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© 2002-2017, Squidco LLC


Circulasione Totale Orchestra: Open Port (Circulasione)

A massive composition recorded in Norway from a great group of European improvisers led by Frode Gjerstad with Paal Nilssen-Love, Bobby Bradford, Lasse Marhaug, Louis Moholo, &c. &c.
 

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product information:


UPC: 786497066254

Label: Circulasione
Catalog ID: 9
Squidco Product Code: 10542

Format: CD
Condition: New
Released: 2008
Country: Norway
Packaging: Cardstock Sleeve
Recorded in Stavanger, Norway on May 10, 2008 by Per Ravnas, cover art by Lasse Marhaug.


Personnel:

Bobby Bradford-cornet

Ingebrigt Haker Flaten -bass

Frode Gjerstad-clarinetsaxophone

Anders Hana-guitar

John Hegre-electronics

Lasse Marhaug-electronics

Sabir Mateen-clarinet, saxophone

Louis Moholo-Moholo-drums

Borre Molstad-tuba

Paal Nilssen-Love-drums

Kevin Norton-vibraphone

Morten J. Olsen-electronics, percussion

Nick Stephens-bass

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Yellow Bass & Silver Cornet 1 15:20 2. Yellow Bass & Silver Cornet 2 8:08

3. Yellow Bass & Silver Cornet 3 13:23

4. Yellow Bass & Silver Cornet 4 11:25
Related Categories of Interest:


Improvised Music
Jazz
European Improv, Free Jazz & Related
Staff Picks & Recommended Items
Paal Nilssen-Love

sample the album:




descriptions, reviews, &c.

A massive work in memory of Johnny Mbizo and John Stevens recorded in Stavanger, Norway from an amazing group of European improvisers, recommended.


Artist Biographies:

"Ingebrigt Håker Flaten (b. 1971, Oppdal) - studied Jazz at the Music Consevatory in Trondheim, Norway (1992-1995) under the tutelage of bassplayer Odd Magne Gridseth.

When one listens to the great bassists in modern jazz history, a striking thing (though it may not be immediately arrived at) is that greatness is reached through open-mindedness and diversity. William Parker, Malachi Favors Maghostut, Peter Kowald, Wilbur Ware, Bertram Turetsky, Buell Neidlinger - all of these bass players have embraced a lifestyle of playing all sorts of music and the breadth of each musicians' technique is a testament to those experiences. Norwegian bassist and composer Ingebrigt Håker Flaten is also a musician whose experience is both geographical and aesthetic. While the fertile Scandinavian new jazz scene offered a vast amount of opportunities to work in different bands with musicians whose concepts are as individual as the grains in a reed, Flaten has found home and on-the-bandstand education in places as far flung as Chicago and his current residence Austin, Texas.

A muscular player whose tone and attack run the gamut from Paul Chambers to Buschi Niebergall, his sense of both openness and control serves ensembles as diverse as The Thing, Free Fall, Atomic, Scorch Trio and the Kornstad/Håker Flaten Duo. In addition to his own Chicago Sextet and Austin-centric Young Mothers, Flaten has also recorded and performed with Frode Gjerstad, Dave Rempis, Bobby Bradford, the AALY Trio, Ken Vandermark, Stephen Gauci, Tony Malaby, Daniel Levin, Dennis Gonzalez and numerous others. Flaten studied at the Conservatory in Trondheim (1992-1995), turning professional shortly afterward, yet his hunger to play in new situations with new musicians - schooled or amateur, frequently recorded or just starting out - puts him in a rare class, that of a truly broad-minded artist. That mettle has served him well, living and developing the music under his own steam and drawing from influences as diverse as Derek Bailey, George Russell, Chris McGregor, filmmakers Ingmar Bergman, contemporary pop melody and gritty punk music as well as everyday sights and sounds.

There is a calmness and self-assuredness that imbues all great artists, in that the diversity of their work comes with very little ego. Flaten's artistry is often in collective, leaderless ensembles and in fact, following a decade of professional musicianship it wasn't until 2004 that his leader-debut was released - Quintet (Jazzland, followed in 2008 by The Year of the Boar, and a Sextet recording is upcoming). This latter fact is partly due to the necessity of a copacetic situation - in an interview in 2010 with the Austinist he noted that "I use people where I'm located. It's inspiring to have your own band to write for, but you have to make sure that people feel free and not limited by the music; the compositions should lead the way to a player's open mind, and that is a challenge." Certainly not every bandleader/composer thinks this way.

