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Zorn, John

Music Romance Vol. 1: Music For Children

Zorn, John: Music Romance Vol. 1: Music For Children (Tzadik)

Remastered for its 10th anniversary, "Music for Children" takes the listener through Zorn's Torture Garden, Masada exotica, classical work, plus a new piece performed by Lou Reed!
 

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product information:


UPC: 702397732129

Label: Tzadik
Catalog ID: TZA-CD-7321b
Squidco Product Code: 11621

Format: CD
Condition: New
Released: 2009
Country: USA
Packaging: Jewel Tray in wrap-around box
Tracks 1, 6, 7, 8 recorded and mixed by Jim Anderson at Avatar, April & August 1998. Tracks 2, 4, 5 recorded and mixed by Martin Bisi at BC Studios, March 1998. Track 3 recorded and mixed by Maggie Payne at Mills College, June 1998. Additional recording for tracks 7 by Marc Urselli at Eastside Sound, July 2008, and by Eric Kramer at Roof Recordings, February 2009. Lou Reed's guitar feedback processed live by Sarth Calhoun.


Personnel:

David Abel-Violin

Cyro Baptista-Percussion, Vocals

Greg Cohen-Bass

Anthony Coleman-Celeste Music Box

Erik Friedlander-Cello

Marc Ribot-Guitar

Julie Steinberg-Piano

William Winant-Percussion, Bass Drums

John Zorn-Alto Sax, Three Wind Machines, Two Acoustic Feedback Systems, Bass Drums

Lou Reed-Guitar Feedback



Prelapse:



Mason Wendell-Bass, Vocals

Jeff Hudgins-Alto Sax

Dane Johnson-Guitar

Alex Lacamoire-Keyboards

Andy Sanesi-Drums

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track listing:


1. Fils des etoiles 2:17

2. This Way Out 1:09

3. Music for Children 14:24

4. Bikini Atoll 0:47

5. Bone Crusher 0:37

6. Dreamer of Dreams 5:49

7. Cycles du Nord 21:02

8. SooKi's Lullaby 3:19




Related Categories of Interest:

Tzadik

Improvised Music
Jazz
NY Downtown & Jazz/Improv
Zorn. John
Ribot, Marc

sample the album:






descriptions, reviews, &c.

"There has never been a CD quite like Music For Children. The first installment of Zorn's challenging and controversial Music Romance trilogy (that includes Taboo and Exile and The Gift) it is easily one of the most eclectic CDs ever made. The music includes three short Torture Garden compositions performed by Zorn with the scorching hardcore band Prelapse; a soulful piece of Masada exotica; a virtuosic classical chamber piece for violin, piano and percussion; a poly-rhythmic etude for voice and percussion and a charming nostalgic lullaby for music box. The highlight of this re-release is a revised version of Zorn's infamously epic ear-bender Cycles du Nord, which takes on new intensity through overdubbed bass drums and a newly recorded noise guitar track by none other than the master of feedback himself-Lou Reed! Intensely intriguing, Music For Children is an unbelievable musical roller coast ride that takes you from the sublime to the ridiculous and back again in sixty jam-packed minutes."-Tzadik


Artist Biographies:

"In 2016, Winant was awarded a large unrestricted grant from the Foundation of Contemporary Arts in recognition for his groundbreaking work as a contemporary percussionist. In 2014 he received a Grammy nomination for his recording of John Cage's historic solo work, 27' 10.554" for a percussionist, on Micro Fest Records.

He has collaborated with some of the most innovative and creative musicians of our time, including John Cage, Iannis Xenakis, Pierre Boulez, Frank Zappa, Keith Jarrett, Roscoe Mitchell, Anthony Braxton, Fred Frith, James Tenney, Terry Riley, Cecil Taylor, Gerry Hemingway, Mark Dresser, Barry Guy, Marilyn Crispell, George Lewis, Steve Reich and Musicians, Nexus, Charles Wuorinen, Jean-Philippe Collard, Frederic Rzewski, Ursula Oppens, Joan LaBarbara, Annea Lockwood, Danny Elfman/Oingo Boingo, Sonic Youth, Marc Ribot, Keith Rowe, Joey Barron, Bill Frisell, Yo-Yo Ma, Rova Saxophone Quartet, Lawrence "Butch" Morris, and the Kronos String Quartet.

He has recorded and toured worldwide with his own groups including ROOM, w/Chris Brown and Larry Ochs, CHALLENGE, w/Anthony Braxton and David Rosenboom, WAKE, w/Frank Gratkowski and Chris Brown, the ABEL/STEINBERG/WINANT TRIO, and the WILLIAM WINANT PERCUSSION GROUP.

He is principal percussionist with the San Francisco Contemporary Music Players, he has been closely associated with NYC composer John Zorn, and has made numerous recordings, and performed in many projects throughout the world with the composer. Starting in 1995 he has been the percussionist with the avant-rock band Mr. Bungle, has made two recordings ("Disco Volante" and "California" on Warner Brothers), and has toured throughout the world with this group. For many years he had worked with composer Lou Harrison, recording and premiering many of his works, and in March of 1997 he participated in the world premiere of Lou Harrison's quintet "Rhymes with Silver" featuring cellist Yo-Yo Ma and the Mark Morris Dance Group, and has toured the piece throughout the United States and Great Britain.

