A short solo electric guitar concert filmed in the Ribera district of Barcelona in 2004, "thumbs" referring to the techniques Bailey developed to counter motor neuron disease.
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Catalog ID: DVD02
Squidco Product Code: 11826
Packaging: DVD snap case
Recorded in the Ribera district of Barcelona, Spain in the summer of 2008.
Derek Bailey-electric guitar
Andy Davies-director, camera work
Robert Iolini-camera work
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• Show Bio for Derek Bailey
"Derek Bailey (29 January 1930 - 25 December 2005) was an English avant-garde guitarist and leading figure in the free improvisation movement.
Bailey was born in Sheffield, England. A third-generation musician, he began playing the guitar at the age of ten, initially studying music with his teacher and Sheffield City organist C. H. C. Biltcliffe, an experience that he did not enjoy, and guitar with his uncle George Wing and John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, dance hall bands, and so on, playing with many performers including Morecambe and Wise, Gracie Fields, Bob Monkhouse and Kathy Kirby, and on television programs such as Opportunity Knocks. Bailey's earliest foray into 'what could be called free improvised music' was in 1953 with two other guitarists in their shared flat in Glasgow. He was also part of a Sheffield-based trio founded in 1963 with Tony Oxley and Gavin Bryars called "Joseph Holbrooke" (named after the composer, whose work they never actually played). Although originally performing relatively "conventional" modal, harmonic jazz this group became increasingly free in direction.
Bailey moved to London in 1966, frequenting the Little Theatre Club run by drummer John Stevens. Here he met many other like-minded musicians, such as saxophonist Evan Parker, trumpet player Kenny Wheeler and double bass player Dave Holland. These players often collaborated under the umbrella name of the Spontaneous Music Ensemble, recording the seminal album Karyobin for Island Records in 1968. In this year Bailey also formed the Music Improvisation Company with Parker, percussionist Jamie Muir and Hugh Davies on homemade electronics, a project that continued until 1971. He was also a member of the Jazz Composer's Orchestra and Iskra 1903, a trio with double-bass player Barry Guy and tromboneist Paul Rutherford that was named after a newspaper published by the Russian revolutionary Vladimir Lenin.
In 1970, Bailey founded the record label Incus with Tony Oxley, Evan Parker and Michael Walters. It proved influential as the first musician-owned independent label in the UK. Oxley and Walters left early on; Parker and Bailey continued as co-directors until the mid-1980s, when friction between the men led to Parker's departure. Bailey continued the label with his partner Karen Brookman until his death in 2005.
Along with a number of other musicians, Bailey was a co-founder of Musics magazine in 1975. This was described as "an impromental experivisation arts magazine" and circulated through a network of like-minded record shops, arguably becoming one of the most significant jazz publications of the second half of the 1970s, and instrumental in the foundation of the London Musicians Collective.
1976 saw Bailey instigate Company, an ever-changing collection of like-minded improvisors, which at various times has included Anthony Braxton, Tristan Honsinger, Misha Mengelberg, Lol Coxhill, Fred Frith, Steve Beresford, Steve Lacy, Johnny Dyani, Leo Smith, Han Bennink, Eugene Chadbourne, Henry Kaiser, John Zorn, Buckethead and many others. Company Week, an annual week-long free improvisational festival organised by Bailey, ran until 1994.
In 1980, he wrote the book Improvisation: Its Nature and Practice. This was adapted by UK's Channel 4 into a four-part TV series in the early '90s, edited and narrated by Bailey.
Bailey died in London on Christmas Day, 2005. He had been suffering from motor neurone disease."-Wikipedia (https://en.wikipedia.org/wiki/Derek_Bailey_(guitarist))
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1. The rooftop concert 23:03
sample the album:
"The British free improvising guitarist Derek Bailey relocated to Barcelona in 2003. During his time in this vibrant city there were numerous musical meetings.
All Thumbs was a private solo performance initiated by Andy Davies which took place in July 2004 on a rooftop somewhere in the Ribera district.
This recording is released on Incus Records under the umbrella of “The Barcelona Chronicles”. These recordings document Derek's new approach to his instrument whilst dealing with the complex and progressive limitations caused by Motor Neurone Disease."-Incus
"[...} All Thumbs, a reference to the way he was forced to play after Motor Neurone Disease made it difficult for him to hold a plectrum for long. Indeed the film opens with Derek picking at the guitar with a plectrum, only for him to stop playing after a while and after turning to the camera to explain, and to give the piece its title, he set about playing using only the thumb on his right hand because the next two fingers were affected by the disease, making it hard to grip the plectrum. For many musicians the impact of such a physical setback would cause them to give up the guitar, Derek being Derek turns to the camera here and says “I can’t grip the plectrum, so I’ll just play without one”
The short set that follows is beautiful, soft, slow and as it progresses through its remaining twenty minutes increasingly spare and poignant. Of course watching this film is an experience tinged with no end of emotive nostalgia that will colour my appreciation of the music somewhat, but then so what? Derek Bailey’s music was always about the man and his life as much as anything else, and in my opinion it would be wrong to separate his music from its impact on me both before and after his death. The camera work is well done, simple yet revealing, capturing little moments,- the uncertain shake of Derek’s hand through to the wicked grin at one moment and the raise of a wild, wayward eyebrow when something in the music surprised even Derek himself. It is a very simple, very affecting, beautiful little film of one masterful musician, who, when faced with the challenges life throws at him found himself with only one possible route to take- he improvised. [...]"-Richard Pinnell
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