In 2011, he formed another ensemble, The Young Mothers, which includes drummers Stefan Gonzalez (Dallas) and Frank Rosaly (Chicago), trumpeter/poet/rapper Jawaad Taylor (New York), saxophonist Jason Jackson (Houston), and Jonathan Horne (Austin) on guitar. It's a group of varying levels and influences and as it grows organically, will be another excellent lens through which to view Flaten's aesthetic, philosophy, and musicianship. The next few years see him in a position where established ensembles can steep and spread their influence, while experimenting with and nurturing a wide range of new relationships."

-Ingebrigt Haker Flaten Website (http://www.ingebrigtflaten.com/about-me/)
8/16/2017

"Frode Gjerstad was born in Stavanger, Norway, 24-03-1948. He started trying to play improvised music as a trumpeter in 1968. When he moved to Lund in Sweden (1971 to 1975) he got a chance to meet, talk and play with musicians interested in this music. He had at that time started playing tenor saxophone (1969).

After he came back to Stavanger in 1975 he started collaborating with keyboardist Eivin One Pedersen. Together, they explored many different aspects of improvised music, as a duo or with others, but it was not until 1981, when they first played with John Stevens, that he had a real chance to feel what a dedicated musicians can do to the music-making.

At the early stage of his career, he choose mainly to play with international musicians because there was no tradition in Norway for the free music. However, after the club Blå opened in Oslo in 1996, a good number of younger musicians are now picking up on the music.

His relationship with British drummer, John Stevens which started in -81 and lasted up until his death in -94, was of great importance both musically as well as on a personal level. Through Stevens, he was introduced to some of the finest British improvisers and got to know their way of playing. Together, they led the trio "Detail" starting with Johnny Dyani on bass. And after Johnny died in -86, with Kent Carter.

He has also been active, running a larger group of mostly Norwegian musicians, the Circulasione Totale Orchestra. He started the group using electric instruments and modern rock-oriented rhythms. He has used the band to present his own compositions as well as a workshop and a place for young people to get to know free music. The band presented a commissioned work at the Molde Festival in -89 with a 13 man band combining free improvisations, compositions as well as rapping and scratching.(Three horns, three bassists, three drummers, accordeon, guitar a rapper and a DJ). The Circulasione Totale Orchestra is a powerful ever-changing band.

But it´s not easy to keep such a big group together. In 1998 he decided to keep the core of the band which at that time was Paal Nilssen-Love on drums and Øyvind Storesund on bass and try to develop that sound. It became Frode Gjerstad Trio. So far the trio has toured Norway, Sweden, Denmark, Polen, Italy, Austria, Portugal, England, Canada and the United States.

He has received several grants from various foundations and has been very active in the Norwegian Jazzmusicians Federation as well as in the committee for the Norwegian Contemporary Music Federation. Voted Jazz Musician of the Year in Norway, 1997. Part of the price was a concert where he could freely choose which musicians to use. This was the first meeting with Hamid Drake and William Parker. The concert became a tour of Scandinavia in -97 and the US in 2000.

US Pianist Borah Bergman has also been important to Frode. They first met in -94 and have played as a duo and also as trio with Evan Parker and later Peter Brøtzmann. Borah has been a great inspiration and a challenge over the years!

English bassist Nicholas Stephens first played with Frode in 1984. He played electric bass at the time, but it was not until after John Stevens died in 1994 that they started working together as "Calling Signals". First with a tour of England in 1995 with Paul Rutherford and Terje Isungset. And in 1996 with Louis Moholo and Danish guitarist, Hasse Poulsen. The latest version of the group has been with accordionist Eivin One Pederesen and Paal Nilssen-Love or Tony Marsh on drums. Frode also met and worked with US percussionist Kevin Norton in 2004 and they have found a common ground. They have a trio with Nicholas Stephens: Instinctual Eye.

