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London Improvisers Orchestra: Improvisations for George Riste (psi)

Four improvisations from the London Improvisers Orchestra's monthly appearances at the Red Rose with Harry Beckett, Evan Parker, Steve Beresford, Lol Coxhill, &c. &c.
 

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product information:


UPC: 5030243080625

Label: psi
Catalog ID: 08.06
Squidco Product Code: 10238

Format: CD
Condition: New
Released: 2008
Country: Great Britain
Packaging: Jewel Tray
Recorded at the London Improvisers Orchestra monthly appearance at the Red Rose: February 2, 2003; July 6, 2003; August 3, 2003; June 3, 2007.


Personnel:

London Improvisers Orchestra:

Adam Bohman-amplified objects

Adrian Northover-alto & soprano saxophone

Amy Denio-accordion & voice

Annie Lewandowski-accordion & musical saw

B.J. Cole-pedal steel guitar

Barbara Meyer-cello

Caroline Kraabel-alto saxophone

Catherine Pluygers-oboe

Charlotte Hug-viola

Chefa Alonso-soprano saxophone

Dave Tucker-electric guitar

David Leahy-doublebass

Evan Parker-soprano saxophone

Filomena Campus-voice

Guillermo Torres-flugelhorn

Harrison Smith-bass clarinet

Harry Beckett-trumpet

Ian Smith-trumpet

Ivor Kallin-violin & viola

Jackie Walduck-vibraphone

Jacques Foschia-bass clarinet

Javier Carmona-percussion

John Bisset-electric guitar

John Butcher-tenor saxophone

John Rangecroft-clarinet

Knut Aufermann-electronics

Lol Coxhill-soprano saxophone

Marcio Mattos-cello

Mark Sanders-percussion

Neil Metcalfe-flute

Orphy Robinson-percussion & electronics

Pat Thomas-electronics

Philipp Wachsmann-violin

Robert Jarvis-trombone

Roland Ramanan-trumpet

Roland Ramanan-trumpet & wooden flute

Simon H Fell-doublebass

Simon Rose-alto saxophone

Steve Beresford-piano

Susanna Ferrar-violin

Sylvia Hallett-violin

Tony Marsh-percussion

Highlight an artist name or instrument above
and click here to Search
track listing:


1. Improvisations for George Riste 1 21:25

2. Improvisations for George Riste 2 18:34

3. Improvisations for George Riste 3 11:48

4. Improvisations for George Riste 4 22:04




Related Categories of Interest:

EMANEM & psi

Improvised Music
European Improv, Free Jazz & Related
Denio, Amy
Parker, Evan
London & UK Free Improvisation Scene
Free Improvisation
Objects and Home-made Instruments

sample the album:




descriptions, reviews, &c.

"Founded in 1998, the LIO has been a focal point for the community of improvising musicians in London. This CD features four total improvisations (from 2003 & 2007) selected from the archive of concert recordings made at their monthly appearances at the Red Rose."-psi


Artist Biographies:

"ADRIAN NORTHOVER - saxophones, Played and recordings with B Shops for the Poor, The Remote Viewers, Sonicphonics (with Billy Bang), The London Improvisers Orchestra, Ensemble Trip-Tik, Anna Homler, Ricardo Tejero, The Custodians, Sabu Toyozumi, Terry Day, Tristan Honsinger and JJ Duerinckx ,duo CD’s with Adam Bohman, Tasos Stamou, Daniel Thompson and others. Current projects include ‘Hard Evidence’ with John Edwards and Steve Noble, playing the music of Thelonious Monk, Vladimir Miller’s Notes from Underground, ‘Hogcallin’ - a septet playing the music of Charles Mingus, and a trio with Marcio Mattos and Marilza Gouvea. This year (2016) has also seen collaborations with Neil Metcalfe(flute), Jean-Michel Van Schouwburg (voice), Vladimir Tarasov (drums), and Marcello Magliocchi (drums) and Daniel Thompson(guitar). Adrian is also involved with Indian music (Jazz Thali ) and works with live music for film (Ensemble Kino)."

-Adrian Norhover Website (http://www.adriannorthover.co.uk/Marchtrio.html)
6/13/2017

"Caroline Kraabel (born 1961 in Torrance, California) is a London-based American composer, improviser and saxophonist. She is known for her research into the implications of electricity related to recording, synthesis and amplification.

After living in Seattle, Kraabel moved to London while in her teenage years, at the end of the punk era.[1] There she took up the saxophone and became active in London's improvised music scene, eventually developing a style based on the physicality of the instrument, extended techniques and acoustics. She has performed solo and collaborated with John Edwards, Veryan Weston,[2] Charlotte Hug, Maggie Nicols,[3] Phil Hargreaves, and the London Improvisors Orchestra[4] among others. She has also organized and conducted pieces for Mass Producers-a 20-piece, all-female saxophone/voice orchestra[5] and for Saxophone Experimentals in Space-a 55-piece group of young saxophonists, as well as with her two children during walks through the streets of London.

