The return of Thurston Moore, Terrie Ex, Jim O'Rourke, Mats Gustafsson, Pall Nilssen-Love & Massimo Pupillo live in concert at Rome, Italy's Brancaleone.
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Label: Smalltown Superjazzz
Catalog ID: stsj144
Squidco Product Code: 10491
Packaging: Jewel Tray
Recorded live in concert on September 28, 2005 at Brancaleone, Rome by Matteo Spinazze and Alberto Mataroccia.
Mats Gustafsson-baritone saxophone, slide saxophone, live electronics
Massimo Pupillo-electric bass
Terrie Ex-electric guitar
Thurston Moore-electric guitar
Paal Nilssen-Love-drums, percussion
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1. Argument Left Hanging - Rubber Cement 7:35
2. A Sweeping Parade Of Optimism - Blood Streak 22:24
3. High Trees & A Few Birds - The Doll's Reflection 18:31
4. Crepescular Refractions - Mystery Eye 8:24
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sample the album:
"If the success of a sophomore album should be measured by whether it includes a potential hit (it shouldn't, but humor me here), then The Second Original Silence has struck gold. Not that a six-piece improvisational noise/jazz/rock ensemble has much chance of scoring chart action, but if it did, opener "Argument Left Hanging - Rubber Cement" would fire a bullet into any top 10 it came close to. Shooting out of the gate with scratchy guitar, gut-rocking bass, and a stuttering beat, the track at first resembles a Captain Beefheart jam, then hits shades of electric-era Miles Davis, and ends with a trail of dense electronics. Throughout, Mats Gustafsson's sax wraps the din into a ball of rhythmic noise, suggesting it's actually possible to dance to free-form improv.
The rest of the album (pristinely recorded at a 2006 Italy performance) doesn't match that crackling open, but it's still pretty great. And while it may not have the relentless energy of the group's debut, it trumps that effort in terms of sonic variety. Full-throttle sprints trade jabs with sparser stretches, and recognizable sounds blend with noise so abstract, it actually gets scary. Much of this diversity comes from the increased prominence of Jim O'Rourke's electronics. Pushed forward in the high-speed mix, his ripples and slashes are somewhat stock, but the way he deploys them gives each piece tangible shape. Connecting the high-end of Gustafsson and guitarists Thurston Moore and Terrie Ex to the low-end of bassist Massimo Pupillo and drummer Paal Nilssen-Love, O'Rourke strings constellations out of his colleague's starry sounds.
[...] Where The First Original Silence was one sustained shot of adrenaline, its sequel shows the group can travel in an arc as well as straight line. Which makes the prospect of what new shape they might take on a potential Third Original Silence that much more enticing.-Marc Masters, Pitchfork Media
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• Show Bio for Mats Gustafsson
"Born 1964 in Umeå, Northern Sweden.Saxplayer, improviser and composer. Solo artist and international tours and projects with a.o. Sonic Youth, Merzbow, Jim O´Rourke, Barry Guy, Otomo Yoshihide, Yoshimi, Ken Vandermark and in working groups The Thing, FIRE!, Gush, Boots Brown, Swedish Azz and Fake (the facts). Large ensemble work with Barry Guy New Orchestra,FIRE! Orchestra and the NU - ensemble.over 1800 concerts and over 200 record productions in Europe, Australia, Africa, North & South America and Asia.Collaborations with contemporary dance, theater, art, poetry as well as projects with noise, electronica, contemporary rock and free jazz.Discaholic - running the discaholic corner website.Producer of international festivals and concert tours as well as work with own record labels Slottet, OlofBright Editions and Blue Tower Records."-Mats Gustafsson Website (http://matsgus.com/archives/category/bio)
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• Show Bio for Massimo Pupillo
"Massimo Pupillo (Ostia - Roma) is a bass and double bass player and composer. Best known for being the bassist of Zu, which produced bio 15 albums with labels like Atavistic / Touch n 'Go (USA), Southern (EU), Heads (JAPAN), Ipecac Records (USA) and numerous singles and split with other labels.