Electronic music started to make an impact when he met Lasse Marhaug. They have played some concerts together and made some recordings. Lasses sounds have opened up a whole new territory of possibilities and came at a time when Frode started playing clarinets. A very fruitful combination!

Another side of the electronic thing was the group Ultralyd which was Frodes idea: to bring in a loud powerful electric bass with drums, guitar and reeds. After about a year, he left the band because the sound level was unbearable for the old man.! And he left it to the youngsters to decide how loud the band should be. Still, he has continued playing with Morten, Anders and Kjetil in other projects."

-Frode Gjerstad Website (http://frodegjerstad.com/?page_id=162)
8/16/2017

"John Hegre (born 1 February 1967 in Bergen, Norway) is a Norwegian guitarist, songwriter and sound engineer. He has collaborated in bands like Der Brief and Public Enema, together with drummer Nils Are Drønen since 1995.

Hegre is one of the cornerstones of Norwegian noise music. He completed the sound engineer education at Norwegian lydskole in Oslo (1991), and subsisted for several years as a sound engineer until he decided to make his own music to his main focus at the end of the 1990's.

Hegre startet Jazzkammer together with Lasse Marhaug in 1998, and Kaptein Kaliber with David Aasheim in 1999. He is also involved in Golden Serenades with Jørgen Træen, Black Packers with Jean-Philippe Gross, Rehab with Bjørnar Habbestad, Tree People with Morten J. Olsen and Ignaz Schick, NOXAGT with Kjetil Brandsdal and Jan Christian L. Kyvik, Bergen Impro Storband, Skurkeklubben with David Aasheim, Jørgen Træen and Bjørn Torske, Tralten Eller Utpult with Thore Warland and Kristoffer Riis."

-Wikipedia (http://wikivisually.com/wiki/John_Hegre)
8/16/2017

"Lasse Marhaug (b. 1974) has since the early 1990s been one of the most active artists in the Norwegian noise/experimental music scene. As a performer and composer he has contributed to well over 300 CD, vinyl and cassette releases over the years, as well as extensive touring and performing live on all continents of the world. In addition to his solo work, Marhaug has collaborated with several artists in the fields of noise, experimental, improv, jazz, rock and extreme metal, as well as working with music and sound for theatre, dance, installations, film and video. In the mid-90s Marhaug started TWR Tapes (still going) and Jazzassin Records (ended 2001). In the 2000s he started the record labels Pica Disk and Prisma Records. In 2011 he started his own print publishing called Marhaug Forlag. He has also been active as an organizer, promoter and producer. Marhaug was born in the northern regions above the arctic circle of Norway, but currently lives in Oslo."

-Lasse Marhaug Website (http://lassemarhaug.no/biography/)
8/16/2017

"Sabir Mateen (born April 16, 1951) is a musician and composer from Philadelphia who plays primarily in the avant-garde jazz idiom. He plays tenor and alto saxophone, B♭ and alto clarinet, and flute.

As a young man, Mateen was originally a percussionist, and he started playing flute as a teenager. From there he moved to alto and then tenor saxophone. He started out playing rhythm and blues in the early 1970s which led him to the tenor saxophone chair of the Horace Tapscott Pan Afrikan Peoples Arkestra. He has performed or recorded with Cecil Taylor, Sunny Murray, William Parker, Alan Silva, Butch and Wilber Morris, Raphe Malik, Steve Swell, Roy Campbell, Jr., Matthew Shipp, Marc Edwards, Jemeel Moondoc, William Hooker, Henry Grimes, Rashid Bakr, Hamid Drake among others. He also is a member of the band TEST, with Daniel Carter."

-Wikipedia (https://en.wikipedia.org/wiki/Sabir_Mateen)
8/16/2017

"Louis Tebogo Moholo (born 10 March 1940), is a South African jazz drummer.

Born in Cape Town, Moholo formed The Blue Notes with Chris McGregor, Johnny Dyani, Nikele Moyake, Mongezi Feza and Dudu Pukwana, and emigrated to Europe with them in 1964, eventually settling in London, where he formed part of a South African exile community that made an important contribution to British jazz. He was a member of the Brotherhood of Breath, a big band comprising several South African exiles and leading musicians of the British free jazz scene in the 1970s and is the founder of Viva la Black and The Dedication Orchestra. His first album under his own name, Spirits Rejoice on Ogun Records, is considered a classic example of the combination of British and South African players. In the early 1970s, Moholo was also a member of the afro-rock band Assagai.