Recordings include Transitions with Maggie Nichols and Charlotte Hug,[6] Five Shadows with Veryan Weston, Performances for Large Saxophone Ensemble 1 and 2 and Performances for Large Saxophone Ensemble 3 and 4 with Mass Producers and a solo work Now We Are One Two.

Caroline Kraabel has been hosting a weekly radio show on London's Resonance FM[7] and is the editor for the London Musicians Collective's magazine Resonance."

-Wikipedia (https://en.wikipedia.org/wiki/Caroline_Kraabel)
6/13/2017

"David Leahy is a Kent (UK) based musician and dancer specialising in things improvised, from Free Improvisation in music to Contact Improvisation in dance.

In my past, I journeyed through Classical music, through celtic and world music to arrive at Jazz, before focusing my energy on music with less recognisable stylistic constraints. My relationship with dance began as a composer for choreographies, before becoming an accompanist and finally a dancer myself.

I now maintain a duel practice working in the UK and internationally as a soloist and performer (music, dance and combined) / accompanist / composer / conductor and facilitator.

I produce my own work as well as in collaboration with others. Notable ongoing relationships with individuals and institutions include ; London Improvisers Orchestra, Wuppertal Improvisers Orchestra, MbUSkers (Kent-based MbUS group), and Improvisers on the European free improvised music scene. Fevered Sleep (Theatre Company), London Contact Improvisers, Trinity Laban, Greenwich Dance Agency, Underscores in London, Slap, Tina Krasevec, Hagit Yakari, Daun Ensemble, Deirdre Starr, Geraldo Si, Benedict Taylor, Angeline Conaghan and Groundswell Arts.

I recently completed a Masters in Creative Practice at Trinity Laban, which focused on my movement practice. However, my final project centred around the translation of the Contact Improvisation framework, the Underscore developed by Nancy Stark Smith, so as to be suitable for improvising musicians (Music-based Underscore). This is now an ongoing practice with regular sessions in both Kent and London, which is also fuelling plans for further study into music as a somatic practice.

-DAFMusic (http://www.dafmusic.com/Aboutme.html)
6/13/2017

"Evan Parker was born in Bristol in 1944 and began to play the saxophone at the age of 14. Initially he played alto and was an admirer of Paul Desmond; by 1960 he had switched to tenor and soprano, following the example of John Coltrane, a major influence who, he would later say, determined "my choice of everything". In 1962 he went to Birmingham University to study botany but a trip to New York, where he heard the Cecil Taylor trio (with Jimmy Lyons and Sunny Murray), prompted a change of mind. What he heard was "music of a strength and intensity to mark me for life ... l came back with my academic ambitions in tatters and a desperate dream of a life playing that kind of music - 'free jazz' they called it then."

Parker stayed in Birmingham for a time, often playing with pianist Howard Riley. In 1966 he moved to London, became a frequent visitor to the Little Theatre Club, centre of the city's emerging free jazz scene, and was soon invited by drummer John Stevens to join the innovative Spontaneous Music Ensemble which was experimenting with new kinds of group improvisation. Parker's first issued recording was SME's 1968 Karyobin, with a line-up of Parker, Stevens, Derek Bailey, Dave Holland and Kenny Wheeler. Parker remained in SME through various fluctuating line-ups - at one point it comprised a duo of Stevens and himself - but the late 1960s also saw him involved in a number of other fruitful associations.

He began a long-standing partnership with guitarist Bailey, with whom he formed the Music Improvisation Company and, in 1970, co-founded Incus Records. (Tony Oxley, in whose sextet Parker was then playing, was a third co-founder; Parker left Incus in the mid-1980s.) Another important connection was with the bassist Peter Kowald who introduced Parker to the German free jazz scene. This led to him playing on Peter Brötzmann's 1968 Machine Gun, Manfred Schoof's 1969 European Echoes and, in 1970, joining pianist Alex von Schlippenbach and percussionist Paul Lovens in the former's trio, of which he is still a member: their recordings include Pakistani Pomade, Three Nails Left, Detto Fra Di Noi, Elf Bagatellen and Physics.

Parker pursued other European links, too, playing in the Pierre Favre Quartet (with Kowald and Swiss pianist Irene Schweizer) and in the Dutch Instant Composers Pool of Misha Mengelberg and Han Bennink. The different approaches to free jazz he encountered proved both a challenging and a rewarding experience. He later recalled that the German musicians favoured a "robust, energy-based thing, not to do with delicacy or detailed listening but to do with a kind of spirit-raising, a shamanistic intensity. And l had to find a way of surviving in the heat of that atmosphere ... But after a while those contexts became more interchangeable and more people were involved in the interactions, so all kinds of hybrid musics came out, all kinds of combinations of styles."