He collaborate in many different (musical and not only) projects, from jazz, to improvisation, avant-garde, noise, taking an interest in movies soundtracks and theater.He has join the stage and the sounds with a very long list of musicians including ... Thurston Moore, Jim O' Rourke (sonic youth), Mats Gustafsson, Paal Nilssen Love, Terrie (Ex), Katia Labeque, Giovanni Sollima, Nicola Tescari, David Chalmin, Chris Corsano, Eraldo Bernocchi and FM Einheit (Einsturzende Neubauten), Uchihashi Kazuhisa, Yoshigaki Yasuhiro, Geoff Farina, Ken Vandermark, Hamid Drake, DJ Olive, Otomo Yoshihide, Amy Denio, Gianni Gebbia, Lukas Ligeti, Fred Lonberg- Holm, Joe Lally e Guy Picciotto (fugazi), Peter Brötzmann, Caspar Brötzmann, Damo Suzuki (Can), Eugene S. Robinson (Oxbow), Steve MacKay (The Stooges), Mieko Suzuki, Oren Ambarchi, Stephen O' Malley and... yes we could go on for a long time..."-Massimo Pupillo Website (http://m.zuism.net/#bio)
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• Show Bio for Terrie Ex
"Terrie Ex, born in Westzaan, 12 october 1954. Started playing guitar when he co-founded the Ex in 1979. Kind of coincidence; it was the instrument no-one wanted to play. Some 1900 concerts with The Ex eversince. (www.theex.nl). More than 2000 in total. Next to all Ex releases, he started free-improvising from the very start. From a little guitar solo on the Awara/Ex 7" in 1981, till recent tours with Han Bennink or impro-groups Offonoff or Lean Left (with Ken Vandermark, Andy Moor and Paal Nilssen-Love). Drives a year along 21 African countries with Emma Fischer in 1996. Starts in 2000 the TERP label, for his own impro-projects and African Music. Produced CD's with ao Tsehaytu Beraki, Getatchew Mekuria, Konono No.1 and Mohammed Jimmy Mohammed.
Played with:Sonic Youth, John Cale, Getatchew Mekuria, Herman Brood, Herr Seele, Kamagurka, Jan Mulder, Mekons, Chumbawamba, Tsehaytu Beraki, Peter Brozmann, Hamid Drake, Jan Akkerman, Djibril Diabate, Butch Morris, Mats Gustafsson, ICP, Wolter Wierbos, Wilbert de Joode, Zu, Guy Picciotto, Roy Paci, Cactus Truck, Christine Senaoui, Mary Oliver, Ig Henneman, Tim Hodgekinson, Michael Vatcher, Magpie Dancecompany, Alex d' Electrique, Ferrie Heyne, Saadet Turkoz, Peter Evans, Nate Wooley, Melaku Belay, Endris Hassen, Misale Legesse, Noel Akchote, Akira Sakata,
Played duo gigs/tours with:Andy Moor, Han Bennink, Ab Baars, John Butcher, Rozemarie Heggen, Jaap Blonk, Paul Lovens, Paal Nilssen-Love, Joost Buis, Xavier Charles, Thurston Moore, Steve Beresford, Moe! Staiano, Katherina 'Ex' Bornefeld, Tony Buck, Tom Cora, Lasse Marhaug, Ken Vandermark, Steve Albini, Wim Janzen (accordeon), Rene van Barneveld, Onno Govaert. George Hadow, Romeo Mayor, Peter Zegveld."-Experimental Sound Studio (http://www.experimentalsoundstudio.org/pages/event_detail/52.php?id=369)
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• Show Bio for Thurston Moore
"Along with his work as part of the acclaimed art/punk rock band Sonic Youth, Thurston Moore [b. born July 25, 1958] also pursued numerous solo and side projects, including Even Worse and the Dim Stars with Richard Hell. His first solo album, 1994's Psychic Hearts, featuring ex-Half Japanese guitarist Tim Foljahn and Sonic Youth drummer Steve Shelley, had an appropriately offhand feel but was far from sloppy. Along with carrying Sonic Youth into the 2000s, Moore collaborated with artists including DJ Spooky and Nels Cline, wrote music reviews and other pieces for Arthur magazine, and issued a book, Mix Tape: The Art of Cassette Culture, in 2005. His second song-based album, Trees Outside of the Academy, arrived in 2007, and featured largely acoustic arrangements and cameos by Shelley, Samara Lubelski, and Dinosaur Jr.'s J Mascis. In 2010, Moore guested on the Hat City Intuitive's A Ticket for Decay and began laying the foundation for another solo effort, Demolished Thoughts, which appeared the following year.