He has played with many musicians, including Derek Bailey, Steve Lacy, Evan Parker, Enrico Rava, Roswell Rudd, Irène Schweizer, Cecil Taylor, John Tchicai, Archie Shepp, Peter Brötzmann, Mike Osborne, Keith Tippett, Elton Dean and Harry Miller.

Moholo returned to South Africa in September 2005, performing with George Lewis at the UNYAZI Festival of Electronic Music in Johannesburg. He now goes under the name Louis Moholo-Moholo because the name is more ethnically authentic. South African promoter Slow Life in March 2017 at the Olympia Bakery in Kalk Bay, Cape Town produced a show where Louis performed along with Mark Fransman, Reza Khota, Keenan Ahrends and Brydon Bolton."

-Wikipedia (https://en.wikipedia.org/wiki/Louis_Moholo)
8/16/2017

"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.

The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.

Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.

Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.

All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."

-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
8/16/2017

"Kevin Norton was born in Brooklyn and raised in Staten Island, NY. The composer/percussionist came to jazz in an unlikely setting but befriended drummer and fellow record collector Kenny Washington as a teenager. Studies at Hunter College introduced Kevin to Milt Hinton and after a short period, Kevin began to perform with Milt Hinton, eventually recording The Judge's Decision with a quartet led by Milt. Under Milt's encouragement, Kevin went back to school to get his Masters Degree from Manhattan School of Music.

After graduation he played every kind of gig available to a versatile percussionist: classical, jazz, blues, Dixieland, off-Broadway shows, rock, but especially taking part in the blossoming downtown New York City scene that strove to combine all these musics. This lead to him playing with Fred Frith's band Keep the Dog, which also included harpist Zeena Parkins and saxophonist John Zorn. Soon Mr. Norton was asked to play with a vast amount of downtown New York (sometimes called the Knitting Factory scene) ensembles. However, he longed to return to his jazz roots and began to play with downtown outsiders Phillip Johnston and Joel Forrester and their co-led band, the Microscopic Septet (and later Johnston's Big Trouble, with two CDs on Black Saint).

Still unsatisfied on a level of self-expression, Kevin began to devote himself to his own projects featuring his composition work and his improvising on total percussion (predominantly vibes and drums). Kevin has written several multi-movement pieces sometimes based on extra-musical subject matter. For Guy Debord (in nine events)is a piece for quintet and woodwind soloist (originally Anthony Braxton) based on the texts of the radical French philosopher whose thought proved central to the riots of Paris, 1968. Change Dance (Troubled Energy) draws it's inspiration from another radical political activist, Kathy Change (born Kathleen Chang). Both suites are approximately an hour in duration. On February 23, 2006 Kevin's Water and Fire Suite was premiered. It was commissioned as part of the national series of works from Meet The Composer Commissioning Music/USA, which is made possible by generous support from the National Endowment for the Arts, The Helen F. Whitaker Fund, and the Target Foundation.

In less than 10 years he has led and/or co-led about 20 critically acclaimed recordings, many of them making year-end "Best of" lists. On one of the recent recordings, Time-Space Modulator integrates intricate, sophisticated composition work with the deep improvisatory skills of Kevin, Tony Malaby, Dave Ballou and John Lindberg.

Kevin has also played with many highly esteemed European Improvisers such as Paul Rogers, Jo‘lle LŽandre, Paul Dunmall and Frode Gjerstad. Also, for about ten years, Mr. Norton was Anthony Braxton's main percussionist in both the "ghost trance" phase and the "standards" phase, plotting out the course for all percussionists who followed him. His most recent projects include compositions for various sized chamber groups and a duo with pianist Connie Crothers.

In June of 2002, Kevin Norton was a resident composer at the prestigious MacDowell Colony. He has served on the faculty of several schools including the University of Maryland and is currently on the faculty of William Paterson University."

