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Catalog ID: 577
Squidco Product Code: 9933
Packaging: Cardstock Sleeve
Recorded on December 16, 2000 at Avatar Studios, NYC by Jon Rosenberg.
Ellery Eskelin-tenor saxophone
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1. Scatter Brain 5:44
2. Horizon Blue 10:29
3. Terra Firma 5:16
4. Inquietante Familiarite 6:33
5. Transient 5:16
6. Still Life 4:04
7. Signal Drift 5:54
descriptions, reviews, &c.
"When I listen back to the music perhaps the one feeling I get throughout all of the pieces is best expressed by the title of track number four, "Inquiétante Familiarité". This phrase refers to the phenomenon that Freud described as a "strange nearness" (or "unheimlich" in the German). A strange familiarity or perhaps a familiar strangeness. Improvisation often has this quality for me. Taking what you know into the unknown ... making the familiar unfamiliar ... bringing the unfamiliar near ... seeing things as if for the first time ..."-Ellery Eskelin, from the liner notes
"Does Ellery Eskelin ever lead a group with less than outstanding results? This is his sixth recording for a series of limited-edition CDs produced by the adventurous Swiss label hatOLOGY , and like its predecessors, it is a winner all the way. Eskelin knows what he wants, and for that reason his efforts as a leader are highly focused. For this one, he invited a vibraphonist and three leading string players known for their facility with free improvisation . The eight tracks were freely improvised without any rehearsals or preconceptions. This is risky business, to be sure, but with the likes of Eskelin , violist Mat Maneri , cellist Erik Friedlander , and bassist Mark Dresser , all of whom are well-known for their remarkable skills as soloists, the results are entirely successful. There is an intense lyricism produced that belies the common conception of free improvisation . The strings and vibes stand on their own, with the saxophonist's exquisite tone drawing, blending, and contrasting its timbre. Each piece somehow sounds composed and explores something slightly different, drawing the listener deeply into an array of mysterious sounds. There is a chamber-like quality to much of it, though Eskelin and his colleagues are much too experienced and savvy to let what they do be pigeonholed. Longtime fans of the saxophonist will not be disappointed; for those who are unfamiliar with this great player, this might be a fine introduction to his highly creative work."-Steven Loewy, All Music Guide
NY Downtown & Metropolitan Jazz/Improv
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