A vital catalyst for these interactions were the large ensembles in which Parker participated in the 1970s: Schlippenbach's Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, Barry Guy's London Jazz Composers Orchestra (LJCO) and occasional big bands led by Kenny Wheeler. In the late 70s Parker also worked for a time in Wheeler's small group, recording Around Six and, in 1980, he formed his own trio with Guy and LJCO percussionist Paul Lytton (with whom he had already been working in a duo for nearly a decade). This group, together with the Schlippenbach trio, remains one of Parker's top musical priorities: their recordings include Tracks, Atlanta, Imaginary Values, Breaths and Heartbeats, The Redwood Sessions and At the Vortex. In 1980, Parker directed an Improvisers Symposium in Pisa and, in 1981, he organised a special project at London's Actual Festival. By the end of the 1980s he had played in most European countries and had made various tours to the USA, Canada, Australia, New Zealand and Japan. ln 1990, following the death of Chris McGregor, he was instrumental in organising various tributes to the pianist and his fellow Blue Notes; these included two discs by the Dedication Orchestra, Spirits Rejoice and lxesa.

Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time. Parker's first solo recordings, made in 1974, were reissued on the Saxophone Solos CD in 1995; more recent examples are Conic Sections and Process and Reality, on the latter of which he does, for the first time, experiment with multi-tracking. Heard alone on stage, few would disagree with writer Steve Lake that "There is, still, nothing else in music - jazz or otherwise - that remotely resembles an Evan Parker solo concert."

While free improvisation has been Parker's main area of activity over the last three decades, he has also found time for other musical pursuits: he has played in 'popular' contexts with Annette Peacock, Scott Walker and the Charlie Watts big band; he has performed notated pieces by Gavin Bryars, Michael Nyman and Frederic Rzewski; he has written knowledgeably about various ethnic musics in Resonance magazine. A relatively new field of interest for Parker is improvising with live electronics, a dialogue he first documented on the 1990 Hall of Mirrors CD with Walter Prati. Later experiments with electronics in the context of larger ensembles have included the Synergetics - Phonomanie III project at Ullrichsberg in 1993 and concerts by the new EP2 (Evan Parker Electronic Project) in Berlin, Nancy and at the 1995 Stockholm Electronic Music Festival where Parker's regular trio improvised with real-time electronics processed by Prati, Marco Vecchi and Phillip Wachsmann. "Each of the acoustic instrumentalists has an electronic 'shadow' who tracks him and feeds a modified version of his output back to the real-time flow of the music."

The late 80s and 90s brought Parker the chance to play with some of his early heroes. He worked with Cecil Taylor in small and large groups, played with Coltrane percussionist Rashied Ali, recorded with Paul Bley: he also played a solo set as support to Ornette Coleman when Skies of America received its UK premiere in 1988. The same period found Parker renewing his acquaintance with American colleagues such as Anthony Braxton, Steve Lacy and George Lewis, with all of whom he had played in the 1970s (often in the context of London's Company festivals). His 1993 duo concert with Braxton moved John Fordham in The Guardian to raptures over "saxophone improvisation of an intensity, virtuosity, drama and balance to tax the memory for comparison".

Parker's 50th birthday in 1994 brought celebratory concerts in several cities, including London, New York and Chicago. The London performance, featuring the Parker and Schlippenbach trios, was issued on a highly-acclaimed two-CD set, while participants at the American concerts included various old friends as well as more recent collaborators in Borah Bergman and Joe Lovano. The NYC radio station WKCR marked the occasion by playing five days of Parker recordings. 1994 also saw the publication of the Evan Parker Discography, compiled by ltalian writer Francesco Martinelli, plus chapters on Parker in books on contemporary musics by John Corbett and Graham Lock.

Parker's future plans involve exploring further possibilities in electronics and the development of his solo music. They also depend to a large degree on continuity of the trios, of the large ensembles, of his more occasional yet still long-standing associations with that pool of musicians to whose work he remains attracted. This attraction, he explained to Coda's Laurence Svirchev, is attributable to "the personal quality of an individual voice". The players to whom he is drawn "have a language which is coherent, that is, you know who the participants are. At the same time, their language is flexible enough that they can make sense of playing with each other ... l like people who can do that, who have an intensity of purpose." "

-Evan Parker Website (http://evanparker.com/biography.php)
6/13/2017

"Harold Winston "Harry" Beckett (30 May 1935 - 22 July 2010) was a British trumpeter and flugelhorn player of Barbadian origin.

Born in Bridgetown, Saint Michael, Barbados, Harry Beckett learned to play music in a Salvation Army band. A resident in the UK since 1954, he had an international reputation. In 1961, he played with Charles Mingus in the film All Night Long. In the 1960s he worked and recorded within the band of bass player and composer Graham Collier. Beginning in 1970, he led groups of his own, recording for Philips, RCA and Ogun Records among other labels.

He was a key figure of important groups in the British free jazz/improvised music scene, including Ian Carr's Nucleus, the Brotherhood of Breath and The Dedication Orchestra, London Jazz Composers Orchestra, London Improvisers Orchestra, John Surman's Octet, Django Bates, Ronnie Scott's Quintet, Kathy Stobart, Charlie Watts, Stan Tracey's Big Band and Octet; Elton Dean's Ninesense. He has also recorded with Keef Hartley, Jah Wobble, David Sylvian and worked with David Murray. He toured abroad with Johnny Dyani, Chris McGregor, Keith Tippett, John Tchicai, Joachim Kühn, Dudu Pukwana's Zila, George Gruntz's Bands, Belgian quintet The Wrong Object, Pierre Dørge's New Jungle Band and Annie Whitehead's Robert Wyatt project, Soupsongs, which also featured Phil Manzanera and Julie Tippetts, among other jazz and rock luminaries.

His dub-oriented album, The Modern Sound of Harry Beckett, was produced by famed British producer Adrian Sherwood and released on On-U Sound in late 2008.

In 1972, Beckett won the Melody Maker jazz Poll as "Top Trumpeter in Britain". He was a member of the Orchestre National de Jazz between 1997 and 2000.

Beckett died on 22 July 2010 after suffering a stroke."

-Wikipedia (https://en.wikipedia.org/wiki/Harry_Beckett)
6/13/2017

"Javier Carmona is a drummer and percussionist from Madrid (now settled in Barcelona after seven years in London), Javier is very active in the European free improvisation scene and has performed with musicians such as John Tchicai, Evan Parker, Carlos Zingaro and John Russell, among many others.

Member of several formations, Javier also collaborates with dancers Rosa Aledo and Saija Lehtola in Kicking Louise & Co., a dance company that has presented work in France, Cyprus, Spain and England.

Organizer of FIL Malaga, a festival of free improvised music including performances and workshops, Javier has also led student workshops about free improvisation in Newport University (with Kamil Korolczuk), Westminster University (with Sakoto Fukuda) and Huddersfield University (with Ingrid Laubrock and Olie Brice).

Co-founder alongside graphic designer and electronics player Kamil Korolczuk of Oso Records, a netlabel of free downloadable music focused on releasing various types of experimental music."

-Javier Carmona Website (https://carmonajavier.wordpress.com/about/)
6/13/2017

"John Butcher's work ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and extreme acoustics.Originally a physicist, he left academia in '82, and has since collaborated with hundreds of musicians - Derek Bailey, John Tilbury, John Stevens, The EX, Akio Suzuki, Gerry Hemingway, Polwechsel, Gino Robair, Rhodri Davies, Okkyung Lee, John Edwards, Toshi Nakamura, Paul Lovens, Eddie Prevost, Mark Sanders, Christian Marclay, Otomo Yoshihide, Phil Minton, and Andy Moor - to name a few.

He is well known as a solo performer who attempts to engage with the uniqueness of place. Resonant Spaces is a collection of site-specific performances collected during a tour of unusual locations in Scotland and the Orkney Islands.His first solo album, Thirteen Friendly Numbers, includes compositions for multitracked saxophones, whilst later solo CDs focus on live performance, composition, amplification and saxophone-controlled feedback.

HCMF has twice commissioned him to compose for his own large ensembles. Other commissions include for Elision (Australia), the Rova (USA) & Quasar (Canada) Saxophone Quartets, reconstructed Futurist Intonarumori (USA), "Tarab Cuts" (based on pre-WWII Arabic recordings, and shortlisted for the 2014 British Composer's Award) and "Good Liquor .." for the London Sinfonietta. In 2011 he received a Paul Hamlyn Foundation Award for Artists.

Recent groupings include The Apophonics with Robair and Edwards, Anemone with Peter Evans, Plume with Tony Buck & Magda Mayas and a trio with Okkyung Lee & Mark Sanders.Butcher values playing in occasional encounters - ranging from large groups such as Butch Morris' London Skyscraper and the EX Orkestra, to duo concerts with David Toop, Kevin Drumm, Claudia Binder, Paal Nilssen-Love, Thomas Lehn, Fred Frith, Keiji Haino, Ute Kangeisser, Matthew Shipp and Yuji Takahashi."

-John Butcher Website (http://www.johnbutcher.org.uk/Biog.html)
6/13/2017

"George Lowen Coxhill (19 September 1932 - 10 July 2012), generally known as Lol Coxhill, was an English free improvising saxophonist and raconteur. He played the soprano or sopranino saxophone. Coxhill was born to George Compton Coxhill and Mabel Margaret Coxhill (née Motton) at Portsmouth, Hampshire, UK. He grew up in Aylesbury, Buckinghamshire, and bought his first saxophone in 1947. After national service he became a busy semi-professional musician, touring US airbases with Denzil Bailey's Afro-Cubists and the Graham Fleming Combo. In the 1960s he played with visiting American blues, soul and jazz musicians including Rufus Thomas, Mose Allison, Otis Spann, and Champion Jack Dupree. He also developed his practice of playing unaccompanied solo saxophone, often busking in informal performance situations. Other than his solo playing, he performed mostly as a sideman or as an equal collaborator, rather than a conventional leader - there was no regular Lol Coxhill Trio or Quartet as would normally be expected of a saxophonist. Instead he had many intermittent but long-lasting collaborations with like-minded musicians.

In the late 1960s and early 1970s, he was a member of Canterbury scene bands Carol Grimes and Delivery and then Kevin Ayers and the Whole World. He became known for his solo playing and for work in duets with pianist Steve Miller and guitarist G. F. Fitzgerald. He was thought to have largely inspired Joni Mitchell's song "For Free", while busking solo on the old footbridge which formed part of the Hungerford Bridge between Waterloo and Charing Cross. Coxhill collaborated with other musicians including Mike Oldfield, Morgan Fisher (of Mott the Hoople), Chris McGregor's Brotherhood of Breath and its musical descendant The Dedication Orchestra, Django Bates, the Damned, Hugh Metcalfe, Derek Bailey and performance art group Welfare State.