-Kevin Norton website (http://www.kevinnorton.com/bio.html)
8/16/2017

"Morten J. Olsen (b. 1981, Stavanger) is a musician, composer and artist. He studied in Amsterdam, but has been living and working in Berlin and Stavanger since 2006. Olsen mainly plays percussion, usually within selected forms of experimental music. He works with a sound palette which includes orchestral, electronic, improvised music and rock. He has performed throughout Europe, North America, Oceania and Asia with MoHa!, Ultralyd The Pitch and his latest collaboration NMO with Rubén Patiño. Olsen is also a member of Splitter Orchester, a 25-piece improvising collective based in Berlin. He has released more than 40 records on approximately 10 different labels and recently adapted a new hobby as techno DJ."

-Morten J. Olsen Website (http://plus3db.net/artists/morten_olsen/)
8/16/2017

Other Releases With These Artists:
Tipple (Frode Gjerstad / Kevin Norton / David Watson)
Live at Elastic Arts
(FMR)
Lean Left
I Forgot To Breathe [VINYL]
(Trost Records)
Lean Left
I Forgot To Breathe
(Trost Records)
Ballister
Low Level Stink [VINYL & DVD]
(Dropa Disc)
Levin, Daniel / Ingebrigt Haker Flaten / Chris Corsano
Spinning Jenny
(Trost Records)
Irabagon, Jon / John Hegre / Nils Are Dronen
Axis [VINYL]
(Rune Grammofon)
Irabagon, Jon / John Hegre / Nils Are Dronen
Axis
(Rune Grammofon)
Ballister (Renpis / Lonberg-Holm / Nilssen-Love)
Slag
(Aerophonic)
Fielder, Alvin / Frode Gjerstad / Damon Smith
The Shape Finds Its Own Space
(FMR)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
Lee, Okkyung / Lasse Marhaug
Jukebox-Series 006 [7-inch VINYL]
(Trost Records)
Lindberg, John BC3 (Lindberg / Harrison / Norton)
Born In An Urban Ruin
(Clean Feed)
Arashi (Sakata / Berthling / Nilssen-Love)
Semikujira
(Trost Records)
Gjerstad, Frode / Ramiro Molina
Unseen Seas
(FMR)
Conde, Luis / Fabiana Galante / Frode Gjerstad
Give And Take
(FMR)
Miller, Harry
Different Times, Different Places Volume Two
(Ogun)
Nilssen-Love, Paal
News From the Junkyard [VINYL]
(PNL)
Yagi, Michiyo / Lasse Marhaug / Paal Nilssen-Love
Angular Mass
(PNL)
Large Unit
Ana
(PNL)
Gjerstad, Frode / Jon Rune Strom / Paal Nilssen-Love
Steam In the Casa
(PNL)
Monkey Plot w/ Frode Gjerstad
S/T
(FMR)
Thing, The
Shake [VINYL 2 LPs]
(The Thing Records)
Thing, The
Shake
(The Thing Records)
Cabinet Trio, The (Gjerstad / Turner / Molstad)
Blood Samples
(FMR)
Shipp, Matthew Quartet Declared Enemy
Our Lady Of The Flowers
(RogueArt)
Canto General featuring Louis Moholo-Moholo
Rebel Flames
(Ogun)
Moholo-Moholo / Gjerstad / Stephens / Lonberg-Holm
Distant Groove
(FMR)
Gjerstad, Frode Trio (w/ Paal Nilssen-Love / Jon Rune Strom)
Miyazaki
(FMR)
Flaten, Ingebrigt Haker
Birds
(Tektite)
Lacerda / Manso / Nilssen-Love / Zenicola
Bota Fogo [VINYL]
(Bocian Records 2014/QTV/PNL)
Circulasione Totale Orchestra
Enten Eller
(Circulasione)
