Derek Bailey on electric and acoustic guitar with drummer (and mini-trumpeter) John Stevens in beautifully recorded '92 sessions of dynamic and subtle interaction.
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Catalog ID: INCUS 014CD
Squidco Product Code: 11519
Country: Great Britain
Packaging: Jewel tray, not sealed.
Recorded August 14, 1992 at the Watershed Studios, London by Richie Stevens.
John Stevens-drums, mini-trumpet
Derek Bailey-electric guitar, acoustic guitar
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1. Sometimes Dust Coup 7:12
2. After Ending 1:56
3. Reflecters 5:30
4. Ping Pong 5:30
5. D Baby 2:55
6. Wallop 0:49
7. 360° 2:55
8. The Instance 2:47
9. Playing 15:48
European Improv, Free Jazz & Related
London & UK Improv & Related Scenes
sample the album:
"This lovely duet between avant guitar kingpin Derek Bailey and drummer/trumpet player John Stevens is a fine example of what Bailey was up to in the early '90s, before he discovered drum'n'bass and Bill Laswell, among other things. While the date is, as usual, completely improvised, relying more on nuance, texture, and timing than tonality, subtle timbral studies are evident, particularly in the middle of the recording on "Ping Pong" (where Bailey forgoes the electric guitar entirely and concentrates instead on the refracted timbres of an acoustic, and Stevens mutes his trumpet and plays percussion with his other hand in the exact center of spaces Bailey vacates. Also, "360," which starts out on electric, screaming and plunking so that the dials record in the red, shifts mid-track to an acoustic as the center of Stevens' percussion moves entirely away from drums to small instruments and then back to the auditory overload of the electric. Unlike a lot of Bailey's recordings before and after, Playing is also recorded very well in a space that allows every vibration to be heard plainly, creating for the listener an awesome dynamic expanse. Droll, funny, and good-natured, Playing is just what the doc ordered for the "need some improv" blues. This may be just your run-of-the-mill Derek Bailey album, it's true, but think about what that says. How many of the current crop of young whips would give their fingers to record one album as fine as "a typical Derek Bailey record." "-Thom Jurek, All Music
• Show Bio for Derek Bailey
"Derek Bailey (29 January 1930 - 25 December 2005) was an English avant-garde guitarist and leading figure in the free improvisation movement.
Bailey was born in Sheffield, England. A third-generation musician, he began playing the guitar at the age of ten, initially studying music with his teacher and Sheffield City organist C. H. C. Biltcliffe, an experience that he did not enjoy, and guitar with his uncle George Wing and John Duarte. As an adult he worked as a guitarist and session musician in clubs, radio, dance hall bands, and so on, playing with many performers including Morecambe and Wise, Gracie Fields, Bob Monkhouse and Kathy Kirby, and on television programs such as Opportunity Knocks. Bailey's earliest foray into 'what could be called free improvised music' was in 1953 with two other guitarists in their shared flat in Glasgow. He was also part of a Sheffield-based trio founded in 1963 with Tony Oxley and Gavin Bryars called "Joseph Holbrooke" (named after the composer, whose work they never actually played). Although originally performing relatively "conventional" modal, harmonic jazz this group became increasingly free in direction.
Bailey moved to London in 1966, frequenting the Little Theatre Club run by drummer John Stevens. Here he met many other like-minded musicians, such as saxophonist Evan Parker, trumpet player Kenny Wheeler and double bass player Dave Holland. These players often collaborated under the umbrella name of the Spontaneous Music Ensemble, recording the seminal album Karyobin for Island Records in 1968. In this year Bailey also formed the Music Improvisation Company with Parker, percussionist Jamie Muir and Hugh Davies on homemade electronics, a project that continued until 1971. He was also a member of the Jazz Composer's Orchestra and Iskra 1903, a trio with double-bass player Barry Guy and tromboneist Paul Rutherford that was named after a newspaper published by the Russian revolutionary Vladimir Lenin.
In 1970, Bailey founded the record label Incus with Tony Oxley, Evan Parker and Michael Walters. It proved influential as the first musician-owned independent label in the UK. Oxley and Walters left early on; Parker and Bailey continued as co-directors until the mid-1980s, when friction between the men led to Parker's departure. Bailey continued the label with his partner Karen Brookman until his death in 2005.
Along with a number of other musicians, Bailey was a co-founder of Musics magazine in 1975. This was described as "an impromental experivisation arts magazine" and circulated through a network of like-minded record shops, arguably becoming one of the most significant jazz publications of the second half of the 1970s, and instrumental in the foundation of the London Musicians Collective.
1976 saw Bailey instigate Company, an ever-changing collection of like-minded improvisors, which at various times has included Anthony Braxton, Tristan Honsinger, Misha Mengelberg, Lol Coxhill, Fred Frith, Steve Beresford, Steve Lacy, Johnny Dyani, Leo Smith, Han Bennink, Eugene Chadbourne, Henry Kaiser, John Zorn, Buckethead and many others. Company Week, an annual week-long free improvisational festival organised by Bailey, ran until 1994.
In 1980, he wrote the book Improvisation: Its Nature and Practice. This was adapted by UK's Channel 4 into a four-part TV series in the early '90s, edited and narrated by Bailey.
Bailey died in London on Christmas Day, 2005. He had been suffering from motor neurone disease."-Wikipedia (https://en.wikipedia.org/wiki/Derek_Bailey_(guitarist))
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