The excellent trio of Alfred Harth on sax, Kevin Norton on percussion, and the late Wilber Morris on bass, performing at the 2001 Vision Festival VI in New York City.f
Squidco Memorial Day 2017 Sale!
Buy 1 or more item(s) from the sale, Take 8.00% Off
(checkout price: $13.75)
Buy 3 or more item(s) from the sale, Take 15.00% Off
(checkout price: $12.71)
Shipping Weight: 2.00 units
Quantity in Basket: None
Log In to use our Wish List
Label: Clean Feed
Catalog ID: CF 115
Squidco Product Code: 10001
Packaging: Cardstock Gatefold Sleeve
Recorded June 2, 2001 live at the Vision Festival VI, Knitting Factory, New York City by Steve Schmidt.
Alfred Harth-reeds, pocket trumpet, voice
Kevin Norton-drums, vibraphone
Highlight an artist name or instrument above
and click here to Search
1. Wind at the ear says June 8:15
2. And loudspeakers loyal to the sea's deep bass say June 6:52
3. Hiranyagarbha 5:18
4. Melancholy 4:05
5. A wind reads ruts saluting the blue silk beyond pain 2:28
6. Viriditas Waltz 4:41
7. Braggadocio 7:05
8. Fuer die Katz's deli(ght)+Starbucks 6:32
9. Peace 3:54
NY Downtown & Jazz/Improv
Staff Picks & Recommended Items
Recorindgs from the NYC Vision Festival
Squidco's Clean Feed $12.00 Sale
sample the album:
"Bassist Wilber Morris' contribution to contemporary jazz is still being documented, after his death. Such a rich career certainly deserves that attention. The idea for this trio came from the mind of Alfred Harth, a German (now living in South Korea) saxophonist, composer, improviser, and visual artist. He invited Morris and a drummer of Morris's preference to form a trio. The choice couldn't have been more fitting: Kevin Norton, a new presence then but now mainstay of the New York scene. This is indeed an uncommon band. Harth is active in the experimental field with projects defined by the influences of jazz, rock, and contemporary classical music, exemplified by his associations with Heiner Goebbels and by the band he co-founded, Cassiber and nowadays with Otomo Yoshihide.
He wanted to return to his roots of free jazz. Wilber Morris seemed to him the ideal companion to do this, and Norton represented the bridge between the worlds of avant-jazz and experimental music. The first CD of this not-as-strange-as-you-may-think combination was Clean Feed's "waxwebwind@ebroadway." This new release documents a memorable concert. The music boils, faithful to the tradition it comes from, but with a twist that refreshes it and adds another dimension to everything that happens. "Live at Vision Festival VI" turns the page and envisions the future."-Clean Feed
• Show Bio for Kevin Norton
"Kevin Norton was born in Brooklyn and raised in Staten Island, NY. The composer/percussionist came to jazz in an unlikely setting but befriended drummer and fellow record collector Kenny Washington as a teenager. Studies at Hunter College introduced Kevin to Milt Hinton and after a short period, Kevin began to perform with Milt Hinton, eventually recording The Judge's Decision with a quartet led by Milt. Under Milt's encouragement, Kevin went back to school to get his Masters Degree from Manhattan School of Music.
After graduation he played every kind of gig available to a versatile percussionist: classical, jazz, blues, Dixieland, off-Broadway shows, rock, but especially taking part in the blossoming downtown New York City scene that strove to combine all these musics. This lead to him playing with Fred Frith's band Keep the Dog, which also included harpist Zeena Parkins and saxophonist John Zorn. Soon Mr. Norton was asked to play with a vast amount of downtown New York (sometimes called the Knitting Factory scene) ensembles. However, he longed to return to his jazz roots and began to play with downtown outsiders Phillip Johnston and Joel Forrester and their co-led band, the Microscopic Septet (and later Johnston's Big Trouble, with two CDs on Black Saint).
Still unsatisfied on a level of self-expression, Kevin began to devote himself to his own projects featuring his composition work and his improvising on total percussion (predominantly vibes and drums). Kevin has written several multi-movement pieces sometimes based on extra-musical subject matter. For Guy Debord (in nine events)is a piece for quintet and woodwind soloist (originally Anthony Braxton) based on the texts of the radical French philosopher whose thought proved central to the riots of Paris, 1968. Change Dance (Troubled Energy) draws it's inspiration from another radical political activist, Kathy Change (born Kathleen Chang). Both suites are approximately an hour in duration. On February 23, 2006 Kevin's Water and Fire Suite was premiered. It was commissioned as part of the national series of works from Meet The Composer Commissioning Music/USA, which is made possible by generous support from the National Endowment for the Arts, The Helen F. Whitaker Fund, and the Target Foundation.
In less than 10 years he has led and/or co-led about 20 critically acclaimed recordings, many of them making year-end "Best of" lists. On one of the recent recordings, Time-Space Modulator integrates intricate, sophisticated composition work with the deep improvisatory skills of Kevin, Tony Malaby, Dave Ballou and John Lindberg.
Kevin has also played with many highly esteemed European Improvisers such as Paul Rogers, Jo‘lle LŽandre, Paul Dunmall and Frode Gjerstad. Also, for about ten years, Mr. Norton was Anthony Braxton's main percussionist in both the "ghost trance" phase and the "standards" phase, plotting out the course for all percussionists who followed him. His most recent projects include compositions for various sized chamber groups and a duo with pianist Connie Crothers.
In June of 2002, Kevin Norton was a resident composer at the prestigious MacDowell Colony. He has served on the faculty of several schools including the University of Maryland and is currently on the faculty of William Paterson University."-Kevin Norton website (http://www.kevinnorton.com/bio.html)
^ Hide Bio for Kevin Norton
Search for other titles on the Clean Feed label.