, arrived on the Vonk label in 1992, followed by three albums on Cuneiform -- Wire Stitched Ears (1995), Stringy Rugs (1997), and A Sophisticated Face (1999). In 1998, Blast began touring as an octet, and moved their music further in modern classical directions by increasing the complexity of their instrumentation and composition. However, after the turn of the millennium the group returned to a quartet formation -- now known as the Blast 4tet -- and began introducing a greater degree of improvisation into its music, as reflected by Altrastrata, released by the ReR label in 2003. A totally improvised album, As Nowhere as Anywhere, was released by the British FMR label in 2007 [...]"-Joslyn Layne & Dave Lynch, All Music

This album has been review on our magazine: