A 2CD set of studio recording of duos by Ken Vandermark and four of the world's best bass players: Nate McBride, Kent Kessler, Ingebrigt Haker Flaten, and Wilbert De Joode.
Shipping Weight: 6.00 units
Quantity in Basket: None
Log In to use our Wish List
Catalog ID: OKKA 075CD
Squidco Product Code: 10779
Format: 2 CDs
Packaging: Cardstock Gatefold Sleeve
Recorded February 4 & 5, 2008 at Semaphore, Chicago by Bob Weston.
Ingebrigt Haker Flaten-bass
Wilbert De Joode-bass
Highlight an artist name or instrument above
and click here to Search
CD 1 (Day):
1. Contour 1 [take 3] 4:11
2. Torus 3 [take 1] 3:03
3. Prop 1 [take 6] 4:18
4. Contour 2 [take 11] 4:48
5. Ellipse 3 [take 9] 4:02
6. Spiral [take 8] 4:26
7. Curve 1 [take 10] 2:29
8. Torus 1 [take 2] 4:53
9. Extension [take 3] 5:03
10. Torque [take 9] 3:27
11. Curve 2 [take 1] 2:56
CD 2 (Night):
1. Curve I [Take 4] 5:17
2. Torus I [Take 3] 6:17
3. Ellipse 1 [Take 6] 5:18
4. Torus 2 [Take 9] 7:11
5. Ellipse 2 [Take 2] 5:09
6. Ellipse 4 [Take 12] 3:11
7. Torus 4 [Take 2] 4:04
8. Contour 3 [Take 3] 6:42
9. Prop 2 [Take 7] 3:24
10. Curve 2 [Take 5] 4:48
11. Torus 4 [Take 11] 2:46
Staff Picks & Recommended Items
Chicago Jazz & Improvisation
sample the album:
"A two disk studio recording of duos by Ken Vandermark and four of the world's best bass players Nate McBride, Kent Kessler, Ingebrigt Haker Flaten, and Wilbert De Joode. These sessions where recorded in Chicago on February 4 and 5, 2008."-Okka
• Show Bio for Ken Vandermark
"Born in Warwick, Rhode Island on September 22nd, 1964, Ken Vandermark began studying the tenor saxophone at the age of 16. Since graduating with a degree in Film and Communications from McGill University during the spring of 1986, his primary creative emphasis has been the exploration of contemporary music that deals directly with advanced methods of improvisation. In 1989, he moved to Chicago from Boston, and has worked continuously from the early 1990's onward, both as a performer and organizer in North America and Europe, recording in a large array of contexts, with many internationally renowned musicians (such as Fred Anderson, Ab Baars, Peter Brötzmann, Tim Daisy, Hamid Drake, Terrie Ex, Mats Gustafsson, Devin Hoff, Christof Kurzmann, Fred Lonberg-Holm, Joe McPhee, Paal Nilssen-Love, Paul Lytton, Andy Moor, Joe Morris, and Nate Wooley). His current activity includes work with Made To Break, The Resonance Ensemble, Side A, Lean Left, Fire Room, the DKV Trio, and duos with Paal Nilssen-Love and Tim Daisy; in addition, he is the music director of the experimental Pop band, The Margots. More than half of each year is spent touring in Europe, North America, and Japan, and his concerts and numerous recordings have been critically acclaimed both at home and abroad. In addition to the tenor sax, he also plays the bass and Bb clarinet, and baritone saxophone. In 1999 he was awarded the MacArthur prize for music."-Ken Vandermark Website (http://kenvandermark.com/2013/10/made-to-break-biography/)
^ Hide Bio for Ken Vandermark
• Show Bio for Ingebrigt Haker Flaten
"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.
When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.
A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.
There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.
In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
^ Hide Bio for Ingebrigt Haker Flaten
• Show Bio for Wilbert de Joode
"Wilbert de Joode (1955) is a veritable research scientist of bass pizzicato and bowing techniques. A self-taught musician, he has been playing the double-bass since 1982. He began working in groups that improvised within a jazz framework. Other musicians were soon drawn to his idiosyncratic style, and in the mid 80s he played in groups led by Vera Vingerhoeds, Armando Cairo and Ig Henneman where he further developed his improvisation skills. He came into contact with such musicians as J.C.Tans, Rinus Groeneveld, Michiel Braam, Han Bennink, Han Buhrs (Schismatics) and Ab Baars.
De Joode is currently one of the most active bass players on the European improvised music circuit. His individual style and musicality transforms the double bass into an equal partner in the most varied ensembles. A personal tone colour, exploration of the outer registers, quirky improvisations and the use of gut strings contribute to an instantly recognizable and intriguing sound.
The seventeen improvised pieces on his first solo cd Olo (distributed by ToonDist) show how rich and complex his sound on the double bass is."-DOEK Festival Website (http://www.doek.org/project/wilbert-de-joode/)
^ Hide Bio for Wilbert de Joode
Search for other titles on the Okka label.