In the fall of 2011, he joined Mike Patton's Italian pop music project "Mondo Cane" which features a 12 piece band + string orchestra, and have recently completed tours of South America and Australia.

In the fall of 2003, celebrating the 50th anniversary of the Merce Cunningham Dance Company, Mr. Winant, along with composers Takehisa Kosugi and Christian Wolff, created music for a series of eight special "Events" staged by Merce Cunningham and Dancers at London's Turbine Hall at the Tate Modern. Winant continued to tour throughout Europe and the United States with the dance company until 2009

He has made over 200 recordings, covering a wide variety of genres, including music by Earle Brown, John Cage, Morton Feldman, Christian Wolff, John Zorn, Butch Morris, James Newton, Frank Gratkowski, Pauline Oliveros, Luc Ferrari, Karlheinz Stockhausen, Danny Elfman ("Batman Returns"), Siouxse and the Banshees, Secret Chiefs 3, ICP, Han Bennik, The Ex, White Out with Jim O'Rourke, Lou Reed, Thurston Moore, and Mike Patton.

[...]

Mr. Winant has premiered many new works written specifically for him, by such noted composers as John Cage, Christian Wolff, Lou Harrison, John Zorn, Zeena Parkins, Bun-Ching Lam, Barbara Monk Feldman, Hi-Kyung Kim, Roscoe Mitchell, Wendy Reid, Ralph Shapey, Peter Garland, Michael Byron, Paul Dresher, Alvin Curran, Frederic Rzewski, Chris Brown, David Rosenboom, Larry Polansky, Gordon Mumma, Alvin Lucier, Terry Riley, Fred Frith, Somei Satoh, and Wadada Leo Smith.

Mr. Winant has been featured as a guest artist with the Los Angeles Philharmonic (under the direction of Pierre Boulez), the San Francisco Symphony, and the Berkeley Symphony (Kent Nagano, director), as well as at Cabrillo Festival, Monterey Jazz Festival, SF Jazz Festival, Central Park Summerstage, Ravinia Festival, Salzburg Festival, Donaueschingen Festival, Victoriaville, Holland Festival, Edinburgh Festival, Ojai Festival, Sonar Festival, All Tomorrow's Parties, Taklos, Other Minds Festival, Lincoln Center, Melt Down Festival, Royal Festival Hall, Library of Congress, The Barbican, The Kennedy Center, Paris Opera, Disney Hall, Miller Theater Composer Portraits Series, Merkin Hall, Guggenheim Museum, and Brooklyn Academy of Music.

For ten years he was principal percussionist with the Cabrillo Festival Orchestra (Dennis Russell Davies, director), and timpanist with the Philharmonia Baroque Orchestra 1985-1988 (Nicholas McGegan, director).

He is a Visiting Lecturer at the University of California at Santa Cruz, and teaches at Mills College and the University of California at Berkeley. For eight years Mr. Winant was Artist-in-Residence at Mills College with the critically acclaimed Abel-Steinberg-Winant Trio. Formed in 1984, the ASW Trio has premiered over 25 new works for violin, piano, and percussion at major festivals and recitals throughout the world. Their recordings can be heard on the New Albion, Tzadik, and CRI/New World labels."

-William Winant Website (http://williamwinant.com/#section1)
7/21/2017

"John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres including jazz, rock, hardcore, classical, surf, metal, klezmer, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers".

Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music. After releasing albums on several independent US and European labels, Zorn signed with Elektra Nonesuch and received wide acclaim with the release of The Big Gundown, an album reworking the compositions of Ennio Morricone. He attracted further attention worldwide with the release of Spillane in 1987, and Naked City in 1989. After spending almost a decade travelling between Japan and the US he made New York his permanent base and established his own record label, Tzadik, in the mid-1990s.

Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians. Zorn has led the hardcore bands Naked City and Painkiller, the klezmer/free jazz-influenced quartet Masada, composed over 600 pieces as part of the Masada Songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary. Zorn has undertaken many tours of Europe, Asia, and the Middle East, often performing at festivals with many other musicians and ensembles that perform his diverse output.

Zorn's compositions cross many genres and he has stated "All the various styles are organically connected to one another. I'm an additive person-the entire storehouse of my knowledge informs everything I do. People are so obsessed with the surface that they can't see the connections, but they are there." For Zorn "Composing is more than just imagining music-it's knowing how to communicate it to musicians. And you don't give an improviser music that's completely written out, or ask a classical musician to improvise. I'm interested in speaking to musicians in their own languages, on their own terms, and in bringing out the best in what they do. To challenge them and excite them." "

-Wikipedia (https://en.wikipedia.org/wiki/John_Zorn)
7/21/2017

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