Mike & Kate Westbrooks 1986 album of Gioacchino Rossini interpretations, with Lindsay Cooper on sopranino sax, huge works that impart improv and humor into magnificent compositions.
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Catalog ID: Hatology661
Squidco Product Code: 9986
Condition: Sale (New)
Packaging: Cardstock Gatefold Sleeve
Digital two track recording by Peter Pfister in the studios of Radio DRS Zurich on November 11, 12, 1986.
Lindsay Cooper-sopranino saxophone
Peter Whyman-alto saxophone
tenor horn, voice
Mike Westbrook-piano, tuba
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1. William Tell Overture II 1:50
2. William Tell Overture III 2:43
3. The Thieving Magpie Overture 1:46
5. William Tell Overture IV 5:25
6. The Barber Of Seville Overture 7:10
7. Thiev-Ish Magpie 8:24
8. William Tell Overture I 2:49
9. Si Cinge Il Pro'Guerriero 4:20
10. Isaura 12:26
11. Tutto Cangia 3:43
12. William Tell Overture V 3:24
European Improv, Free Jazz & Related
sample the album:
"Keep in mind that this is not a collection of isolated episodes, but a considerable ensemble work as well, full of relaxed pastoral airs alternating with more tumultuous melees - a juxtaposition which has found favor in Westbrook's writing as far back as '60s and '70s scores like Marching Song, Metropolis, and Citadel/Room 315, and as recent as The Westbrook Blake, The Cortege, and On Duke's Birthday. Typically, his arrangements set you up in what appear to be comfortable surroundings, then suddenly alter your sense of perspective with a swift shift of mood. As a composer and arranger of the first rank, Westbrook thrives on contrast and diversity; yet even given that, Westbrook-Rossini's playful suggestions of Ellington, Anthony Braxton, and Charlie Chaplin could be considered surrealistic. Still, in the long run, it's Rossini, it's Westbrook, and the twain do meet."-Art Lange, from the back cover
"There are few who claim middle ground when it comes to the Westbrooks. They have been both celebrated and maligned for their dry humor and novel approach to albums or genres (from rock & roll, theater music, and traditional big-band dates, etc.), and have also been criticized for their overly produced and polished approach to large orchestral original compositions of "new jazz." But, from whatever camp you happen to listen to this recording of the Westbrook septet based on themes and arias from Rossini, all arguments about this work of great innovation in the world of arrangement -- and an homage not above poking fun at its inspiration -- are transcended. This is a huge work, with spiraling Italian tarantellas played by Westbrook on the tuba, gorgeous arias sung by Kate, outlandish improvisational episodes where Lindsay Cooper gets to shine on her sopranino saxophone and Peter Whyman on his alto, and wildly contrapuntal flowing swing from Andy Grappy's tuba and Westbrook's piano. Peter Fairlough's drumming, Kate's tenor horn, and Paul Nieman's trombone usher in -- along with Mike's tuba -- a New Orleans read of the William Tell Overture; there are five different "takes" on it here. Actually, even though they are purposely unordered, the William Tells are the meditation for the entire work, as Westbrook weaves complex blends of musics, periods, instruments, and modalities through his gorgeously tonal and melodic arrangements that pay homage to both Gil Evans and Duke Ellington. There is nothing extra -- no bombast or academic seriousness. Only joy, wondrous innovation, and a truly accurate ear to bring the modernism in the original works to a postmodern audience."-Thom Jurek, All Music
• Show Bio for Lindsay Cooper
"Lindsay Cooper (3 March 1951 Ð 18 September 2013) was an English bassoon and oboe player, composer and political activist. Best known for her work with the band Henry Cow, she was also a member of Comus, National Health, News from Babel and David Thomas and the Pedestrians. She collaborated with a number of musicians, including Chris Cutler and Sally Potter, and co-founded the Feminist Improvising Group. She wrote scores for film and TV and a song cycle Oh Moscow which was performed live around the world in 1987. She also recorded a number of solo albums, including Rags (1980), The Gold Diggers (1983) and Music For Other Occasions (1986).
Cooper was diagnosed with multiple sclerosis in the late 1970s, but did not disclose it to the musical community until the late 1990s when her illness prevented her from performing live. In September 2013, Cooper died from the illness at the age of 62, 15 years after her retirement."-Wikipedia (https://en.wikipedia.org/wiki/Lindsay_Cooper)
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• Show Bio for Peter Fairclough
"Since graduating from the City of Leeds College of Music with Distinction in Drums and Percussion, Peter Fairclough has performed and/or recorded with Keith Tippett, Paul Dunmall, Ute Lemper, Huw Warren, Peter Whyman, Steve Berry, John Harle, Kenny Davern, Peter King, The Matrix Ensemble, The Bournemouth Sinfonietta, The Mike Westbrook Orchestra and The Theatre Royal Company (York).
He has 5 CDs to his own credit:
IMAGO (Jazzprint JPVP132)CD - with Keith Tippett), Wild Silk (ASC CD8 - with Keith Tippett), Permission (ASC CD18) and Shepherd Wheel (ASC CD1). The most recent release is Momentarily with Hayley Youell, Fred T Baker & Dave Bainbridge.
In 1995 he was awarded the Peter Whittingham Award and he has toured extensively abroad, appearing at many top jazz festivals.
Peter teaches Drum Kit at The Liverpool Institute of Performing Arts and Leeds College of Music."-Jazz CDs (http://www.jazzcds.co.uk/artist_id_60/biography_id_60)
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