The trio of Fred Frith, John Oswald and Anne Bourne recorded live at the Rivoli in Toronto in 1998, subtle to cantankerous improvisation of the highest caliber.
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Catalog ID: SPL116
Squidco Product Code: 11280
Packaging: Jewel Tray
Recorded live at the Rivoli, Toronto, August 1998. Concert Produced by Rough Idea. Recording facilitated by Phil Strong. Mastered by Myles Boisen at Headless Buddha Mastering Labs, Oakland, Ca.
Fred Frith-guitar, voice
Anne Bourne-cello, voice
John Oswald-saxophone, voice
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1. A Walk Is An Adventure 38:40
2. Three Hundred Ears And An Ocean 2:01
3. Lower Flower 5:11
Toronto Area Improvisation
sample the album:
"This 1998 live recording is a successful combination of artists: guitarist Fred Frith with cellist Anne Bourne and sax squawker John Oswald. The main set is about 40 minutes long and impresses throughout. Frith's emphasis on vibrato and delay seems to dictate the kinds of ideas the three of them come up with, and all three are in great form, able to invent shifting rhythmic ideas and melodic statements to match the implied rhythms of the effects. Oswald shows nice range in his sax playing, sounding plaintive, dirty and angry. Bourne's cello playing is equal parts full-bore sawing and more delicate passages, where she and Frith duet with Oswald's punctuations. All three mimic each other's ideas with wordless vocalising, and they each display strong improvising skills. This concert would have been a great show, and this recording has miles of headroom."-David Dacks, Exclaim
• Show Bio for Fred Frith
"Though the point of reference for many remains the iconic band Henry Cow, which he co-founded in 1968 and which broke up more than 30 years ago, Fred Frith has never really stood still for an instant.
In bands such as Art Bears, Massacre, Skeleton Crew, Keep the Dog, Tense Serenity, the Fred Frith Guitar Quartet, Eye to Ear, and most recently Cosa Brava, he has always held true to his roots in rock and folk music, while exploring influences that range from the literary works of Eduardo Galeano to the art installations of Cornelia Parker.
The release of the seminal Guitar Solos in 1974 enabled him to simultaneously carve out a place for himself in the international improvised music scene, not only as an acclaimed solo performer but in the company of artists as diverse as Han Bennink, Chris Cutler, Jean-Pierre Drouet, Evelyn Glennie, Ikue Mori, Louis Sclavis, Stevie Wishart, Wu Fei, Camel Zekri, John Zorn, and scores of others.
He has also developed a personal compositional language in works written for Arditti Quartet, Asko Ensemble, Bang on a Can All-Stars, Ensemble Modern, Concerto Köln, and ROVA Sax Quartet, for example. Fred has been active as a composer for dance since the early 1980s, working with choreographers Bebe Miller, François Verret, and especially long-time collaborator and friend Amanda Miller, with whom he has created a compelling body of work over the last twenty years.
His film soundtracks (for award-winning films like Thomas Riedelsheimer's Rivers and Tides and Touch the Sound, Peter Mettler's Gambling, Gods, and LSD, and Deborah Kaufman and Alan Snitow's Thirst, to name a few) won him a lifetime achievement award from Prague's "Music on Film, Film on Music" Festival (MOFFOM) in 2007. The following year he received Italy's Demetrio Stratos Prize (previously given to Diamanda Galas and Meredith Monk) for his life's work in experimental music, and in 2010 was awarded an honorary doctorate from the University of Huddersfield in his home county of Yorkshire.
Fred currently teaches in the Music Department at Mills College in Oakland, California (renowned for over fifty years as the epicenter of the American experimental tradition), and in the Musik Akademie in Basel, Switzerland."-Fred Frith Website (http://www.fredfrith.com/biography.html)
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