Following Moore's separation from bandmate, wife, and partner Kim Gordon in late 2011, Sonic Youth was put on indefinite pause. Nevertheless, Moore and Gordon collaborated with Yoko Ono the following year on the album YOKOKIMTHURSTON. By 2012, Moore had begun touring and recording with new act Chelsea Light Moving, as well as joining black metal group Twilight on guitar. The year 2013 saw the release of @, a collaborative album of sax/guitar improvisations with fellow N.Y.C. fringe dweller John Zorn. Arriving in 2014, The Best Day saw Moore shedding the softer acoustic moods of Demolished Thoughts for a return to his signature rock sprawl and daydreamy lyrics. Two years later, he issued the single "Feel It in Your Guts," which was available to anyone who donated to Bernie Sanders' presidential campaign. For 2017's Rock n Roll Consciousness, Moore reunited with his backing band for The Best Day -- Sonic Youth drummer Shelley, My Bloody Valentine bassist Deb Googe, and Nought guitarist James Sedwards -- on a mystically inspired set of songs."-All Music (http://www.allmusic.com/artist/thurston-moore-mn0000588183/biography)
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• Show Bio for Jim O'Rourke
"O'Rourke was born on January 18, 1969 in Chicago, Illinois. He is an alumnus of DePaul University. He has released albums of jazz, noise, glitchy electronica and rock music. O'Rourke has collaborated with Thurston Moore, Lee Ranaldo, Derek Bailey, Mats Gustafsson, Mayo Thompson, Brigitte Fontaine, Loren Mazzacane Connors, Merzbow, Nurse with Wound, Phill Niblock, Fennesz, Organum, Phew, Henry Kaiser, Flying Saucer Attack, and in 2006 mixed Joanna Newsom's album Ys. In 2009, he also mixed several tracks on Newsom's follow up Have One On Me.
He has produced albums by artists such as Sonic Youth, Wilco, Stereolab, Superchunk, Kahimi Karie, Quruli, John Fahey, Smog, Faust, Tony Conrad, The Red Krayola, Bobby Conn, Beth Orton, Joanna Newsom and U.S. Maple. He mixed Wilco's Yankee Hotel Foxtrot album and produced their 2004 album, A Ghost Is Born, for which he won a Grammy Award for "Best Alternative Album". During the recording of Yankee Hotel Foxtrot, O'Rourke collaborated with Wilco member Jeff Tweedy and pre-Wilco Glenn Kotche under the name Loose Fur. Their self-titled debut was released in 2003 with a follow-up in 2006 entitled Born Again in the USA. He also mixed the unfinished recordings that made up a planned third album by the late American singer-songwriter Judee Sill, recorded in 1974 and mixed by O'Rourke for a 2005 release.
O'Rourke was once a member of Illusion of Safety, Gastr Del Sol (with David Grubbs) and Sonic Youth. Beginning in 1999 he played bass guitar, guitar and synthesizer with Sonic Youth, in addition to recording and mixing duties with the group. He withdrew as a full member in late 2005, but continued to play with them in some of their side projects. In the early 1993, O'Rourke formed an avant-rock group with Darin Gray and Dylan Posa called Brise-Glace. The band released one studio album, When in Vanitas..., in 1994. They also released a 7" in the same year titled In Sisters All and Felony/Angels on Installment Plan.
O'Rourke has also released many albums under his own name on a variety of labels exploring a range of electronic and avant-garde styles. His most well-known works may be his series of releases on Drag City, which focus on more traditional songcraft: Bad Timing (1997), Eureka (1999), Insignificance (2001), The Visitor (2009) and Simple Songs (2015). The titles of the first four albums all refer to films by the British director Nicolas Roeg; the first three by direct reference to film titles, the fourth being titled after a fictional album within Roeg's film The Man Who Fell To Earth. With music director Takehisa Kosugi, he played for the Merce Cunningham dance company for four years. O'Rourke received a 2001 Foundation for Contemporary Arts Grants to Artists Award."-Wikipedia (https://en.wikipedia.org/wiki/Jim_O'Rourke_(musician))
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• Show Bio for Paal Nilssen-Love
"Paal Nilssen-Love was born in Molde, Norway, Dec 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast - and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going". His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance - as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet."-Paal Nilssen-Love Website (http://www.paalnilssen-love.com/biography.php)
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