Instant compositions from Elliot Sharp on guitar and electronics and Italian free improv vocalist Savoldelli, recorded before their live show at The Stone in Sept. 2008.
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Label: MoonJune Records
Catalog ID: MJR025
Squidco Product Code: 11715
Recorded without overdubs by Elliott Sharp at zOaR Studio, New York City, in September 2008.
Boris Savoldelli-vocals, electronics
Elliott Sharp-electric guitar, sax (on track 10), electronics
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1. A-Quantic 4:58
2. Noises In My Head 3:00
3. Prelude To Biocosmo Pt. One 7:19
4. Black Floyd 1:38
5. Reflective Mind 3:35
6. Nostalghia 4:22
7. A Meeting In A Park 1:24
8. Khaotic Life 6:03
9. Prelude To Biocosmo Pt. Two 6:08
10. Dig It 11:03
NY Downtown & Jazz/Improv
Unusual Vocal Forms
sample the album:
"Following a Milano gig by New Yorker Elliott Sharp's Terraplane, the Italian singer Boris Savoldelli handed the guitarist a copy of his freshly-recorded solo album Insanology. Sharp was blown away, and the pair met again a year later in Padova. Savoldelli announced his plans for a Manhattan jaunt, and promptly invited Sharp to guest on his September 2008 gig at The Stone, composer John Zorn's Lower East Side venue for experimental sounds. The day before the show, the pair entered Sharp's own Studio zOaR and set its controls for an extended improvisation. The result was a session of communicative depth, and its highlights are now presented as Protoplasmic.Both players are continually seeking the pitch-shifting wobble, constantly discovering fresh ways to manipulate their real-time output. Effects boxes are liberally used, but always with a focused sense of purpose. The knobs and buttons never get beyond the control of Savoldelli and Sharp's fingers. The guitarist makes glassy shard-cascades, whilst the singer wields frosty sustain-tones, the twosome sculpting as quickly as they invent. The sounds they make are frequently pitch-shifted, but sometimes have a similar nature to the manic turntable scrabble of a hiphop DJ. Sharp jumps from electric sludge to acoustic harp impersonations, whilst Savoldelli makes guttural hog-growls, momentarily rising towards helium-howling, churchy extensions. Both players are perverting their real-time outpourings, continually massing, mutating and multiplying"-Moon June
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• Show Bio for Elliott Sharp
"Elliott Sharp is an American multi-instrumentalist, composer, and performer.
A central figure in the avant-garde and experimental music scene in New York City for over 30 years, Elliott Sharp has released over eighty-five recordings ranging from orchestral music to blues, jazz, noise, no wave rock, and techno music. He leads the projects Carbon and Orchestra Carbon, Tectonics, and Terraplane and has pioneered ways of applying fractal geometry, chaos theory, and genetic metaphors to musical composition and interaction.
His collaborators have included Radio-Sinfonie Frankfurt; pop singer Debbie Harry; Ensemble Modern; Qawwali singer Nusrat Fateh Ali Khan; Kronos String Quartet; Ensemble Resonanz; cello innovator Frances Marie Uitti; blues legends Hubert Sumlin and Pops Staples; pipa virtuoso Min-Xiao Feng; jazz greats Jack deJohnette, Oliver Lake, and Sonny Sharrock; multimedia artists Christian Marclay and Pierre Huyghe; and Bachir Attar, leader of the Master Musicians Of Jajouka.
Sharp is a 2014 Guggenheim Fellow, and a 2014 Fellow at Parson's Center for Transformative Media. He received the 2015 Berlin Prize in Musical Composition from the American Academy in Berlin. He has composed scores for feature films and documentaries; created sound-design for interstitials on The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums. He is the subject of a new documentary "Doing The Don't" by filmmaker Bert Shapiro."-Elliott Sharp-Elliott Sharp website (http://www.elliottsharp.com/bio.html)
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