"Somethingtobesaid" was commissioned by the Huddersfield Contemporary Music Fest in this 1st full performance by a band of long-time and recent colleagues brought together for this project.
Label: Weight of Wax
Catalog ID: WOW 02
Squidco Product Code: 11813
Country: Great Britain
Recorded live at the Huddersfield Contemporary Music Festival, November 2008.
John Butcher-saxophones & pre-recordings
Clare Cooper-harp & guzheng
Adam Linson-bass & electronics
Highlight an artist name or instrument above
and click here to Search
1. 1 8:14
2. 2 7:47
3. 3 5:26
4. 4 9:48
5. 5 6:37
6. 6 6:01
7. 7 2:14
8. 8 9:07
9. 9 4:12
Related Categories of Interest:
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
2009 Top Sellers
London & UK Free Improvisation Scene
Recordings by or featuring Reed & Wind Players
sample the album:
Somethingtobesaid was commissioned by the Huddersfield Contemporary Music Festival in this first full performance by a band of long-time and recent colleagues specifically brought together for this project. The work is continuous, but track indices were added for CD playback.
At The Squid's Ear!
• Show Bio for John Edwards
"After taking up the bass, around 1987, John Edwards co-formed The Pointy Birds who went on to win awards for their music for The Cholmondeleys and Featherstonehaughs dance troupes. The group appeared at festivals in Glasgow, Edinburgh, Moers, Leverkusen, Copenhagen. Around 1990, Edwards played his first gigs with London improvisers such as Roger Turner, Lol Coxhill, Maggie Nicols, Phil Minton.
Between 1990 and 1995 Edwards was a member of three touring groups simultaneously: B-Shops For The Poor, The Honkies and GOD. During this period he also became an increasingly regular player on the London improvised music scene and performed his first solo gigs; he composed and performed music theatre with the bass and cello duo The Great Explorers, street-busked a lot and appeared at many more festivals in Germany, Estonia, France, Italy, Czech, etc.
Since 1995 John Edwards has become a "mainstay" of the London scene, playing with just about everybody, an activity that has seen him clocking up between 150 and 200 gigs a year. He has become regular player with Evan Parker, in many groupings, and with Tony Bevan, Veryan Weston, and Elton Dean, often in collaboration with Mark Sanders on percussion. He has become a more frequent player on the European (and festival) scene, appearing at Taktlos, Ulrichsburg, Nickelsdorf, Budapest, New Zealand and in the USA. He continues to work on solo performances."-EFI (http://www.efi.group.shef.ac.uk/musician/medwards.html)
^ Hide Bio for John Edwards
• Show Bio for Thomas Lehn
"Thomas Lehn was Born in Fröndenberg (Germany) in 1958. Since the early 1980s Thomas Lehn has been working as a author and performer of contemporary music. After studying recording engineering - piano with Prof. Wilfried Kassebaum - at the Music Academy of Detmold in Germany, studies at the Music Academy of Cologne with Peter Degenhardt and Prof. Klaus Oldemeyer (classical piano) and with Frank Wunsch and Francis Coppieters (jazz piano) completed his academical education. In the 80ies he took part on courses of Studio for pianistic interpretation held by Prof. Jürgen Uhde.
As an interpreting pianist he has been playing concerts since 1982 - performing both contemporary new music including numerous first performances and traditional composed music of the classical and romantical period. In 1989 he initiated the chamber ensemble Trio Dario and four years later the Mengano Quartett, performing compositions of the contemporary avant-garde, in particular numerous first performances of comissioned works. Developed parallel to his work as a pianist, since the early 1990s his major and widely reknown work has been performing and producing live-electronic music. Rooted in the experience of a wide spectrum of musical fields based on his background as an interpreting and improvising pianist in classical-, contemporary and jazz-music and having been involved in numerous other projects like music theatre, dance, multi-media, studio pre-/post-production etc., he has been developing an individual 'language' of electronic music.
The electronic equipment he uses consists of analogue synthesizers of the late 1960s, and since 1994 in particular the EMS Synthi A. Besides the substantial sound qualities of its analogue synthesis, the facilities of this modular instrument - for example to modify electronic sounds very directly as well as to combine and to control several parameters of the sound synthesis at the same time - allows him to spontaneously act in close contact with the various structural degrees of the musical process.
In 2000 his solo album Feldstärken had been released on German label Random Acoustics. Up today, his discography enclosures about 80 CD publications. Numerous appearances at major international festivals of contemporary musics and concerts tours in Australia, Austria, Belgium, Canada, Croatia, Czech Republic, Denmark, England, Finland, France, Germany, Hungaria, Ireland, Israel, Italy, Japan, Lebanon, The Netherlands, New Zealand, Norway, Poland, Portugal, Serbia, Scotland, Slovakia, Slovenia, Spain, Sweden, Switzerland and the USA give evidence of his international profile and recognition.
He has been involved in projects promoted and/or supported by the Goethe-Institutes in Belgrade, Boston, Bratislava, Budapest, Chicago, Copenhagen, Glasgow, Lille, Lissabon, London, Manchester, Marseille, Milano, Montreal, Palermo, Rome, San Francisco, Tel Aviv, Tokyo, Toronto, Warsaw, Wellington and York. His musical activities enclosure long term and newer ensemble collaborations as well as involvements in numerous specific single projects. Long term collaborations are ensembles like KONK PACK, TOOT, THERMAL, FUTCH, MIMEO, SPEAK EASY, 6IX, VARIO-34, as well as the duo works with Marcus Schmickler, Tiziana Bertoncini, Gerry Hemingway, Paul Lovens, Frédéric Blondy Urs Leimgruber and John Butcher. More recently formed ensembles are the duos with Benoît Moreau and with the video artist Kjell Bjørgeengen, trio formations with John Butcher involving pianists John Tilbury and Matthew Shipp.