He often worked in small collaborative groups with semi-humorous names such as the Johnny Rondo Duo or Trio (with pianist Dave Holland - not the bassist of the same name), the Melody Four (characteristically a trio, with Tony Coe and Steve Beresford), and The Recedents (with guitarist Mike Cooper and percussionist Roger Turner), known as such because the members were (in Coxhill's words) "all bald", though the name may additionally be a play on the American band the Residents. Typically these bands performed a mix of free improvisation interspersed with ballroom dance tunes and popular songs. There was humour throughout his music but he sometimes felt it necessary to tell audiences that the free playing was not intended as a joke. Coxhill was compere and occasional performer at the Bracknell Jazz Festival, and a raconteur as well as a musician; he often would introduce his music by saying the words, "what I am about to play you may not understand". It was following a performance at Bracknell that he recorded the melodramatic monologue Murder in the Air."

-Wikipedia (https://en.wikipedia.org/wiki/Lol_Coxhill)
6/13/2017

"Marcio Mattos was born Rio de Janeiro, 20th March 1946; double bass, 'cello.

Studied acoustic guitar in early teens, switching to double bass and cello, mainly self-taught, after becoming interested in Jazz. Later entered the Villa-Lobos institute where he became involved in improvisation and electronic music. Since coming to Europe in 1970 has performed, recorded and broadcast both in Britain and abroad in groups including John Surman, Evan Parker, John Stevens, Keith Tippett, Derek Bailey's Company, Dewey Redman and Marylin Crispell amongst others. Has also worked with dance companies such as Ballet Rambert and The Extemporary Dance Theatre Company, and in electro-acoustic music groups such as the West Square Electronic Music Ensemble.

A long- standing member of the Eddie Prevost Quartet and various Elton Dean groups. Other current British projects include the "Bardo State Orchestra", Chris Burn's Ensemble, "Wooden Taps" with Maggie Nicols, "Embers" with John Butcher and others, "Lines" with Phil Wachsmann/Jim Denley and others, and "Full Monte" with Chris Biscoe, Brian Godding and Tony Marsh . International projects working in Europe have included Georg Graewe's Grubenklang Orchestra, Stefano Maltese's "Open Music Ensemble", Tony Oxley's Celebration Orchestra, "AXON"- trio with Phil Minton and Martin Blume , bass/cello and shakuhachi duo with Shiku Yano, and in Japan various groupings with Sabu Toyozumi and Keiko Midorikawa.

Also trained as a Ceramic artist at Goldsmiths college and continues to make and exhibit work in clay."

-EFI (http://www.efi.group.shef.ac.uk/mmattos.html)
6/13/2017

"Mark Sanders has played with many renowned musicians including Roscoe Mitchell, Wadada Leo Smith, Derek Bailey, Henry Grimes, Roswell Rudd, Peter Brotzmann, Barry Guy, Otomo Yoshihide, Jah Wobble, Sidsel Endresen , Charles Gayle, Peter Evans and William Parker. He works with John Edwards in a duo and with groups including Evan Parker, `Foils` with Frank Paul Schubert and Matthius Muller and groups with Veryan Weston, John Tilbury, Agusti Fernandez and Mathew Shipp. Mark works in a regular improvising duo with John Butcher and also performing John`s composition `Tarab Cuts` which has played festivals in Rio de Janiero, Amsterdam, Barcelona, Glasgow, Bristol and London. In a trio with cellist Okkyung Lee, John and Mark have played in Belgium, France, England and Scotland. He also has a longstanding duo with Sarah Gail Brand which has featured on the BBC`s `The Stuart Lee Show`and in the film `Taking the dog for a Walk`.

He has performed solo for a Christian Marclay exhibition at The White Cube Gallery in London, Evan Parker`s festival`Unwhitstable` in Wroclaw, Poland for `Solos Festival` The 100 Years Gallery London, an improvised music series in Derby and Cafe Oto in London. Working with Christian Marclay in his `Everyday` piece for film and live music, he has performed in Aldeburgh, Ruhr Trienalle, Vienna Bienalle, Holland festival and London`s QEH and has also collaborated with him playing for the film `Screenplay`in London and Lisbon. In situations using composition in one form or another Mark works in various projects including `13 Vices` with Brian Irvine/Jennifer Walshe, Alex Hawkins Ensemble featuring Peter Evans, Simon Fell Ensembe, groups with Hasse Poulsen and Luc Ex , Sarah Sarhandi`s `Both Universe`, Elaine Mitchener`s `Sweet Tooth` and has played in the groups of Shabaka Hutchings including`Sons of Kemet` Conceptual Artist Sam Belinfante collaborated with Mark in his piece `On the One Hand, and the Other` in two exhibitions at Camden Arts Centre, London For Conceptual artist Henrik Hakensen`s film `The End` he has performed as an improvising soloist with orchestras conductedd by Jessica Cottis, playing the music of John Coxon in Glasgow, Sydney and Monte Carlo As a guest with New York`s ICE Ensemble he has performed John Zorn`s `The Tempest` in London and at Huddersfield New Music Festival.

Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, in duo and `Frisque Concordance` with Georg Graewe , and the ensembles of Mikolaj Trzaska, Uwe Oberg and Peter Jaquemyn. He has performed in the USA, Canada, Brazil, Japan, Morrocco, South Africa, Australia, Mozambique and Turkey, playing at many major festivals including Nickelsdorf, Riga, Ulrichsburg, Glastonbury, Womad, Vancouver, Isle of Wight, Roskilde, Berlin Jazz days, FMP, Mulhouse, Luz, Minniapolis, Banlieue Bleues, Son D`hiver and Hurta Cordel."

-Mark Sanders Website (http://www.marksanders.me.uk/biography.html)
6/13/2017

"Orphy Robinson (born 13 October 1960) is a British vibraphonist and multi-instrumentalist,of Jamaican descent who also plays the saxophone, trumpet, drums, piano, marimba and steel pans. He has written music for television, film, theatre, opera and contemporary classical music. Robinson is from London, UK, and works across a variety of eclectic musical forms (jazz, free jazz, free improvisation, jazz fusion, and funk music)."

-Wikipedia (https://en.wikipedia.org/wiki/Orphy_Robinson)
6/13/2017

"Born 27 July 1960; Piano, electronics. Pat Thomas started playing at the age of 8 and studied classical music and played reggae. He began playing jazz at sixteen after seeing Oscar Peterson on television then listened to snatches of jazz on the radio before, in 1979, playing his first serious improvised gigs. From 1986 he played with Ghosts which was Pete McPhail and Matt Lewis.

In addition to programming his keyboards, Pat Thomas also utilises prerecorded tapes. He told Chris Blackford (1991), 'As far as the tapes are concerned I'll probably just sit in front of the TV and tape whatever's going on and so some editing afterward to decide what might be useful. ...But I don't actually put a label on each tape saying what's on there, so when I come to use them I don't know what I'm going to be playing. That obviously prevents me from setting things up. I pick them at random and see what happens. So I'm just as surprised as anybody else at what comes out'.

In 1988 he was awarded an Arts Council Jazz Bursary to write three new electroacoustic compositions for his ten-piece ensemble, Monads: Roger Turner and Matt Lewis, percussion; Pete McPhail, WX7 wind synthesizer; Neil Palmer, turntables; Phil Minton, voice; Phil Durrant, violin; Marcio Mattos, bass; Jon Corbett, trumpet; Geoff Searle, drum machines. The intention was to feature different aspects of electronics using improvisation so, for example, one piece - Dialogue - featured Pete McPhail and Neil Palmer, another concentrated on the interaction of percussionists and drum machines, and a third piece had Phil Minton and Jon Corbett improvising with a computer. The pieces were performed at the Crawley Outside-In Festival of new music in 1989.

Pat Thomas was invited by Derek Bailey to play in Company Week in 1990 and 1991 and he also took part in the Ist International Symposium for Free Improvisation in Bremen with the guitarist. He has been a member of the Tony Oxley Quartet (documented on Incus CD 15) and played in Oxley's Angular Apron along with Larry Stabbins, Manfred Schoof and Sirone at the 8th Ruhr Jazz Meeting and in the percussionist's Celebration Orchestra. He plays with Lol Coxhill in a range of combinations from duo to being a member of 'Before my time', is a member of Mike Cooper's Continental Drift, and he has a well established duo with percussionist Mark Sanders and a trio with Steve Beresford and Francine Luce. In 1992 Pat Thomas formed the quartet Scatter with Phil Minton, Roger Turner and Dave Tucker; funded by the Arts Council they toured the UK in 1993 and again at the beginning of 1997.

On the 'Festival circuit', Pat Thomas has appeared at: the Young Improvisors Festival at the Korzo Theatre, Den Haag (with Jim O'Rourke, Mats Gustafsson and Alexander Frangenheim); Angelica 95 in Bologna, Italy; the Stuttgart 5th Festival of Improvised Music 96 (with Fred Frith, Shelly Hirsch, Carlos Zingaro and others); and the 3rd International Festival 96 in Budapest (with Evan Parker, Phil Minton, John Russell and Roger Turner).