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Worse For The Wear
(Aerophonic)
Thing, The With Thurston Moore
Live [VINYL]
(The Thing Records)
Thing, The With Thurston Moore
Live
(The Thing Records)
Lonberg-Holm, Fred / Frode Gjerstad
Life On Sandpaper
(FMR)
Moholo-Moholo, Louis Quartet (Hawkins / Edwards / Yarde)
4 Blokes
(Ogun)
Lindsay, Arto & Paal Nilssen-Love
Scarcity
(PNL)
Lacerda / Manso / Nilssen-Love / Zenicola
Bota Fogo
(Bocian Records 2014/QTV/PNL)
Yoshihide, Otomo / Paal Nilssen-Love
[VINYL]
(JVTLANDT)
Thing, The
Garage [VINYL]
(The Thing Records)
Thing, The
Viking [VINYL 7-Inch]
(The Thing Records)
Thing, The
Boot! [VINYL 7-INCH]
(The Thing Records)
Moholo-Moholo, Louis Unit
For the Blue Notes
(Ogun)
Satoh, Masahiko / Paal Nilssen-Love
Spring Snow
(PNL)
Sandell, Sten & Paal Nilssen-Love
Jacana
(Rune Grammofon)
Gustafsson, Mats / Lasse Marhaug
The Oslo Tapes [VINYL 12"]
(Bocian)
Ballister (Rempis / Lonberg-Holm / Nilssen-Love)
Both Ends [VINYL]
(Bocian)
Moholo, Louis / Frode Gjerstad
Sult
(FMR)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [Vinyl]
(Bocian)
Rempis / Marhaug Duo
Naancore [VINYL]
(Aerophonic)
Lean Left
Live At Area Sismica
(Unsounds)
Nilssen-Love, Paal / Mats Gustafsson
Sin Gas [CD]
(Bocian)
Brotzmann, Peter / Harry Miller / Louis Moholo
Opened, But Hardly Touched [VINYL 2 LPs]
(Cien Fuegos)
O'Rourke, Jim / Lasse Marhaug / Paal Nilssen-Love
The Love Robots [VINYL]
(PNL/PICA)
VCDC (Motland / Lonberg-Holm / Solberg / Gjerstad)
Insult
(FMR)
Gjerstad, Frode / Luis Conte
Mirrors Edges
(FMR)
McPhee, Joe / Paal Nilssen-Love
Red Sky
(PNL)
Thing, The
Mono [VINYL 2 LPs]
(The Thing Records)
Thing, The
Boot! [VINYL]
(The Thing Records)
Thing, The
Boot!
(The Thing Records)
VCDC (Motland / Lonberg-Holm / Solberg / Gjerstad)
Insult
(FMR)
Gjerstad / Norton / Watson
Live Tipple
(FMR)
DKV Trio + Gustafsson / Nilssen-Love / Pupillo
Schl8hof [VINYL]
(Trost Records)
Rempis Percussion Quartet ,The
Phalanx [2 CDs]
(Aerophonic)
Ballister (Lonberg-Holm / Nilssen-Love / Rempis)
Mi Casa Es En Fuego
(Ballister Music)
Hawkins, Alexander & Louis Moholo-Moholo
Keep Your Heart Straight
(Ogun)
Boneshaker (Williams / Nilssen-Love / Kessler)
Boneshaker [VINYL]
(Trost Records)
Giallorenzo, Paul Trio featuring Ingebrigt Haker Flaten and Tim Daisy
Pg3 IHF & tD
(Not Two Records)
Lean Left (The Ex guitars meet Nilssen-Love/Vandermark Duo)
Live at Cafe Oto
(Unsounds)
Double Tandem (Vandermark/ Baars / Nilssen-Love)
OX
(Den Records)
Gjerstad Trio, Frode
Hide Out
(PNL)
Bradford / Gjerstad / Nilssen-Love
Dragon
(PNL)
Brotzmann, Peter
Solo + Trio Roma [2 CDs]
(Les Disques Victo)
Zorn, John
Nosferatu
(Tzadik)
Double Tandem (Baars / Vandermark / Nilssen-Love)
Cement
(PNL)
Gjerstad / Nilssen-Love
Side By Side
(CIMP)
Ballister (Dave Rempis, Fred Lonberg-Holm and Paal Nilssen-Love)
Mechanisms
(Clean Feed)
Circulasione Totale Orchestra
