The collaborative trio of Kaufmann, Mark Dresser, and Eisenstadt playing original compositions of well-realized improvisations from these versatile players.
Catalog ID: CD 1021
Squidco Product Code: 10846
Packaging: Jewel Tray
Recorded in Brooklyn, NY on May 24, 2008 at Acoustic Recording.
Mark Dresser-double bass
Achim Kaufmann-Steinway B piano
Harris Eisenstadt-drums, percussion
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1. Starmelodics 8:27
2. Fifteen Languages 3:52
3. Vancouver 7:17
4. Birdz 8:19
5. Flac 4:35
6. Sigma 3:37
7. Qualtinger 6:44
8. Seattle 8:21
9. Myth 3:36
Related Categories of Interest:
NY Downtown & Jazz/Improv
sample the album:
"This disc, which was recorded at Acoustic Recording in Brooklyn, features challenging compositions by each musician and three well-realized improvisations. According to Bill Shoemaker's liner notes, "The album's six compositions and three improvisations circumscribe terrain Kaufmann, Dresser and Eisenstadt have respectively traversed many times, albeit taking different routes with various musicians."
This recording, which was recorded, mixed, and mastered in the 24 bit domain, features an 8-page booklet with liner notes from journalist Bill Shoemaker, and intriguing cover art from Fort Worth-based artist Sevan Melikyan."-NuScope
• Show Bio for Mark Dresser
Mark Dresser is a Grammy nominated, internationally renowned bass player, improviser, composer, and interdisciplinary collaborator. At the core of his music is an artistic obsession and commitment to expanding the sonic, musical, and expressive possibilities of the contrabass. He has recorded over one hundred thirty CDs including three solo CDs and a DVD. From 1985 to 1994, he was a member of Anthony Braxton's Quartet, which recorded nine CDs and was the subject of Graham Locke's book Forces in Motion (Da Capo). He has also performed and recorded music of Ray Anderson, Jane Ira Bloom, Tim Berne, Anthony Davis, Dave Douglas, Osvaldo Golijov, Gerry Hemingway, Bob Ostertag, Joe Lovano, Roger Reynolds, Henry Threadgill, Dawn Upshaw, John Zorn. Dresser most recent and internationally acclaimed new music for jazz quintet, Nourishments (2013) his latest CD (Clean Feed) marks his re-immersion as a bandleader. Since 2007 he has been deeply involved in telematic music performance and education. He was awarded a 2015 Shifting Foundation Award and 2015 Doris Duke Impact Award. He is Professor of Music at University of California, San Diego.- Website (https://www.mark-dresser.com/bio)
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• Show Bio for Harris Eisenstadt
"One of only a handful of drummers equally well known for his work as a composer, Brooklyn-based Harris Eisenstadt (b. Toronto, 1975) is among the most individual and prolific musicians of his generation. His resume includes studies with some of the most respected names in jazz and improvised music, West African and Afro-Cuban drumming, and performance credits in jazz, film, theater, poetry, dance, contemporary concert music and opera.
Eisenstadt has performed all over the globe, received grants from organizations such as Meet The Composer, American Composers Forum, Canada Council for the Arts, and appeared on more than 60 recordings since 2000, including twenty as a leader. Recordings of his compositions often appear on the Songlines, Clean Feed, No Business, and 482 Music labels, and are consistently included on critics' best-of lists. Recent honors: Rising Star Percussion Percussion, Arranger, and Composer categories of the Downbeat international critics poll; Best Album, Drummer, Composer categories of the El Intruso international critics poll.
His first work for orchestra, Palimpsest, was premiered by the American Composers Orchestra, as part of the Jazz Composers Orchestra Institute at Miller Theater, Columbia University (2011). Eisenstadt's second orchestral work, Four Songs, commissioned by the Brooklyn Conservatory Community Orchestra, was premiered at the Brooklyn Museum (2013). His first string quartet, Whatever Will Happen, That Will Also Be, was premiered as part of Eisenstadt's twelve-set residency at The Stone in NYC (2015). As a writer and radio producer, he has contributed to National Public Radio and AfroPop Worldwide. Eisenstadt is also an active AfroCuban batá drummer in New York and a longtime researcher in African and diaspora vernacular traditions. He has travelled to West Africa twice (Gambia, Senegal) to research Mandinka and Wolof music, and to Cuba twice (Matanzas, Havana) to research Afro-Cuban music."-Harris Eisenstadt Website (http://www.harriseisenstadt.com/bio/)
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