-EFI (http://www.efi.group.shef.ac.uk/mthomas.html)
6/13/2017

Other Releases With These Artists:
Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher)
Raw
(Leo)
Dean, Elton Quintet
Welcomet - Live in Brazil, 1986
(Ogun)
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Dunmall / Edwards / Noble / Sanders
Go Straight Around The Square
(FMR)
Runcible Quintet, The (featuring John Edwards / Neil Metcalfe)
Five
(FMR)
Anemone (John Butcher / Peter Evans / Frederic Blondy / Clayton Thomas / Paul Lovens)
A Wing Dissolved in Light [VINYL]
(NoBusiness)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher)
Raw
(Leo)
Parker, Evan / Andrea Centazzo
Duets 71977
(Ictus)
Butcher, John / Thomas Lehn / Matthew Shipp
Tangle
(Fataka)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
Remote Viewers, The
No Voice From The Hall
(Remote Viewers)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Cundy, Chris
Gustav Lost
(FMR)
Butcher, John / Stale Liavik Solberg
So Beautiful, It Starts To Rain
(Clean Feed)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Frey, Peter K. / Daniel Studer
Zurich Concerts: 15 Years of Kontrabassduo Studer-Frey [2 CDs]
(Leo)
Toop, David
Entities Inertias Faint Beings [VINYL]
(Room40)
RED Trio w/ John Butcher
Summer Skyshift
(Clean Feed)
Brighton, Ian
Now And Then
(Confront)
Butcher, John / Michael Duch
Fjordgata
(Confront)
Hawkins, Alexander / Evan Parker
Leaps in Leicester
(Clean Feed)
Parker, Evan / Seymour Wright
Tie the Stone to the Wheel
(Fataka)
Remote Viewers, The
November Sky
(Remote Viewers)
Guy, Barry / Eddie Prevost / Evan Parker / Keith Rowe
Supersession [REMASTERED, REPACKAGED, ADDITIONAL TEXT]
(Matchless)
Parker, Evan / Joe Morris / Nate Wooley
Ninth Square
(Clean Feed)
Russell, John (with Phil Minton, Thurston Moore, Evan Parker, &c.)
With...
(Emanem)
Frith, Fred / Evan Parker
Hello, I Must Be Going
(Les Disques Victo)
Butcher, John / Andy Moor
Experiments With A Leaf
(Unsounds)
Contest of (More) Pleasures, The (Dorner / Pallandre / Butcher / Sassi / Charles)
Ulrichsberg
(Confront)
Russell, John / Phil Durrant / John Butcher
Conceits (1987/1992)
(Emanem)
Mattos, Marcio
SOL[os]
(Emanem)
Kraabel, Caroline / Phil Hargreaves
Where We Were (Shadows Of Liverpool)
(Leo)
Schlippenbach Trio
First Recordings [VINYL]
(Trost Records)
Schlippenbach Trio
First Recordings
(Trost Records)
Butcher, John / Burkhard Beins / Mark Wastell
Membrane
(Confront)
Remote Viewers, The
Pitfall
(Remote Viewers)
Frith, Fred / John Butcher
The Natural Order
(Northern Spy)
Parker, Evan ElectroAcoustic Septet
Seven
(Les Disques Victo)
Spontaneous Music Ensemble
Oliv & Familie (1968-9)
(Emanem)
Edwards / Sanders / Tilbury
A Field Perpetually At The Edge Of Disorder
(Fataka)
Deep Whole Trio (Dunmall / Rogers / Sanders)
That Deep Calling
(FMR)
Riverloam Trio
Inem Gortn
(FMR)
Yoshihide, Otomo / Sachiko M / Evan Parker / John Edwards / Tony Marsh / John Butcher
Quintet/Sextet/Duos
(Otoroku)
Lloyd, Jon
Four & Five
(Hatology)
Watts / Weston / Sanders / Edwards
Hear Now: A Film by Mark French [DVD]
(FMR)
Parker, Evan / John Edwards / Mark Sanders
The Two Seasons
(Emanem)
Rutherford, Paul
Chicago 2002
(Emanem)
Parker, Evan
The Ayes Have It
(Emanem)
Butcher, John / Phil Durrant / John Russell
The Scenic Route
(Emanem)
Parker, Evan / Barry Guy / Paul Lytton
At The Vortex
(Emanem)
Lunge (Brand / Durrant / Sanders / Thomas)
Strong Language
(Emanem)
Nicols, Maggie / Caroline Kraabel / Charlotte Hug
Transitions
(Emanem)
Ramanan, Roland
Shaken
(Emanem)
Thomas, Pat
NUR - solo piano 1999
(Emanem)
Burn / Coxhill / Edwards / Minton / Russell
Mopomoso Solos 2002
(Emanem)
Blume / Denley / Dorner / Mattos / Wachsmann
LINES in Australia
(Emanem)
Weston, Veryan / Caroline Kraabel
Five Shadows
(Emanem)
Bianco, Tony & Paul Dunmall
Hour Glass [2 CDs]
(Emanem)
Various Artists
The All Angels Concerts [2 CDs]
(Emanem)
Laddaga, Reinaldo
Things That A Mutant Needs To Know [BOOK + 2 CDs]
(Unsounds)
Various Artists
Freedom of the City 2002 - small groups [2 CDs]
(Emanem)
Various Artists