PhilaOslo [2 CDs]
(Circulasione)
Mcphee, Joe / Ingebrigt Haker Flaten
Brooklyn DNA
(Clean Feed)
Flaten, Ingebrigt Haker
Steel
(Tektite)
Nilssen-Love / Terrie Ex
Hurgu!
(PNL)
Nilssen-Love / Hana
Hosanna and Prallel Sevens I [10-inch LP]
(PNL)
Slugfield (Nilssen-Love / Marhaug / Ratkje)
Slime Zone
(PNL)
Blue Notes
Before The Wind Changes
(Ogun)
Gjerstad, Frode / Fred Lonberg-Holm
Tistel
(FMR)
Gjerstad, Frode
East Of West
(Circulasione)
Gjerstad, Frode / Kevin Norton / David Watson
Tipples
(FMR)
Leandre, Joelle
Can You Hear Me - Live At The Ulrichsberger Kaleidophon [2 CDs]
(Leo)
Wastell / Marhaug
Kiss Of Acid
(Monotype)
Fasteau, Kali
Vivid
(Flying Note)
Gonzalez, Dennis Yells at Eels
Cape of Storms
(Ayler)
Nilssen-Love / Hana
AM / FM
(PNL)
Nilssen-Love, Paal
27 Years Later
(PNL)
Gjerstad / Lonberg-Holm / Zerang
Sugar Maple
(FMR)
Hooker, William Trio
Yearn for Certainty
(Engine)
Sandell, Sten
Face of Tokyo
(PNL)
Mateen, Sabir
Urdla XXX
(RogueArt)
Godforgottens, The
Never Forgotten, Always Remembered
(Clean Feed)
Circulasione Totale Orchestra
Bandwidth 3CD
(Rune Grammofon)
Bradford / Gjerstad / Haker Flaten / Nilssen-Love
Reknes
(Circulasione)
Recommended & Related Releases:
Tipple (Frode Gjerstad / Kevin Norton / David Watson)
Live at Elastic Arts
(FMR)
Lean Left
I Forgot To Breathe [VINYL]
(Trost Records)
Lean Left
I Forgot To Breathe
(Trost Records)
Ballister
Low Level Stink [VINYL & DVD]
(Dropa Disc)
Irabagon, Jon / John Hegre / Nils Are Dronen
Axis
(Rune Grammofon)
Ballister (Renpis / Lonberg-Holm / Nilssen-Love)
Slag
(Aerophonic)
Fielder, Alvin / Frode Gjerstad / Damon Smith
The Shape Finds Its Own Space
(FMR)
Lewis, George & Splitter Ochester
Creative Construction Set
(Mikroton Recordings)
McPhee, Joe / Ingebrigt Haker Flaten
Bricktop
(Trost Records)
Lindberg, John BC3 (Lindberg / Harrison / Norton)
Born In An Urban Ruin
(Clean Feed)
Arashi (Sakata / Berthling / Nilssen-Love)
Semikujira
(Trost Records)
Gjerstad, Frode / Ramiro Molina
Unseen Seas
(FMR)
Conde, Luis / Fabiana Galante / Frode Gjerstad
Give And Take
(FMR)
Miller, Harry
Different Times, Different Places Volume Two
(Ogun)
Nilssen-Love, Paal
News From the Junkyard [VINYL]
(PNL)
Yagi, Michiyo / Lasse Marhaug / Paal Nilssen-Love
Angular Mass
(PNL)
Large Unit
Ana
(PNL)
Gjerstad, Frode / Jon Rune Strom / Paal Nilssen-Love
Steam In the Casa
(PNL)
Monkey Plot w/ Frode Gjerstad
S/T
(FMR)
Thing, The
Shake [VINYL 2 LPs]
(The Thing Records)
Thing, The
Shake
(The Thing Records)
Shipp, Matthew Quartet Declared Enemy
Our Lady Of The Flowers
(RogueArt)
Canto General featuring Louis Moholo-Moholo
Rebel Flames
(Ogun)
Gjerstad, Frode Trio (w/ Paal Nilssen-Love / Jon Rune Strom)
Miyazaki
(FMR)
Flaten, Ingebrigt Haker
Birds
(Tektite)
Lacerda / Manso / Nilssen-Love / Zenicola
Bota Fogo [VINYL]
(Bocian Records 2014/QTV/PNL)

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