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Drummer Eisenstadt in a NY based African influenced quintet with trumpeters Taylor Ho Bynum and Nate Wooley, Mark Taylor on French Horn and Josh Sinton on baritone sax.
 

Eisenstadt, Harris
Guewel

Eisenstadt, Harris: Guewel (Clean Feed)
Label: Clean Feed    
Released in: Portugal    


"No, the pan-African days aren't gone. Something remained of the Sun Ra Arkestra and the Art Ensemble of Chicago fascinations for the Mother Continent and its rhythms. We can find it in this new project by Harris Eisenstadt, a Canadian ex-pat New York-based jazz drummer who had the opportunity to study in Gambia and Senegal with griot musicians. In Senegal he learned Sabar traditional drumming, used in parties and life-cycle events, and the sense of community Eisenstadt experienced in Dakar was transposed to the collective playing of this quintet with four horns, going deeply into the roots of jazz without being close-minded.

Attracted to this music in his teenage years because of the "kind of transcendence going on" in John Coltrane and Miles Davis records with, respectively, Elvin Jones and Tony Williams holding the sticks, his references start in rock - Led Zeppelin, for instance - and include contemporary music composers like Charles Ives, Toru Takemitsu and Gyorgy Ligeti. Now he's involved in creative music, and one of his life achievements was playing in a trio with a historic figure of this tendency, Sam Rivers.

An enthusiast of the Do It Yourself aesthetics, Harris Eisenstadt has in Taylor Ho Bynum (cornet, flugelhorn), Nate Wooley (trumpet), Mark Taylor (french horn) and Josh Sinton (baritone saxophone) equal believers in the principle "do what you do and believe in it no matter what", as he said in an interview. His two first partners are frontline figures now, Ho Bynum a Braxton disciple with many new ideas to give, and Wooley an explorer of extended techniques. Imagine what they can do together with Africa as a source of inspiration and after that listen to "Guewel". Yes, they go even further..."-Clean Feed



"Taylor Ho Bynum (b. 1975) has spent his career navigating the intersections between structure and improvisation - through musical composition, performance and interdisciplinary collaboration, and through production, organizing, teaching, writing and advocacy. As heard on over twenty recordings as a bandleader, Bynum's expressionistic playing on cornet and his expansive vision as composer have garnered him critical attention as one of the singular musical voices of his generation. He currently leads his Sextet and 7-tette, and works with many collective ensembles including a duo with drummer Tomas Fujiwara, the improv trio Book of Three, the UK/US collaborative Convergence Quartet, the dance/music interdisciplinary ensemble Masters of Ceremony, and the trans-idiomatic little big band Positive Catastrophe.

His varied endeavors include his Acoustic Bicycle Tours (where he travels to concerts solely by bike across thousands of miles) and his stewardship of Anthony Braxton's Tri-Centric Foundation (which he serves as executive director, producing most of Braxton's recent major projects). In addition to his own bands, his ongoing collaboration with Braxton, past work with other legendary figures such as Bill Dixon and Cecil Taylor, and current collective projects with forward thinking peers, Bynum increasingly travels the globe to conduct community-based large ensembles in explorations of new creative orchestra music. He is also a published author and contributor to The New Yorker's Culture Blog, has taught at universities, festivals, and workshops worldwide, and has served as a panelist and consultant for leading funders and organizations. His work has received support from Creative Capital, the Connecticut Office of the Arts, Chamber Music America, New Music USA, USArtists International, and the Doris Duke Charitable Foundation."

-Taylor Ho Bynum website (http://taylorhobynum.com/)
2/22/2017

"Nate Wooley was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.

Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Eliane Radigue, Ken Vandermark, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.

Wooley's solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings "exquisitely hostile".

In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him "an iconoclastic trumpeter", and Downbeat's Jazz Musician of the Year, Dave Douglas has said, "Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole". His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg, North Sea, Music Unlimited, and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. In 2011 he was an artist in residence at Issue Project Room in Brooklyn, NY and Cafe Oto in London, England. In 2013 he performed at the Walker Art Center as a featured solo artist.

Nate is the curator of the Database of Recorded American Music (www.dramonline.org) and the editor-in-chief of their online quarterly journal Sound American (www.soundamerican.org) both of which are dedicated to broadening the definition of American music through their online presence and the physical distribution of music through Sound American Records. He also runs Pleasure of the Text which releases music by composers of experimental music at the beginnings of their careers in rough and ready mediums."

-Nate Wooley Website (http://natewooley.com/about)
2/22/2017





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Clean Feed
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Jazz
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Quintet Recordings



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Price: $15.95
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Shipping Weight: 2.00 units

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Product Information:

UPC: 5609063001235

Label: Clean Feed
Catalog ID: CF 123
Squidco Product Code: 10373

Format: CD
Condition: New
Released: 2008
Country: Portugal
Packaging: Cardstock Gatefold Sleeve
Recorded by Reuben Radding at Magma Studios, Brooklyn, April 6 2008 / Mixed by Reuben Radding at Studio STATS, Brooklyn, April 14 2008.

Personnel:

Taylor Ho Bynum-cornet, flugelhorn

Nate Wooley-trumpet

Mark Taylor-french horn

Josh Sinton-baritone saxophone

Harris Eisenstadt-drums, arrangements

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Track Listing:

1. N'daga/Coonu Aduna (Abdou Guite Seck) 9:36

2. Kaolak/N'Wolof (Orchestra Baobob) 11:47

3. Dayourabine/Thiolena (Diamono) 8:56

4. Barambiye/Djarama (Guelewar) 9:18

5. Rice and Fish/Liiti Liiti (Star Number One) 6:30