Freedom of the City 2001 - small groups [2 CDs]
(Emanem)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly [VINYL]
(Rune Grammofon)
Parker, Evan & Joe Mcphee
What / If / They Both Could Fly
(Rune Grammofon)
Remote Viewers, The
Crimeways
(Remote Viewers)
Various Artists
Amalgam(e): 10 Years of Red Toucan [2 CDs]
(Red Toucan)
SFQ (Simon Fell Quartet)
Four Compositions [2 CDs]
(Red Toucan)
Thomas / Lash / Sanders
Skip
(FMR)
Rocket Science
Evan Parker / Peter Evans / Craig Taborn / Sam Pluta
(More Is More)
Common Objects: John Butcher / Rhodri Davies / Lee Patterson
Live In Morden Tower
(Mikroton Recordings)
Spontaneous Music Ensemble
Challenge (1966-7)
(Emanem)
Coxhill, Lol & Michel Doneda
Sitting On Your Stairs
(Emanem)
Butcher / Buck / Mayas / Stangl
Plume
(Unsounds)
Spontaneous Music Ensemble
Summer 1967
(Emanem)
Butcher, John
Vortices & Angels
(Emanem)
Parker, Evan
Lines Burnt In Light
(psi)
Parker, Evan / Paul Lytton
Collective Calls (Urban)
(psi)
Bennink / Evan Parker, Han
The Grass Is Greener
(psi)
Thomas, Pat
Al-Khwarizmi Variations
(Fataka)
Stevens / Rutherford / Parker / Guy
One Four and Two Twos (1978/79/92)
(Emanem)
Butcher, John
Bell Trove Spools
(Northern Spy)
Trzaska, Mikolaj / Olie Brice / Mark Sanders
Riverloam Trio [2 LPs]
(NoBusiness)
Parker / Schlippenbach / Guy / Lovens / Lytton
2X3=5
(Leo)
Remote Viewers, The
City of Nets
(Remote Viewers)
Various Artists
13 Miniatures For Albert Ayler
(RogueArt)
Dunmall / Wooster / Sanders / Mapp
The Iceberg Quartet
(FMR)
Dunmall, Paul / Mark Sanders
Pipe & Drum
(FMR)
Parker, Evan & GGRIL (Grand Groupe Regional d'Improvisation Liberee)
Vivaces
(Tour de Bras)
Butcher, John & Mark Sanders
Daylight
(Emanem)
Nakamura, Toshimaru / John Butcher
Dusted Machinery
(Monotype)
Parker, Evan / Lee / Evans
The Bleeding Edge
(psi)
Remote Viewers, The
Nerve Cure
(Remote Viewers)
Grutronic & Evan Parker
Together in Zero Space
(psi)
Mengelberg, Misha & Evan Parker
It won't be called Broken Chair
(psi)
Recommended & Related Releases:
Trio Kimmig (Kimmig / Studer / Zimmerline / John Butcher)
Raw
(Leo)
Dean, Elton Quintet
Welcomet - Live in Brazil, 1986
(Ogun)
Maneri, Mat / Evan Parker / Lucian Ban
Sounding Tears
(Clean Feed)
Dunmall / Edwards / Noble / Sanders
Go Straight Around The Square
(FMR)
Runcible Quintet, The (featuring John Edwards / Neil Metcalfe)
Five
(FMR)
Anemone (John Butcher / Peter Evans / Frederic Blondy / Clayton Thomas / Paul Lovens)
A Wing Dissolved in Light [VINYL]
(NoBusiness)
Braxton, Anthony
Ensemble (Victoriaville) 1988
(Les Disques Victo)
Parker, Evan / John Edwards / Steve Noble
PEN
(Dropa Disc)
Bailey, Derek / Joelle Leandre / George Lewis / Evan Parker
28 Rue Dunois Juillet 1982
(Fou Records)
Parker, Evan / John Russel / Ian Brighton / Phillip Wachsmann / Marcio Mattos / Trevor Taylor
Live From Cafe Oto
(FMR)
Parker, Evan / Andrea Centazzo
Duets 71977
(Ictus)
Butcher, John / Thomas Lehn / Matthew Shipp
Tangle
(Fataka)
Parker, Evan / Daunik Lazro / Joe McPhee
Seven Pieces. Live At Willisau 1995
(Clean Feed)
Escreet, John (w/ Evan Parker / John Hebert / Tyshawn Sorey)
The Unknown (Live in Concert)
(Sunnyside Records)
Remote Viewers, The
No Voice From The Hall
(Remote Viewers)
Parker, Evan / Pat Thomas / John Russell / John Edwards / Alex Ward / Alison Blunt / Benedict Taylor / David Leahy / Kay Grant
Mopomoso Tour 2013 | Making Rooms [4 CD BOX SET]
(Weekertoft)
Spontaneous Music Orchestra
Search & Reflect (1973-81) [2 CDs]
(Emanem)
Parker, Evan / Mark Nauseef / Toma Gouband
As The Wind
(psi)
Cundy, Chris
Gustav Lost
(FMR)
Butcher, John / Stale Liavik Solberg
So Beautiful, It Starts To Rain
(Clean Feed)
Spontaneous Music Ensemble
Withdrawal (1966/7)[REISSUE]
(Emanem)
Frey, Peter K. / Daniel Studer
Zurich Concerts: 15 Years of Kontrabassduo Studer-Frey [2 CDs]
(Leo)
Toop, David
Entities Inertias Faint Beings [VINYL]
(Room40)
RED Trio w/ John Butcher
Summer Skyshift
(Clean Feed)
Brighton, Ian
Now And Then
(Confront)
Butcher, John / Michael Duch
Fjordgata
(Confront)

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