Further he is pianist and founding member of the ensemble]h[iatus, an ensemble for interpretation and improvisation of contemporary music, whichs members are all experienced interpreters and improvisers. The ensemble compiles concert programs integrating/alternating notated and real-time-created contemporary music. It has been first-performing commissioned works by Vinko Globokar, Peter Jakober, Jennifer Walshe, Anthony Pateras besides performing compositions of the contemporary repertoire. Besides performing his own electronic music, in the recent years Thomas Lehn became more active as a synthesizer interpreter of electronic compositions. The realisation of Boguslav Schaeffer's Electronic Symphony - live performed in 2010 and 2011 - has been documented on the CD PRES Scores on polish label Bolt/Monotype. In 2012 he world premierred OCCAM VI for synthesizer solo by Éliane Radigue at Berghain Berlin during festival Faithful! and - together with KlangForum Wien - dort for synthesizer and 15 piece ensemble by Austrian composer Peter Jakober at musikprotokoll Graz and at Konzerthaus Vienna."-Thomas Lehn Website (http://www.thomaslehn.com/read/vita_e.html)
^ Hide Bio for Thomas Lehn
• Show Bio for Adam Linson
"Adam Linson (born 1975 in Los Angeles) is active internationally as a double bassist, improvisor, and composer, who performs acoustically and with live electronics, solo and in a wide variety of ensembles. He can be heard on several critically acclaimed albums, which also feature the real-time interactive computer music systems that he designs and develops. He is also a scholar whose interdisciplinary research on improvisation uniquely combines the arts, humanities, sciences, and technology. His publications focus on perception, cognition, and interaction, and span a range of topics in philosophy, cognitive science, music psychology, and artificial intelligence/robotics.
He recently completed a Postdoctoral Fellowship at the University of Edinburgh, Institute for Advanced Studies in the Humanities, conducting interdisciplinary research on the common cognitive basis of improvisation across domains. In 2014-15, he was a Research Associate at the University of Oxford, Faculty of Music, where he was formerly a CMPCP Visiting Fellow. He completed his PhD (Open University, UK) using artificial intelligence and robotics to investigate cognition in collaborative improvisation, funded by the Centre for Research in Computing. He has a Master of Fine Arts in Music/Sound (Bard College), and a BA in Philosophy from the University of California, San Diego, where he also studied composed and improvised music under George Lewis and classical double bass under Bertram Turetzky. His extensive experience as a software engineer and GNU/Linux specialist ranges from large-scale distributed architectures to embedded systems.
Linson's sustained involvement with interactive computer music is documented on albums with the Evan Parker Electro-Acoustic Ensemble in 2004 (ECM); solo double bass and electronics in 2006 (psi); a 2007 duet with Lawrence Casserley, released in 2009 (psi); the John Butcher Group in 2008 (WoW); and a January 2008 recording, released in 2011 (psi), with Axel Dörner, Paul Lytton, and Rudi Mahall, collectively known as Systems Quartet. In February 2012, the premier performance of his piece Looms (for improvisors and 16-channel spherical diffusion) was given with Evan Parker on soprano saxophone and Linson on double bass, at the Electric Spring festival in Huddersfield (UK).
Notable acoustic guest performances include concerts in Paris and Brussels as part of the Evan Parker Trio with Paul Lytton, and in Berlin with the Alexander von Schlippenbach Trio featuring Parker and Paul Lovens. In addition to collaborations with numerous improvisors in groups of various sizes, he has performed in duets with Richard Barrett, Tom Blancarte, Lawrence Casserley, Peter Evans, Owen Green, Aleks Kolkowski, Okkyung Lee, Rudi Mahall, Jon Rose, John Russell, Joel Ryan, and Nate Wooley.
From 1999-2009 he was based in Berlin, Germany, where he began many continuing musical collaborations with distinguished improvisors. In 2004 and 2008, he was an artist-in-residence at the Studio voor Elektro-Instrumentale Muziek (STEIM), Amsterdam. His compositions for chamber ensembles and contemporary dance productions have been performed in Europe and North America, and his performances and recordings have been broadcast on US and international radio, including BBC Radio 3 (UK) and SWR (Germany).
Selected past festival performances include the Glasgow Jazz Festival (2015), with Evan Parker & the Glasgow Improvisers Orchestra; GIOfest VII, Glasgow (2014), with the Glasgow Improvisers Orchestra, the London Jazz Festival (2013) with John Russell's Quaqua Ensemble; Banlieues Bleues, Paris (2012) in a sextet with Evan Parker, Ikue Mori, Mark Nauseef, Matt Wright, and Toma Gouband; Freedom of the City, London (2011) in a duet with Lawrence Casserley, an octet with Evan Parker, and with the London Improvisors Orchestra; the Huddersfield Contemporary Music Festival (UK) with the LFO Orchestra (2010), the John Butcher Group (2008), and solo double bass and electronics (2006); the Guelph Jazz Festival (Canada, 2010) on solo double bass and electronics; the London Jazz Festival (2009) with Lawrence Casserley; the Total Music Meeting in Berlin (2008) in a quartet with Evan Parker, Peter Evans, and Richard Barrett, and a quintet with Fred van Hove, John Edwards, Louis Moholo-Moholo, and Tomek Choloniewski; and the MusikTriennale in Cologne (2007), with the Evan Parker Electro-Acoustic Ensemble.
Linson is currently based in the UK."-Adam Linson Website (http://percent-s.com/#biography)
^ Hide Bio for Adam Linson
Search for other titles on the Weight of Wax label.